"Cobbett, in civilian dress, stands full face, with his right hand on his breast; in his left he holds out a paper: 'Accusations agst Capn Powel & others'. On the carpet at his feet lie his regimental coat, bearskin, sword, belt, and (broken) cane. On the left and in back view Judge-Advocate Gould sits at a writing-table, pen in hand, averting his head from Cobbett, and putting out a protesting hand. Cobbett declaims: "--if my Accusation is without foundation the authors of cruelty have not yet devised the tortures I ought to endure; Hell itself, as painted by the most fiery bigot, is too mild a punishment for me!--See my own Letter to Sir Charles Gould--Judge Advocate General". Gould wears a legal wig and gown with military uniform. On his table are papers inscribed 'Court-Mart[ial] to be held. . . and Charges by W. Cobbett against Cap. Powel'. Behind Cobbett stands his shadow, a dark replica of himself standing out against flames and smoke which billow up before a brick wall with a rectangular aperture through which the Devil, wearing a bonnet rouge, thrusts his talons to seize Cobbett's shadow. Above this window into Hell are three balls and the words 'Beelzebub--Pawn-broker--The utmost Value for souls taken in Pawn'. Facing Gould are high shelves draped by a curtain and containing bundles of legal documents. Some are inscribed 'Trials for Ungentlemanly Conduct', 'Military L . . .', 'Court Martial upon . . .', 'Motion for a Court Martial', 'Trial of Cap . . .', 'Court Martial'."--British Museum online catalogue
Description:
Title etched below image., Fifth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: 5th plate. My next step was to procure a discharge from my ever lamented associate the Lord Edw. Fitzgerald. With this I returned to England and directly set about ... Vide, my own memoirs in the Political Register, 1809., Series number etched above image, in upper left., Sheet trimmed to plate mark., and Mounted to 41 x 26 cm.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
"Three officers stand stiffly at the bar at one end of a high panelled hall; through the open door behind them are seen steps leading to the Thames and one pillar of the south portico of Chelsea Hospital. Only the end of the long table (right) at which officers are seated is within the design, with four officers, two on each side, one holding a paper headed 'Charges'. A long label floats into the design from the right: 'Call William-Cobbett into Court, to make good his Charges!' An usher standing close to the accused, and looking through the wide doorway calls: "William Cobbett! William Cobbett!" Soldiers stand by the door, hat in hand, others are on the steps hailing a small boat with two occupants sailing across the river. One shouts: "Ho! William Cobbett". Cobbett, in the boat, shouts back: "Call away & be Damn'd--I'm off". Spectators, men and women, crowd the court; some are many rows deep on the farther side, some in a gallery over the wide-open doors. The heads and shoulders of others in back view in the foreground form a base to the design. Six men turn their heads in profile and Burdett and Derby are unmistakable. A head next Burdett resembles Wilberforce."--British Museum online catalogue
Description:
Title etched below image., Sixth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 6th. The court-martial was assembled at Chelsea as I requested, and Captn. Powele and the other accused persons were placed at the bar ... Vide, my own memoir's in the Political Register, 1809., Series number etched above image, in upper left., and Sheet trimmed to plate mark.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
"Cobbett (right) stands facing six men grouped at a round table who applaud the toast he gives: 'Damnation to the House of Brunswick' [cf. No. 11234]. In his left hand is a bottle of 'True Napoleone Spirits'; the contents of his raised glass are exploding. On his right sits Horne Tooke, with a crutch, holding a jug of 'Botley Ale' and a glass, both frothing. He says with a sinister upturned glance: 'Huzza! Huzza'. On Cobbett's left, and in back view, stands a naval officer wearing a cocked hat and high fashionable boots. He holds high a steaming bowl of 'Botley Grog'; under his foot is a paper: 'Basque Roads- Court Martial', showing that he is Cochrane, see No. 11326, &c. Facing Cobbett sit Bosville and Clifford. Bosville, silent, decrepit, and senile, grasps a bottle of 'Botley Ale' and holds a foaming glass; in his pocket is a 'Plan for a new Convention'. Clifford, brandy-faced, and with his barrister's wig awry, holds a bottle of 'French Brandy' and a brimming glass, saying "Huzza". Behind these two stand Burdett and Folkestone. Each holds up a frothing glass; Burdett waves his bonnet rouge and shouts "Huzza!-Huzza!" Folkestone echoes "Huzza!" In the foreground with his back to the table lies Wardle, very sick, clasping a bottle of 'Botley Ale', and vomiting over papers: 'Charges against the Duke of York' and 'Reform', see No. 11328, &c. A cat (left), with a collar inscribed 'Mrs Clarke', miaows at him (see No. 11216, &c). On the right are a tankard inscribed 'Whitbread's Small Beer', and a wine-cooler containing five bottles of 'Napolean Wine' [cf. No. 11004]. The floor is boarded, but under Cobbett's chair is a fringed carpet. The room is lit by candles set in branches which decorate the oval frame of a half-length portrait of 'Napoleone Le Grand'; he is in profile to the right, looking down at Cobbett and holding out a 'Cordon d'Honor'. The portrait is flanked by busts on brackets: 'Despard' [see No. 9969] with a noose round his neck, and 'Robespiere' with two daggers. On the table by Clifford are two more bottles of 'French' [Brandy], by Cochrane a bottle labelled (?) 'Coitaris', an overturned bottle, and a plate of 'Diables'. [Diable = a name given to the Toad-fish, Frog-fish, or Sea-Devil.] Empty bottles and a broken glass lie under the table."--British Museum online catalogue
Description:
Title etched below image., Seventh print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 7th. I did not look behind me 'till I got to St Omer's & thence fled to America; here I offer'd to become a spy for the English ... See my own Memoires in [the] Political Register, 1809., Series number etched above image, in upper left., Sheet trimmed to plate mark., and Mounted to 46 x 25 cm.
Publisher:
Publish'd Sept. 29th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Clifford, Henry, 1768-1813, Burdett, Francis, 1770-1844, Dundonald, Thomas Cochrane, Earl of, 1775-1860, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Wardle, Gwyllym Lloyd, 1762?-1833, and Napoleon I, Emperor of the French, 1769-1821
"Two Londoners in riding-dress, in the parlour of a country inn, gape at a dwarfish, old, and hideous barmaid who enters (on pattens) with a jug of ale. One has been tricked by the other's ballad on 'Nature's child! sweet maid of Mim' to expect a rustic belle."--British Museum catalogue
Description:
Title etched above image., Date of publication from Grego., Sheet trimmed within plate mark., Temporary local subject terms: Male costume -- Riding-habit -- Barmaids -- Female costume -- Pattens -- Ale., Numbered in ms. upper edge of sheet: 47., and Mounted to sheet 22 x 16 cm.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Printmaker and date of publication from Grego., Probably a later state; beginning of imprint statement has been burnished from plate., Plate numbered "277" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 54 in volume 4.
"The Duke of York lies on the ground, between two lawyers (probably Gibbs (left) and Adam), all prone but supported on their elbows; their heads and those of two other persons dimly seen behind them support a massive pyramid of rectangular blocks of stone on the top of which Mrs. Clarke stands in triumph, pointing to the sky. The three 'Giants' clasp their hands and register acute distress. The lowest and largest block is Evidence of Mrs Clarke., the others are Miss Taylors Evidence [see No. 11229], Shy Hits from Sandon and Clavering [see No. 11247], Home Strokes from Dowler [see No. 11253], Mrs Hovendons Evidence, Mrs Favery [see No. 11238], Doctor OMeiry [see No. 11258], Carter & [see No. 11222]. There is a background of clouds."--British Museum online catalogue
Alternative Title:
The modern Babel, or giants crushed by a weight of evidence
Description:
Title from caption below item., Printmaker identified by George., Sheet trimmed within plate mark on one side., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 11th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Print with an image at the top and two columns of letterpress below: A middle-aged man in a robe sits in an upholstered armchair, his gouty foot resting on a footstool, and a pained look on his face; medicine and a bowl on the table beside his chair (left) and a crutch rests against a second stool (right). He reaches toward a younger woman in a cap and apron who is looking down and away from him. On the left is bed with curtains and on the wall, a framed picture of Cupid shooting an arrow. The letterpress text below, in two columns, provides a timeline for a man's life, starting at the age of 16 listed at the beginning of each line, tells the humorous tale of the consequences of a man putting off marriage for prideful reasons from age "16 - incipient palpitations towards the young ladies", through the ages of "29 - rails against the fair sex", "37 - indulge in every kind of dissipation", and "48 - thinks living alone quite irksome ...". Eventually, he resolves to have a prudent young woman as housekeeper and companion, gradually feeling some attachment to her and becoming completely under her influence. At age 60, as he begins to feel ill, and "grows rapidly worse, has his will made in her favour, and makes an exit."
Description:
Title from text below image., Date based on publishers' known dates of activity at this address: Samuel & Joseph Fuller are listed in the London Directories from 1809 to 1839 at this address., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Spinsters.
Publisher:
Published by S. and J. Fuller, 34, Rathbone-Place and Printed by L. Harrison, 373, Strand
Subject (Topic):
Bachelors, Life cycle, Human, Gout, Single women, Women domestics, Canopy beds, Chairs, Crutches, Cupids, Servants, Medicines, Cats, and Dogs
Print with an image at the top and two columns of letterpress below: A middle-aged man in a robe sits in an upholstered armchair, his gouty foot resting on a footstool, and a pained look on his face; medicine and a bowl on the table beside his chair (left) and a crutch rests against a second stool (right). He reaches toward a younger woman in a cap and apron who is looking down and away from him. On the left is bed with curtains and on the wall, a framed picture of Cupid shooting an arrow. The letterpress text below, in two columns, provides a timeline for a man's life, starting at the age of 16 listed at the beginning of each line, tells the humorous tale of the consequences of a man putting off marriage for prideful reasons from age "16 - incipient palpitations towards the young ladies", through the ages of "29 - rails against the fair sex", "37 - indulge in every kind of dissipation", and "48 - thinks living alone quite irksome ...". Eventually, he resolves to have a prudent young woman as housekeeper and companion, gradually feeling some attachment to her and becoming completely under her influence. At age 60, as he begins to feel ill, and "grows rapidly worse, has his will made in her favour, and makes an exit."
Description:
Title from text below image., Date based on publishers' known dates of activity at this address: Samuel & Joseph Fuller are listed in the London Directories from 1809 to 1839 at this address., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Spinsters., 1 print : lithograph with letterpress ; sheet 27.8 x 16.8 cm., and Imperfect. Lacking Old maid's thermometer portion.
Publisher:
Published by S. and J. Fuller, 34, Rathbone-Place and Printed by L. Harrison, 373, Strand
Subject (Topic):
Bachelors, Life cycle, Human, Gout, Single women, Women domestics, Canopy beds, Chairs, Crutches, Cupids, Servants, Medicines, Cats, and Dogs
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly schoolmaster sits by a writing-table, in profile to the right, addressing an old countrywoman who faces him, making a slight curtsey. Behind her (right) are four little boys, two with bags of books slung from the shoulder. The schoolmaster, who wears night-cap, slippers, and buttoned overcoat or dressing-gown, says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now?" She answers: "Please your Honors Worship they followd me up and down--and said one to another--At her!--beat her! damn her!--pelt her!-- and a great deal more that I do not recollect". The leader of the boys, bowing, cap in hand, says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect--what the Old Woman heard was only Alpha--Beta-- Gamma--Delta--and so on to the conclusion". The boys' expressions indicate a successful conspiracy."--British Museum online catalogue, description of an earlier state
Alternative Title:
Greek alphabet
Description:
Title etched below image., Reissue; former plate number "66" has been replaced, and date has been removed from end of imprint statement., Date of publication based on earlier state with the complete imprint "London, Published by Thomas Tegg, No. 111 Cheapside, Jany. 15, 1809." Cf. No. 11460 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "132" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 130., Temporary local subject terms: Alphabet -- School children., 1 print : etching on wove paper, hand-colored ; sheet 24 x 36 cm., and Imperfect; sheet trimmed within plate mark on top edge with almost complete loss of plate number.
