"Wardle stands in a bedroom addressing a crowd in the street below through an open sash-window flush with the floor. Behind him stands Mrs. Clarke (left), with arms outstretched, pointing at Wardle, and declaiming: "And Clarke said unto Felix. Thou art the Man- behold the Furniture! and Felix Trembled". Wardle, fashionably dressed and wearing Hessian boots, stands with clasped hands and flexed knees. He says: "Good People of the United Kingdom suspend your judgement for the present till I get this woman placed in the pillory-I never did any thing naughty with her no more than the child unborn-it was all for the good of my Country I assure you I am as firm a patriot as ever purchased a convex Mirror, or a red turkey Carpet". The heads and shoulders of the proletarian and much amused spectators are closely grouped on the extreme right, with a background of town houses. Behind Mrs. Clarke is a draped dressing-table on which stands a bottle of 'Ratifie' and glasses. The curtains of the bed form a background (left)."--British Museum online catalogue
Alternative Title:
Fresh accusations
Description:
Title from caption below item., Printmaker identified by George., Sheet trimmed leaving thread margins on two sides., Plate numbered "96" in upper left corner., and Mounted to 29 x 42 cm.
Publisher:
Pubd. July 14, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Wardle, Gwyllym Lloyd, 1762?-1833
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue
Description:
Title etched below image; series title etched above image., Date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
A plate with four images each separately titled. Upper left: With series title (Mathematical horsemanship. Plate 5) above and caption title (Mr. Robert Rasp letting fall a perpendicular from his saddle) below showing a rider falling off the side of his horse with two others in a similar state in the distance. Also with a cityscape with a domed church in the distance. Upper right, Pl. 6. Mr. Benjanin Bukskin & his horse performing their evolutions, within the circumference of a circle: A rider is thrown over the front of his horse with another rider in the distance falling off the back, a dog pulling at the reins; a city with a domed church also in the distance. Lower left, Fashionable furniture at Hogs Norton, Plate 2: a series of six images of clothes being dried in front of a hearth, table, chairs, coal scuttle, etc. Lower right, Fashionable furniture at Hogs Norton, Plate 1: a series of six images including chimney ornaments, a large cat, plate, mirror, clock, etc
Description:
Titles from etched above or below images., Imprint from other prints in the series., Sheet trimmed within plate mark., Numbered in ms. along upper edge: 104., and Imperfect; sheet trimmed with only two of the four images on the plate remaining. Above: Mr. Robert Rasp letting fall a perpendicular from his saddle. Below: Mr. Benjamin Bukskin and his horse performing their evolutions, within the circumference of a circle. Sheet 11.5 x 17.7 cm, mounted to 23 x 18 cm.
A plate with four images each separately titled. Upper left: With series title (Mathematical horsemanship. Plate 5) above and caption title (Mr. Robert Rasp letting fall a perpendicular from his saddle) below showing a rider falling off the side of his horse with two others in a similar state in the distance. Also with a cityscape with a domed church in the distance. Upper right, Pl. 6. Mr. Benjanin Bukskin & his horse performing their evolutions, within the circumference of a circle: A rider is thrown over the front of his horse with another rider in the distance falling off the back, a dog pulling at the reins; a city with a domed church also in the distance. Lower left, Fashionable furniture at Hogs Norton, Plate 2: a series of six images of clothes being dried in front of a hearth, table, chairs, coal scuttle, etc. Lower right, Fashionable furniture at Hogs Norton, Plate 1: a series of six images including chimney ornaments, a large cat, plate, mirror, clock, etc
Description:
Titles from etched above or below images., Imprint from other prints in the series., Sheet trimmed within plate mark., and Temporary local subject terms: Horsemanship -- Mathematics -- Geometry.
"Mrs. Clarke sits on Wardle's right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters 'T' 'R' 'U' 'T' 'H'. She says: "Beneath this Canopy's oblivious shade Detected Y------hides his diminished head" On the cone are the inscriptions: 'Multum in Papvo' [sic] and: 'Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman's brow entwine the Bays.' Wardle wears regimentals and sword and is tall and handsome; a letter 'To Col Wardle' projects from a pocket."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by I. Blacklock, Royal Exchange
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fire extinguishers, Military uniforms, British, and Mistresses
"Above, Mrs. Clarke stands on a round dais, under a canopy, receiving her clients. These are headed by six military officers; the foremost makes a sweeping bow, cocked hat in hand. Next is a fat parson holding a money-bag inscribed 800; behind is an obese doctor, with three other elderly men. She says to them: Ye Captains and ye Colonels-ye parsons wanting place, Advice I'll give ye gratis and think upon your case, If there is possibility, for you I'll raise the dust, But then you must excuse me-if I serve myself the first. Below, Mrs. Clarke, much décolletée, looks from an open ground-floor window of a London house, to see a fashionably dressed man, Taylor, walking towards her holding a sealed packet. He looks over his shoulder at a yokel with a cudgel, who asks: I say Measter Shoe-maker where be you going in such a woundy hurry? Taylor answers: Dont speak to me fellow you should never pry into State affairs. Mrs. Clarke says: Open the door John here comes the Ambassador Now for the dear delightful Answer. Behind the yokel, evidently John Bull, is his dog. On the right is a house with a door-plate inscribed Mrs Weston."--British Museum online catalogue
Alternative Title:
Mrs. Clarkes levee
Description:
Title of top design from text above image; title of bottom design from text below image., Printmaker from British Museum catalogue., Mounted to 44 x 29 cm., and Watermark: E & P.
Publisher:
Pubd. Febry. 20th, 1809, by Thos. Tegg, No. 111 Cheapside
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An irregular pyramidal erection is based on a solid block of stone, inscribed: The Foundation York Folly! On this rests a damaged block of similar shape more dilapidated and rather smaller: Crackd Portland Stone [see British Museum Satires No. 10716]. Above, slightly smaller but smoother and more rectangular, is Folk-stone of the First Quality. On this stand (left to right) a barrel of Whitbreads Intire [see British Museum Satires No. 10421], a large decanter of Burdetts Stingo, and a slightly smaller one of Wardlles British Spirit. They support a slab of Romilly Free Stone. On this rest two balls or bubbles; in each sits a man gloomily contemplating a writing-table, one a civilian, Sandon, the other an officer, Clavering. On these rests a slab inscribed Sandon & Claverings Dumps which supports the apex of the monument, a pyramid: Mrs Clarks Pyramid. From behind the base project (left) a mitre and crosier (see British Museum Satires No. 10227), with a paper: The New Morality [the title deriving from Canning's poem, see British Museum Satires No. 9240]; and (right) the Duke's cocked hat and sword, with papers inscribed My Darling and Love Letters [see British Museum Satires No. 10228, &c.]. There is a background of cloud."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins on two sides., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 4th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Clarke, Mary Anne, 1776?-1852., and Wardle, Gwyllym Lloyd, 1762?-1833.
"Sheridan (left) and the Duke of Norfolk, bloated and senile, stagger tipsily on the pavement of St. James's Street, walking from the door of 'Brooks's' (right) which they have just left. Lamps light the façade of the club, part of which is visible with three (lighted) windows on the first floor. Sheridan holds the Duke's right arm, and raises his right fist in a rhetorical gesture, saying, "And now, have at the Ministry, Damme!"; in his pocket are papers: 'Motions for to Badger Ministry'. The Duke says: "and Now for the Majesty of the People!" From his coat-pocket projects a bottle of 'Port'."--British Museum online catalogue
Description:
Title etched below image., Text below title, in lower right: Three o'clock & a cloudy morning., Sheet trimmed within plate mark., and Mounted to 41 x 29.5 cm.
Publisher:
Publish'd Feby. 1st, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Norfolk, Charles Howard, Duke of, 1746-1815
