"The rider leans forward, leaving the vertical of 90 degrees behind his head. He rides (towards St. Paul's) over a dog, and chases two ducks. Behind is a horseman in difficulties."--British Museum catalogue
Description:
Title etched below image; series title etched above image., Date of publication from Grego., 1 print : etching on wove paper, hand-colored ; sheet 9.3 x 13.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 30 of volume 9 of 14 volumes.
"The rider leans forward, leaving the vertical of 90 degrees behind his head. He rides (towards St. Paul's) over a dog, and chases two ducks. Behind is a horseman in difficulties."--British Museum catalogue
Description:
Title etched below image; series title etched above image. and Date of publication from Grego.
"Sir Francis Burdett declaims, holding up a bonnet rouge shaped like a fool's cap; he addresses those who are making a bonfire of statutes, &c., on the cobbles of Palace Yard (left). His raised left arm is flung back, pointing towards Westminster Hall, which is being stoned and demolished by a mob. He says: "It is only in the House of Commons / "that the People of England are spoken of / "with Contempt, & calumniated!!!-- / "--can things be remedied by Bills? No!-- / "it must be by an Honest House of "Commons!--what is the use of Magna-Charta, Habeas-Corpus, / "or the Bill of Rights?-- / See, my own Speech at Westminster--Vide, "Cobbett's Patriotic Register. He tramples on a sceptre beside which lies a crown, reversed and covered by a long scroll: Resolution[s] of the Whig-Club; Resolved--That it is the decided Opinion of this Club that no Substantial & permament [sic] Good can be derived by the Country, from any change of Ministry, unless accompanied by an entire change of Systemn--accomplish'd by an entire Reform of the Parliament. A great pile of documents with a Holy Bible in the centre, is ready for the flames; Horne Tooke, in bonnet rouge, dressing-gown, and slippers, kneels at Burdett's feet, holding a dark lantern (as in No. 10738), and applying a flaming brand, inscribed Sedition, to the pile. Three simian and negroid creatures holding papers like sub-human newsboys, as in Gillray's New Morality [No. 9240], apply torches to the pile. One, with a tartan cloth round its waist, holds the Edinburgh Review, another the Morning Chronicle; the third wears a wig inscribed Independ[ent] Wig. Under Tooke's firebrand are the Rights of the House of Brunswick to the Throne Brunswick Succession; Magna Charta; Bill of Rights; Habeas Corpus. Other documents are Act for Punishing Libelers of the State, and Act to Suppress Inflamatory Libels (attacked by the Independent Wig and Morning Chronicle respectively); Legal Authorities; Rights of the Establish'd Church; Rights of the House of Lords; Priviliges of the He of Commons; Act of Protestant Succession; Freedom of Election; Old-Bailey Trials. ..."--British Museum online catalogue
Alternative Title:
Patriots lighting a revolutionary bonfire in New Palace Yard
Description:
Title etched below image. and Mounted on leaf 65 of volume 6 of 12.
Publisher:
Publish'd June 14th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Whitbread, Samuel, 1764-1815, Grattan, Henry, 1746-1820, Wardle, Gwyllym Lloyd, 1762?-1833, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Cobbett, William, 1763-1835, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813
"A very fat lady crouches in a shell drawn by two swans; she holds (tricolour) reins attached to the birds' necks; a carriage-whip is in her right hand. She has a blotched profile; snaky curls hang oddly over her face; she wears a swathed neck-cloth over her chin, a riding-habit with a sleeve slashed in the manner usually denoting theatrical dress, and a hat trimmed with tricolour feathers. Behind her (left) ride two little cupids, each on a swan, with postilion's caps and coats; each plies vigorously a whip made of a bow; a quiver with arrows hangs at the back of the nearer cupid, who has butterfly wings; the back of the other is hidden. Their reins, &c., are tricolour. Their swans stretch their necks angrily at the back of the 'Venus'. Foreground and background are sea and sky."--British Museum online catalogue
Alternative Title:
Venus a la coquille, Swan-sea Venus, and Swansea Venus
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., A lightly etched letter "P" precedes imprint statement., Watermark: J. Whatman 1810., and Mounted on leaf 67 of volume 11 of 12.
Publisher:
Publishd. March 28th, 1809, by H. Humphrey, 27 St. James's Street
"Two elderly men, grotesque and plebeian, take the place of Portius and Marcus in Addison's play. The latter is a cobbler, standing outside his stall, indicated on the right, beneath the sign, a large anchor, of the 'Hope Insurance Office' [cf. No. 11439]. The former declaims: 'The Dawn is overcast--the morning lowers / And heavily in Cloud--brings on the day--big / with the Fate of Y------ and Mrs Clarke'."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified in British Museum catalogue., Sheet trimmed within plate mark on one side., Temporary local subject terms: Addison's play -- Insurance office., and Mounted to 28 x 42 cm.
Publisher:
Pubd. March 8th, 1809 by Thos. Tegg No. 111 Cheapside
Chatham sits in an arm-chair attended by doctors; he wears a night-cap, and over his uniform and boots a patterned dressing-gown and holds a copy of 'The Times' in his right hand. He looks up at a hideous doctor (left), who feels his pulse, holding a watch. The doctor says: "Your Pulse is going with uncommon Expedition indeed my Lord, you have too much Blood in you. you must lose a few Ounces". Chatham: "Don't mention that word [Expedition] again Doctor, it brings an [sic] a Flushing in my face, and sets me in a palpitation". On his other side stands Sir William Curtis proffering a steaming bowl of soup on a salver; in his pocket is a 'Plan for a Jollyfication on the 25 Octr 1809'. He says: "You'll find my Soup, is the best thing in the world for palpitations, it always cures me speedily and soon. I hope you'll be well enough to come to our Jollyfication on the 25th. On the extreme right stands a stout John Bull, a 'cit' holding his hat; he looks across at the doctor on the left, saying contemptuously, "Pho Pho! Doctor your wrong! its only a Flushing in the face. for D-----e if I think he has a bit of Blood in him". Behind Chatham is a 'Camp Convenience' or travelling commode under which lie his cocked hat and sword; on it is a book of 'Military Tactics'. On the wall is a 'Map of Walch[eren]', showing 'Flush[ing]' and one of 'Quiberon Bay', both partly obscured by steam from Curtis's soup. On the ground are two books: 'Jack the Giant Killer' and 'The Seven Sleepers'. The doctor's cocked hat, gloves, gold-headed cane, and a large volume, 'Pharma-copiæ' are on a chair (left), behind which are a small writing-table and curtained bed. After the title: 'In one thing only, thats the Fee, Doctors you'll find will er'e agree'.
Alternative Title:
Regular and quack opinions on the flushing fever
Description:
Title from caption below image., Two lines of verse follow title: In one thing only, thats the fee doctors you'll find will erè agree., and For further information, consult library staff.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Chatham, John Pitt, Earl of, 1756-1835 and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character) and Walcheren Expedition, 1809
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; former plate number "102" has been replaced with a new number, and year has been burnished from imprint statement leaving a gap between "London, Pubd. Augst. 1st." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Sheet trimmed within plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., and Mounted on leaf 51 of volume 10 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; former plate number "102" has been replaced with a new number, and date has been burnished from imprint statement leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., Temporary local subject terms: Female costume, 1809 -- Male costume, 1809 -- Fans -- Clergy -- Bishop -- Excisement -- Boots -- Widow's veil -- Lawyers., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.5 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 55 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; former plate number "102" has been replaced with a new number, and date has been burnished from imprint statement leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., Temporary local subject terms: Female costume, 1809 -- Male costume, 1809 -- Fans -- Clergy -- Bishop -- Excisement -- Boots -- Widow's veil -- Lawyers., and Mounted to 25 x 34 cm.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Plate I". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Well -- Priests --Chinese man.
