V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Tail piece to volume 3 of Tegg's Caricature Magazine, the title 'Tail Piece to Volume Three' inscribed on a theatrical drop curtain, pinioned at centre by a wig, above the scene. Street scene showing Tegg's printshop, the 'Apollo Library' at 111 Cheapside, at left, signs above its windows reading 'Libraries purchased or exchanged.', 'The largest assortment of caricatures in the world.'; a crowd looking at the printshop windows, which show various prints and advertisements: 'Spirit of fresh wit / Spirit of English wit / Marmion travestee / The whale / An auction at eight precisely / Caricature Magazine Vol 4'. In the doorway, Tegg is just visible firing a large gun to right, bringing a winged man with a fool's cap tumbling out of the sky; below four demons, the 'genii of caricature', hold out a long net filled with papers, one saying, 'Thats right Master Tegg - fire away - you will always find plenty of game - we have got a precious hawl here for the supply of the shop'; the papers are inscribed with the subjects of satirical prints: 'Portraits / Bon mots / G[...] / The day / Mrs clarke / Oddities / The times / Mirth and jollity / Whim / Manners / Investigation / Jokes / Fashion / Crim con'. Many figures strolling on the other side of the street at right, Bow Church at the corner opposite."--British Museum online catalogue
Alternative Title:
Tailpiece to volume three and Genii of caricature bringing in fresh supplies
Description:
Title from text in top part of design., Text in bottom right portion of design: The genii of caricature bringing in fresh supplies., Printmaker, publisher, and date of publication from British Museum online catalogue, registration no.: 1992,0516.63., Two lines of quoted text, from Alexander Pope's An essay on man, below image: "Eye natures walks, shoot folly as it flies, "and catch the manners living as they rise. Pope., Plate numbered "100" in upper right corner., Tailpiece to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 34.6 cm, on sheet 25.6 x 41.8 cm., Watermark: Basted Mill., Mounted on laid paper backing., and Leaf 99 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Tail piece to volume 3 of Tegg's Caricature Magazine, the title 'Tail Piece to Volume Three' inscribed on a theatrical drop curtain, pinioned at centre by a wig, above the scene. Street scene showing Tegg's printshop, the 'Apollo Library' at 111 Cheapside, at left, signs above its windows reading 'Libraries purchased or exchanged.', 'The largest assortment of caricatures in the world.'; a crowd looking at the printshop windows, which show various prints and advertisements: 'Spirit of fresh wit / Spirit of English wit / Marmion travestee / The whale / An auction at eight precisely / Caricature Magazine Vol 4'. In the doorway, Tegg is just visible firing a large gun to right, bringing a winged man with a fool's cap tumbling out of the sky; below four demons, the 'genii of caricature', hold out a long net filled with papers, one saying, 'Thats right Master Tegg - fire away - you will always find plenty of game - we have got a precious hawl here for the supply of the shop'; the papers are inscribed with the subjects of satirical prints: 'Portraits / Bon mots / G[...] / The day / Mrs clarke / Oddities / The times / Mirth and jollity / Whim / Manners / Investigation / Jokes / Fashion / Crim con'. Many figures strolling on the other side of the street at right, Bow Church at the corner opposite."--British Museum online catalogue
Alternative Title:
Tailpiece to volume three and Genii of caricature bringing in fresh supplies
Description:
Title from text in top part of design., Text in bottom right portion of design: The genii of caricature bringing in fresh supplies., Printmaker, publisher, and date of publication from British Museum online catalogue, registration no.: 1992,0516.63., Two lines of quoted text, from Alexander Pope's An essay on man, below image: "Eye natures walks, shoot folly as it flies, "and catch the manners living as they rise. Pope., Plate numbered "100" in upper right corner., Tailpiece to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: C Wilmott., and Countermark: 1819.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Pl. VIII". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of seven designs of unequal size, divided by lines and arranged in two rows, four above and three below. The inscriptions parody 'The House that Jack built', cf. (e.g.) British Museum Satires No. 11414. [1] This is the City of Lisbon. A view of Lisbon with the Tagus in the foreground. [2] This is the Gold, that lay in the City of Lisbon. Four sacks heaped with coins, church plate, rosaries, &c. [3] These are the French who took the Gold, [. . . &c.]. Two French officers standing together, registering sly satisfaction. [4] This is Sir Arthur (whose Valour and skill, began so well, but ended so ill) who beat the French, [. . . &c.]. Wellesley stands in the foreground with drawn sword directing the battle; British soldiers pursue French troops. [5] This is the Convention that Nobody owns, that saved old Junots Baggage and Bones, altho' Sir Arthur [. . . &c.]. Junot sits complacently (right) while Wellesley signs the Convention, and Dalrymple and Burrard (not characterized) wait their turn. [6] These are the Ships that carried the spoil, that the French had plundered with so much toil, after the Convention which nobody [.. . &c.]. British men-of-war in full sail. [7] This is John Bull, in great dismay, at the sight of the Ships, which carried away, the gold and silver and all the spoil, the French [. . . &c.]. John, a fat 'cit', in profile to the left in his arm-chair, scowls with protruding underlip."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Printmaker from description of variant state in the British Museum catalogue., Plate numbered "270" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant state lacking plate number, see no. 11215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 49 in volume 4.
Publisher:
Pubd. Feby. 3d, 1809, by Thos. Tegg, 111 Cheapside
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Dalrymple, Hew Whiteford, Sir, 1750-1830
"A 'conjuror' or magician displays to John Bull on a screen four scenes, one below the other, representing the expedition to Flushing. He wears a conical hat with a wide fur brim, and his magician's robe resembles that of the Chancellor of the Exchequer, indicating Perceval; he holds a long staff or wand topped by a little head, that of Portland, grinning; it is labelled The Old One. John stoops to look through a telescope inscribed Patent directed at the screen, the vision on which is projected by a small dark-lantern held by Perceval. John is a yokel in a smock; beside him lies his cudgel inscribed Oak. He is highly delighted at what he sees, namely: [1] a fleet leaving England, tiny figures being indicated on the shore. [2] Ships bombarding and soldiers attacking a fortified town which is on fire. [3] The garrison of the town surrendering to British officers, with grenadiers drawn up at attention. A French officer holds out the keys of the town to Chatham, one of whose staff is in Highland uniform. Two tricolour flags are being laid down by fat Dutchmen in French uniforms. [4] British troops being landed from a man-of-war; wounded soldiers are being carried up the beach. John says: Zookers Measter Shewman that be a main foine sight sure enough, that will fright the Mounseers however Aye Aye they be at it. I think I can smell the Gonpowder, by Goles if they ha'nt done the Job! there's Mounseer and Mynheer on their Marrow-bones! but Dang it what have we got at the bottom here I be quite. Perceval interrupts: Stop! Stop! Mr Bull if you have got to the bottom of it I'll turn the Instrument for that part wont bear Magnyfieing. Canning (?), poorly characterized, as is Perceval, kneels (left), raising John's smock to take a money-bag from his pocket. He says: With your leave Johnny I'll take a little more money for the next shew of the Jubilee [see No. 11381]. A demon looks out from behind the curtain on which the 'Phantasmagoria' is projected; he laughs: He, He. The room is that of a quack, cf. No. 9611. A large crocodile is suspended from the roof, draped with a tricolour flag and labelled Caug [sic] in the Nile by Nelson [cf. No. 9250, &c.]. A bat (alive or stuffed) is also displayed. Perceval and John Bull stand within a circle surrounded by cabalistic signs and lit by a second dark-lantern which stands on the floor beside a celestial globe (left). Behind Canning and on the extreme left three small niches are recessed in the wall, one upon the other, in each of which is a skull; inscriptions: Conjuror Pitt (above), Katterfelto, and Conjuror Bute. They are: Curious Collection of Conjuros Capets [sic]. On a high shelf are documents: Way to raise the Wind; New Taxes; Proceedings in Spain and Portugal; Plan of an Expedition to Brobdignag; List of Killed and Wounded [torn]. A broadside is pinned to the wall. A soldier on two stumps for legs, supported on a crutch: Soldier Dick come from the War. On the ground (right) are two large bags filled with guineas inscribed Charmes. Beside them is a paper on which are circles and arrows."--British Museum online catalogue
Alternative Title:
Kings conjurors amusing John Bull
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Attributed to William Heath in the British Museum online catalogue, registration no.: 1868,0808.7871., Text following title: They deal in destiny's dark counsels and sage opinions of the moon sells. Vide Hudibras., and Sheet trimmed within plate mark.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Chatham, John Pitt, Earl of, 1756-1835, Canning, George, 1770-1827, Nelson, Horatio Nelson, Viscount, 1758-1805., Pitt, William, 1759-1806., Katterfelto, Gustavus, -1799., and Bute, John Stuart, Earl of, 1713-1792.
Subject (Topic):
Peninsular War, 1807-1814, John Bull (Symbolic character), Crocodiles, Curiosities & wonders, Dreaming, Magicians, Projectors, Robberies, and Ships
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The lecturer leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. He says: "Ladies & Gentlemen-- I have the honor for the first time in this county of Kent to deliver a Lectur on Optic's". A fat elderly man rises from his chair to say: "I humbly ax pardon Sir --but before you get on furder, I rises with all due difference to inform you as how in this country we do not call them Hop sticks but Hop poles". The others, more sophisticated, are amused, while the hop-merchant's son, standing behind, registers anguish. A dog, with 'Hop Mer...' on its collar, watches the lecturer."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image; the word "on" is etched above the line, inserted with a caret., Probably a later state, with numbering added to plate. For a likely earlier state lacking plate number, see no. 11470 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication from description of earlier state in the British Museum catalogue., Plate numbered "103" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Temporary local Medical Library subject terms: Scientific lectures., and 1 print : etching, hand-colored ; plate mark 24.5 x 34.5 cm.
Publisher:
Published by T. Tegg, 111 Cheapside
Subject (Topic):
Optics, Public speaking, Telescopes, Projectors, Candles, and Staffs (Sticks)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The lecturer leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. He says: "Ladies & Gentlemen-- I have the honor for the first time in this county of Kent to deliver a Lectur on Optic's". A fat elderly man rises from his chair to say: "I humbly ax pardon Sir --but before you get on furder, I rises with all due difference to inform you as how in this country we do not call them Hop sticks but Hop poles". The others, more sophisticated, are amused, while the hop-merchant's son, standing behind, registers anguish. A dog, with 'Hop Mer...' on its collar, watches the lecturer."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image; the word "on" is etched above the line, inserted with a caret., Probably a later state, with numbering added to plate. For a likely earlier state lacking plate number, see no. 11470 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication from description of earlier state in the British Museum catalogue., Plate numbered "103" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Temporary local Medical Library subject terms: Scientific lectures., 1 print : etching on wove paper, hand-colored ; plate mark x cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 44 in volume 2.
Publisher:
Published by T. Tegg, 111 Cheapside
Subject (Topic):
Optics, Public speaking, Telescopes, Projectors, Candles, and Staffs (Sticks)
"The lecturer leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. He says: "Ladies & Gentlemen-- I have the honor for the first time in this county of Kent to deliver a Lectur on Optic's". A fat elderly man rises from his chair to say: "I humbly ax pardon Sir -but before you get on furder, I rises with all due difference to inform you as how in this country we do not call them Hop sticks but Hop poles". The others, more sophisticated, are amused, while the hop-merchant's son, standing behind, registers anguish. A dog, with 'Hop Mer...' on its collar, watches the lecturer."--British Museum online catalogue
Description:
Title from caption below item., Sheet trimmed within plate mark., and Watermark: Whatman.
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet partially trimmed to within plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 29 x 42 cm.
Publisher:
Pubd. Febry. 25 1809 by Thos. Tegg No. 111 Cheapside
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
