"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (right) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (left) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. British Museum Satires No. 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the right, standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue
Description:
Title etched below image. and 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.5 x 39.0 cm, on sheet 28.8 x 41.4 cm.
Publisher:
Publish'd Septr. 24th, 1808, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Mustafa IV, Sultan of the Turks, 1779-1808, and Charles XII, King of Sweden, 1682-1718
Subject (Topic):
Peninsular War, 1807-1814, Monsters, Fire, Lions, Bears, and Eagles
Title from caption below image., Text below title: If ever I marry a wife, I'll mary a landlord's daughter; then I can sit in the bar, and drink cold brandy & water., Plate numbered in lower left corner: 504., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1808 by Laurie & Whittle, 53 Fleet Street, London
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to an engraved song. Two sailors stand in a man-of-war; hammocks are slung from the roof, guns project from port-holes. One (left) is wrapped in a sheet over his sailor's dress. The other relates how he shot Tom Tack who 'com'd from Boney-Ayrs', in a quarrel over Polly of Spithead. Tom visited him wrapped in a sheet, but is threatened with a rope's end. ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum online catalogue., Forty lines of verse below title: I courted Polly of Spithead, and ax'd her to be married; at first she was most cruel kind, but she prov'd false as you shall find ..., Plate numbered "38" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., and Sheet trimmed within plate mark.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to an engraved song. Two sailors stand in a man-of-war; hammocks are slung from the roof, guns project from port-holes. One (left) is wrapped in a sheet over his sailor's dress. The other relates how he shot Tom Tack who 'com'd from Boney-Ayrs', in a quarrel over Polly of Spithead. Tom visited him wrapped in a sheet, but is threatened with a rope's end. ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum online catalogue., Forty lines of verse below title: I courted Polly of Spithead, and ax'd her to be married; at first she was most cruel kind, but she prov'd false as you shall find ..., Plate numbered "38" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 28 x 21.5 cm, on sheet 41.8 x 25.6 cm., and Leaf 71 in volume 1.
Title from text printed in letterpress below image., Originally published by Laurie & Whittle July 24, 1808. See British Museum catalogue., Description based on imperfect copy; imprint statement trimmed from print., and Three columns of verse in letterpress below title: I courted Polly of Spithead, and ax'd her to be married...
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Six elderly volunteers in uniform, with pigtails, sit at dessert. The host (left), holding a decanter and small glass, says: Come Gentlemen Volunteers to the right and left -- Charge if you please to the King [these words are linked to the mouth of the butler, but this seems inconsistent with the dialogue]. His vis-à-vis, rising from his chair, answers: I should be very happy to obey your Orders Colonel, but really your glasses are so small that d------n me if theres enough for a Prime [a specialized meaning of the word not in the O.E.D.] . . At the Colonel's feet are papers: A Penny saved is a 2 Pence got and Current Price of Port Shery--To one Pipe Old Port £120. The butler behind his chair grins delightedly. On the wall is a placard: Maxims--How to get Rich--Pinch Sque[eze], Gripe, Snat[ch]. The room has Gothic mouldings and a window on which are the arms of the City of London, suggesting that the host may be the Lord Mayor (John Ainsley 1807-8). One of the prints in No. 11133."--British Museum online catalogue
Description:
Title from caption below item. and Plate marked "227" in upper right corner.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six elderly volunteers in uniform, with pigtails, sit at dessert. The host (left), holding a decanter and small glass, says: Come Gentlemen Volunteers to the right and left--Charge if you please to the King [these words are linked to the mouth of the butler, but this seems inconsistent with the dialogue]. His vis-à-vis, rising from his chair, answers: I should be very happy to obey your Orders Colonel, but really your glasses are so small that d------n me if theres enough for a Prime [a specialized meaning of the word not in the O.E.D.] . . At the Colonel's feet are papers: A Penny saved is a 2 Pence got and Current Price of Port Shery--To one Pipe Old Port £120. The butler behind his chair grins delightedly. On the wall is a placard: Maxims--How to get Rich--Pinch Sque[eze], Gripe, Snat[ch]. The room has Gothic mouldings and a window on which are the arms of the City of London, suggesting that the host may be the Lord Mayor (John Ainsley 1807-8)."--British Museum online catalogue, description of an earlier state
Alternative Title:
Not enough for a prime
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 21, 1808, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11136 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "227" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 86., and Mounted to 29 x 38 cm.
