V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; first half of imprint appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "131" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Prussia -- America., and Print numbered '153' in ms. near upper edge of sheet.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; first half of imprint appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "131" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Prussia -- America., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.8 x 24.6 cm, on sheet 41.8 x 25.6 cm., and Leaf 93 in volume 2.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Hopes of the fammily, or, Miss Marrowfat at home for the holidays, Hopes of the family, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Title etched below image., Probably a reissue; date appears to have been burnished from end of imprint statement., Date of publication from Grego., Plate numbered "293" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fire place -- Blacks -- Musical mandolin -- Butcher., Watermark: 1817., and Leaf 68 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Hopes of the fammily, or, Miss Marrowfat at home for the holidays, Hopes of the family, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Title etched below image., Probably a reissue; date appears to have been burnished from end of imprint statement., Date of publication from Grego., Plate numbered "293" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fire place -- Blacks -- Musical mandolin -- Butcher., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.6 x 33.9 cm., and Imperfect; sheet trimmed within plate mark with loss of plate number from top edge.
"A satirical emblematic design; at centre, 'The Rock of the True Old English Constitution', on which sits a small figure of John Bull on a chair, holding a tankard and a pipe, saying, 'Well here I am I John Bull - thrown rather in the back ground this is the blessed effect of parties their pockets are full, and mine are empty. - however - Grievings a Folly so let us be be [sic] jolly - My Service to you.' To left stands a large grinning figure, 'Opposition Man', his hands in his pockets, with papers lettered 'Jobbing', 'Corruption', and with sums of money; at right stands a similar figure, 'Ministerial Man', also grinning and with hands in his pockets, one of which is lettered 'The Cash The Cash'. With feet on the shoulders of the latter and above Bull is a spreadeagled, large grinning figure, saying 'No Party Man', whose pocket is inscribed 'a little more money if you please'; on his head is balanced a cushion-like object lettered 'Promises', which supports the banner, 'Reform'; on top of this is a similing head wearing a ruff, fool's cap and ass's ears."--British Museum online catalogue
Alternative Title:
New armorial bearings for John Bull
Description:
Title etched below image., Attributed to Rowlandson in the British Museum online catalogue., Numbered "86" in upper left corner of design., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 25th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Topic):
John Bull (Symbolic character), Corruption, Coats of Arms, Emblem pictures, and Opposition (Political science)
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Cobbett as a small boy, ragged but sturdy, eggs on a bull-dog which is mauling a cat. He has thrown to the ground tankards strung on a strap, and inscribed 'Jolly Farmer'; behind him lies his hat, filled with apples. A goose followed by goslings escapes to the right. Behind is a ramshackle thatched cottage, a country ale-house of the lowest grade with the sign on a tall post: 'The Olde Jolly Farmer of Farnham--Gaffer Cobbett'. From the doorway, closed by a half-door and serving as a window, old Cobbett looks out. He holds a frothing tankard, and grins approvingly at his son; his likeness to Cobbett shows his identity. An old woman, evidently Mrs. Cobbett, looks over his shoulder, clenching her fists angrily at the fate of the cat. On the door-posts are chequers, sign that ale is sold, and above the door: 'Goode Entertainment for Man and Beaste'. Under the thatch, in the gable, is a casement window with broken panes; on the wall is nailed a dead rat; there is also a bill headed by fighting-cocks: 'Cock Fighte--Farnham--Old Cobbett Feeder', Smoke rises from a broken cask, thrust into the thatch, and serving as a chimney. A wagoner in a smock, holding his whip, sits on a bench by the door, draining a jug. In a line with the ale-house is a latrine of dilapidated planks and of the roughest kind, by which a sow is rooting. Above it on a line hang a ragged shirt and stockings. Trees form a background with the top of a church spire."--British Museum online catalogue
Description:
Title etched below image., First print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 1st plate. Father kept the sign of the Jolly-Farmer at Farnham. I was his pot boy and thought an ornament to the profession ... Vide, my own memoirs in the Political Register of 1809., Series number etched above image, in upper left., and Mounted to 41 x 27 cm.
Publisher:
Publish'd Sepr. 29th, 1809, by H. Humphrey, St. James's Street
