"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Cobbett as a small boy, ragged but sturdy, eggs on a bull-dog which is mauling a cat. He has thrown to the ground tankards strung on a strap, and inscribed 'Jolly Farmer'; behind him lies his hat, filled with apples. A goose followed by goslings escapes to the right. Behind is a ramshackle thatched cottage, a country ale-house of the lowest grade with the sign on a tall post: 'The Olde Jolly Farmer of Farnham--Gaffer Cobbett'. From the doorway, closed by a half-door and serving as a window, old Cobbett looks out. He holds a frothing tankard, and grins approvingly at his son; his likeness to Cobbett shows his identity. An old woman, evidently Mrs. Cobbett, looks over his shoulder, clenching her fists angrily at the fate of the cat. On the door-posts are chequers, sign that ale is sold, and above the door: 'Goode Entertainment for Man and Beaste'. Under the thatch, in the gable, is a casement window with broken panes; on the wall is nailed a dead rat; there is also a bill headed by fighting-cocks: 'Cock Fighte--Farnham--Old Cobbett Feeder', Smoke rises from a broken cask, thrust into the thatch, and serving as a chimney. A wagoner in a smock, holding his whip, sits on a bench by the door, draining a jug. In a line with the ale-house is a latrine of dilapidated planks and of the roughest kind, by which a sow is rooting. Above it on a line hang a ragged shirt and stockings. Trees form a background with the top of a church spire."--British Museum online catalogue
Description:
Title etched below image., First print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 1st plate. Father kept the sign of the Jolly-Farmer at Farnham. I was his pot boy and thought an ornament to the profession ... Vide, my own memoirs in the Political Register of 1809., Series number etched above image, in upper left., and Mounted to 41 x 27 cm.
Publisher:
Publish'd Sepr. 29th, 1809, by H. Humphrey, St. James's Street
"Cobbett, surrounded by flames and beset by ghosts, starts back in his chair, overturning his writing-table and dropping his pen. Behind him and on his right is a black replica of himself (his shadow). Over this shadow's shoulder leans the Devil, naked except for a bonnet rouge, bending menacingly towards Cobbett. In the foreground (right) the head and shoulders, in back view, of Sir Charles Gould emerge from clouds, holding up a long scroll: 'the Forfieted Pledge--"my Black Soul I pledge to the Devil for the Truth of my Accusation Wm Cobbett--Witness . . . Goold Judge' [Advocate]. On the opposite side, surrounded by clouds, are the ghosts of three officers, with blank eyes, standing stiffly behind the bar over which hangs a paper: 'Court Martial Chelsea' [see No. 11377]. The centre figure declaims: 'Remember Powel', the others add: 'Hall' and 'Seton'. Just behind and to the right of Cobbett the arms of a woman holding the equally balanced scales and the flaming sword of 'Justice' emerge from flames. Her head is covered by a large scroll: 'the Groans of Hampshire with the Cries of Little Jessey and the Screams of his blasted Brandy-Faced Bitch of a Mother'. Behind the Devil, and partly concealed by a festooned curtain, is the wall of a pawnshop as in No. 11376, with the sign of three balls; over the doorway: 'Beelzebub Pawnb[roker] Nota Bene. Damag'd Souls taken in Pawn'. Four bat-like creatures fly away, upwards and to the left. Three have human heads and are Wardle, nearest to Cobbett, Burdett, and (?) Horne Tooke. From Cobbett's tilting table ink, pens, candle-sticks, and lighted candles fall to the ground, the candles setting fire to the many papers which have fallen and are falling: two copies of 'Cobbett's Political Register' are already blazing. Three other copies are still on the table, one inscribed: 'Cobbetts Register--The Hell-Fire-War in Spain--Oh damn Wellesley'. Other copies have titles referring to the tenor of actual and imaginary articles in the Register: 'Plan for to Hang up all the Public Robbers without Judge or Jury'; 'Hints on ye Rights of Napoleone the Great to the Throne of Great Britain'; 'The Jubilee--a Damned Ministerial Humbug upon the country'; Cobbett's Political Register--. . . Navy . . .'; 'Stupidity of the Whigs'; 'Bank Notes our Rum'; 'New Parliamentary Reform'; 'Necessity of a new Party'; 'Blasted Ignorance of Ministry'."--British Museum online catalogue
Description:
Title etched below image., Eighth print of eight in a series entitled: The life of William-Cobbett, written by himself., and Below image is printed a second plate etched with text only: Plate 8th. But alas, in the midst of my towering prospects while I was yet hesitating between a radical-reform & a revolution ... Vide, my own memoir's in the Political Register, 1809.
Publisher:
Publish'd by H. Humphrey Septr. 29th, 1809, No. 27 St. James's Street
"Cobbett, dressed as a farmer, but with a favour in his hat and his short hair tied back into a scraggy tail, marches stiffly behind a recruiting Serjeant who marches with drawn sword, preceded by a little drummer-boy beating a large drum, both of whom wear plumed bearskins, smart uniform, and boots. They march with pointed toe; Cobbet follows, out of step, and with clumsily upturned toe; on his back is a rough knapsack. They march towards the sea where boats are being rowed out to a ship in full sail (right). Behind Cobbett (left) are his plough and two oxen. The field is neatly furrowed. Behind is a rocky hill on which stands a gibbet with an empty noose."--British Museum online catalogue
Description:
Title etched below image., Second print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 2d plate. As I shot up into a hobble-dehoy, I took to driving the plow for the benefit of mankind, which was always my prime object ... Vide, my own memoire's in the Political Register for 1809., Series number etched above image, in upper left., Sheet trimmed leaving thread margins., and Mounted to 42 x 27 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
"Cobbett, a burly and youthful corporal, stands with raised cane and clenched fist, having chastised two officers, older and much smaller than himself. One clutches his posterior, and runs off to the left, the other, losing his hat, throws up his arms, and a copy of a small book: 'Cobbetts Cards or new Military Tacticks'. Five others stand behind Cobbett, waiting for instruction, all studying his cards with perplexed and anxious intentness. Three are inscribed respectively: 'Cobbett's Military Cards'; 'How to Run away'; 'Eyes left'. One of them holds a furled Union flag inscribed 'Victoria'. In the foreground is an open dispatch-box, inscribed 'Wm Cobbett' and 'Cobbetts Military Movements'. Papers overflow on to the ground, inscribed: 'Cobbetts new Cards of Discipline', 'How to turn out Toes', 'How to Fart to ye Right', 'Eyes Right', 'To the Right', 'To the Le[ft]', 'How to march Forward', 'How to Run away', 'shoulder Musquet[s]'; 'How to shoulder Musquets', 'Left Right, how to hold up Heads', In the middle distance is a parade-ground: an officer is drilling his men with raised sword, while studying one of Cobbett's cards. They have a tricolour flag inscribed Loyal 51stt Regt L E Fi[tzgerald]. In the background are tents with tricolour flags, and tiny men marching. Behind again are mountains with pine-trees, and tiny Indians round a camp-fire."--British Museum online catalogue
Description:
Title etched below image., Third print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 3d Plate. Arrived in safety (according to the proverb), being a scholard (for all the world knows that I can read and write) I was promoted to the rank of a corporal ... Vide, my own memoir's in the Political Register of 1809., Series number etched above image, in upper left., and Mounted to 43 x 27 cm.
Publisher:
Publish'd Septr. 29, 1809, by H. Humphrey, 27 St. James's Street
"Sergeant-Major Cobbett, helped by Corporal Bestland, furtively copies regimental documents in a room with a bolted door. Bestland, registering alarm, sits at the writing-table holding open a book, while Cobbett, facing him, stoops to write. The book is inscribed: 'Regimental Account of Provisions --Cloaths--Accoutrements. 51st Regt--Bread--Meat--Potatoes'. The room is lit by one candle. On the door is a placard: 'Regimental Orders. 51st Royal Regt--Ordered,--that none but trusty Persons shall have Access to the Regimental Books and Accounts--N.B. the Keys are left in the possession of Serjt Majr Cobbett'. Let into the wall above Cobbett's head is a cupboard or safe, the door open, the key in the lock. In it are books, five being inscribed 'Regimental Book', 'Army-Extraord[inaries]', '51st Regiment', 'Cash Account', 'Provision Acct'. Above this is an oval half-length portrait of 'Lord Edwd Fitzgerald', his head cut off by the upper margin (see No. 9227, &c). He holds a paper inscribed 'Rebellion', and the frame is fringed with daggers pointing outwards. Over the door is a trophy of crossed blunderbusses, with spear, firebrands, and a bonnet rouge supported on a dagger. Regimental muskets and pistols are ranged against the wall (right). Behind Cobbett is an open chest, 'Wm Cobbett's Private Box', filled with documents: 'Copies of the Regimental Accounts', 'Cuttings from the Regimental Books', 'Scraps for Court Martial', 'Stolen Documents for to make Grounds for Charges'. On the ground lies his tasselled cane. On a chair behind Bestland are books: 'Army Ac . . .', 'Pay-Office', 'Regimental Book--Cash account 51st Reg.--Wm Cobbett'. On the floor is a money-bag labelled 'for private use W. Cobbett', and inscribed '£200 Regimental Money 51st Regt'. Beside it are two large books: 'Extracts from the Regimental Accounts to be altered as Convenient--Willm Cobbett J Bestland', and, 'Robberies of the Mens Provisions-- Witness W. Cobbett J. Bestland'. On the table are ink-stand, seal, and sealing-wax."--British Museum online catalogue
Description:
Title etched below image., Fourth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 4th plate. I was now made sarjeant major and clerk to the regiment, and there being only one man in it besides myself who could read or keep himself sober ... Vide, my own memoirs in the Political Register of 1809., Series number etched above image, in upper left., Sheet trimmed to margin of plate mark., and Mounted to 41 x 26 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street