Title from song printed below on the same sheet., Plate numbered '482' in upper left corner., From the Laurie & Whittle series of Drolls., Thirty four lines of verse printed below image: I be come up to London, that whirligig place, To see Mother Goose on an odd wild-goose chase; so I quitted Tadcaster, and took to my heels, in the new flying waggon, that flies on broad wheels ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Feby. 1, 1808, by Laurie & Whittle, 53 Fleet Street, London
Six designs on one plate arranged in two rows, with borders in which the inscriptions are engraved. Johnny is a smartly dressed young man. There is a landscape background in Nos. 1 and 3 (in which Johnny wears a top-hat and top-boots). In Nos. 2, 4, 5 a boarded floor indicates an interior. [1] With folded arms and bowed head he approaches from behind a hideous and grinning negress who holds a tobacco-pipe. Above: Smitten with the charms of Mimbo Wampo a sable Venus, daughter of Wampo Wampo, King of the Silver Sand Hills in Congo. [2] Bare-legged he sits in a chair, his bare foot held by the negress who sits on the ground at his feet. Above: Delicately declaring his Love to the aimable Mimbo Wampo, while she is picking his Cheqoes. "You lub me Massa" eh! eh!? [3] Johnny and an old negro wearing only breeches face each other. Beside the latter is a large jar inscribed Feathers, Grave Dirt, Egg Shells, &c. Above: Consulting Old Mumbo Jumbo the Oby Man, how to get possession of the charming Mimbo Wampo. "Lets me alone for dat Massa." [4] He kneels at the feet of the negress taking her hand; she sits on a stool smoking a pipe. Four comparatively handsome women stand in a row watching, two are black, two are white but negroid. Above: Mr Newcome happy, Mimbo made Queen of the Harem. [5] He embraces Mimbo; two other negresses stand behind her, one holding two pale-skinned black-haired infants, the other with a third infant held on her head in a tray. Two other children stand by their mother. Above: Mr Newcome taking leave of his Ladies & Pickaneenees, previous to his departure from Frying Pan Island to graze a little in his Native land. [6] Portrait heads of the children, numbered I to 9, arranged in three rows. Above: A few of the Hopeful young Newcomes. Below the whole design: J. Lucretia Diana Newcome, a delicate Girl very much like her Mother; only that she has a great antipathy to a pipe, and cannot bear the smell of Rum. 2 Penelope Mimbo Newcome. 3 Quaco Dash Newcome prodigiously like his father. 4 Cuffy Cato Newcome. 5. Caesar Cudjoe Newcome. 6 Helena Quashebah Newcome. 7 Aristides Juba Newcome. 8 Hector Sammy Newcome, a child of great spirit, can already Damnme Liberty and Equality and promises fair to be the Toussaint [see No. 10090] of his country. 9 Hannibal Pompey Wampo Newcome
Description:
Title engraved above image., Companion print: West India luxury!!, and Watermark: J Whatman Turkey Mill. Countermark: 1825.
Publisher:
Published April 1808 by William Holland, Cockspur Street, London
As the result of the Convention of Cintra, French general Junot is shown vomiting, with great effort, a large booty of gold coins, candlesticks, church plate, watches, and other valuables while a Portuguese kneeling in front of him attempts to catch as many items as possible into an already-disgorged silver basin. To Junot's right stands John Bull in sailor's clothes and ill-fitting wig. He is holding the general's head in order to help him rid himself of his plunder. Three French officers on the left watch the above scene with dismay and anger
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. October 17, 1808 by R. Ackermann, N 101 Strand
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813.
Subject (Topic):
John Bull (Symbolic character), Convention of Cintra, Military officers, French, Military uniforms, Vomiting, and War destruction & pillage
"Joseph Bonaparate, the newly crowned King of Spain, stands at centre wearing doublet, slashed breeches, crown, medallion and cloak, and turned in beseeching attitude to left, where four Spaniards are standing; Joseph says, 'For this kind and flattering reception much thanks. behold the Brother of the great Napolean come to reign over you for your goods.' One of the Spanish men, with a long sword, says to another whose hand is on his dagger, 'yes Comrade and for our Chattels too if I guess right.'; behind them, a woman holding a dagger says to another, 'He was bred an Attorney and w'eel soon eject him from Spain'. Behind Joseph at right stand his French supporters, one holding a flag lettered 'Vive le Roi' over Joseph's head, and angrily crying, 'Will no one Huzza - - will no one ring the Bells - if you dont make a noise you shall all fall by the Royal Bayonet.', a cry of 'Vive le Roy Huzza' arising from a pike-carrying crowd behind."--British Museum online catalogue
Description:
Title etched below image., Year of publication precedes publisher's statement in imprint., Plate numbered "53" in upper left corner, with the digit "3" etched backwards., A pair to "King Joes retreat from Madrid, published on the same date with the same plate number. See Curator's comments in the British Museum online catalogue., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Paper damaged with loss to the word "flattering" in King Joe's speech bubble, upper left. Mounted to 28 x 38.1 cm.
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"A man walks along the pavement in profile to the left., stooping from the waist but with head erect. He wears spectacles and carries a stick. He approaches the door (left) of Christies, which is partly visible. On the pillar hangs the usual catalogue: 'Catalogue of 800 Capital Pictures to be Sold by Mr Christie in Pall Mall. Feby 1st 1808'. The wall of the house (No. 125) with a window forms the background. Snow is heaped against the railings, where there is a shovel and broom."--British Museum online catalogue
Description:
Title etched below image. and Mounted to 38 x 30 cm.
Publisher:
Publishd. May 9th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833
"John Bull, corpulent, bald-headed, and stripped to the loins, is beset by leeches with human heads. They climb up his legs and attack his body, arms, and head. He stamps angrily, with clenched fists, saying, "This is Bleeding with A Veangence If I do not Shake off Some of these Leaches I shall not have a drop of Blood Left, why they will never be full & this is the third Set I have had on with in this three years or so. enough to Destroy the best Constitution." The King's profile projects into the design from the left. margin; he holds his spy-glass to his eye (as in British Museum Satires No. 10019, &c), saying, "Hard Work Indeed for poor Johnny How Voraicous I begin to think they will be too many for him I must Order Some of them off I see." Four leeches lie on the ground all inscribed 'Defaulter', followed by various sums: '300-000', '200-000', '400,000', [?] '500,000'. With these is a roll of 'New P . . . [? Pensions]'. On the right are heaped John's hat, waistcoat, coat, shirt, and wig, with a club inscribed 'Oak'."--British Museum online catalogue
Alternative Title:
Bleeding John Bull
Description:
Title etched below image., Year of publication from British Museum catalogue., Sheet trimmed within plate mark., Printseller's announcement within design: Folios of caricatures lent for the evening., and Watermark: John Hall.
Publisher:
Pub. 6th of Feb. by S.W. Fores, 50 Piccadilli [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Worms, Medical procedures & techniques, and Taxes
Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon
Description:
Title etched below image., Quoted text beneath title: "Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage & married life -- Cramps.
Publisher:
Pubd. May 30th, 1808, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Topic):
Marriage, Spouses, Pain, Bedrooms, Canopy beds, and Fireplaces
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Publisher and date of publication from British Museum catalogue., One line of quoted text below image: "During the endless time that you are kept waiting in a carriage while the ladies are shopping having your impatience soothed by the setting of a saw close at your ear.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 61 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Publisher and date of publication from British Museum catalogue., One line of quoted text below image: "During the endless time that you are kept waiting in a carriage while the ladies are shopping having your impatience soothed by the setting of a saw close at your ear.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., and Watermark: Basted Mill.
