"Popular print, satire ... : The interior of a farrier's smithy. A country woman sits on a low stool, while a farrier pulls at her tooth with a pair of pincers which he grasps in both hands. He presses one foot on her outstretched leg while a grinning assistant holds her head in both hands. A third man stands behind, also grinning and holding a stick above his head; one eye is bandaged. All three wear leather aprons. The wretched woman holds the tooth-drawer's left sleeve with one hand, his nose with the other; her eyes are closed. A boy (left) flourishes a broom. Behind (right) is the lighted forge. An anvil, horseshoes, and farrier's tools are in the foreground. A grinning face looks in through a wide-open window (left). Thatched buildings and trees are seen through the window."--British Museum online catalogue
Description:
Title etched below image., Publication date from Isaac., Copy in reverse of a ca. 1784 print after Robert Dighton entitled: The country tooth-drawer. Cf. No. 6759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Dentistry, Blacksmiths, and Pain
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"A large central design is flanked by four small designs arranged as if to represent the decorations of folding doors open to display a puppet-show (but explained as 'tablets ... in the manner of a child's writing piece', as in a plate published in 1803 by the Royal Jennerian Society, called 'A comparative View of the Effects on Individuals and Society between the Small-pox and Cow-pox'). There is a quasi-heraldic head-piece to the whole, with a scroll: 'Dedicated to the Associated Jennerain Cow Poxers of Gloster'. The main design is a funeral procession (right to left), the coffin inscribed 'Vaccina aged 12 Years'. Two bearers are seen under the pall; one points to two men heading the procession holding up placards; he says: "Par ignobile fratrum." The men are plainly dressed and Quaker-like, the placards are: 'National Vaccine Institution for Genuine Cow Pox by Act of Parliment! L- Undertaker' and 'Surry Dispensary Institution for Genuine Cow Pox . . . [ut supra] W [? John Walker] Undertaker'. In front of the procession marches a parson (Rowland Hill) with an open book and holding a torch from which rises smoke forming a dark background to the design. Beside him is a milestone inscribed 'IIII Miles from the Sur[rey] Round House'. The two pall-bearers (the others being hidden by the coffin) are elderly and ugly, the legs of one being shrunken, of the other gouty. They hold torches inscribed 'Harveian Oration'. On the coffin stands a golden calf, garlanded with roses, and inscribed 'The Brazen Image'. Immediately behind the coffin walks a little naked boy carrying a milk-pail on his head. Behind him walks an old man wearing a long official gown; he weeps and carries on a staff a conical fool's cap decorated with bells and inscribed 'L Ps [Pepys] Præsus'. He is followed by a fat parson and a woman registering violent grief. The procession of mourners, old men and women, emerges from a building which is collapsing (right). This is hexagonal with a dome, lantern, and spire, having a flag inscribed 'Broad hum for ever'. The building tilts, and the spire breaks off, under the impact of rays from a face centrally placed in the upper part of the design, just above the 'Brazen Image'. The rays dispel the heavy clouds which surround the procession and are inscribed (left to right): 'Common Sense', 'Candid Investigation', 'Reason', 'Religion', 'Truth'. The upper part of the design is framed by a festooned stage-curtain inscribed 'His Conscience that makes Cow-herds of us all'. From this falls downwards and to the right a little cow with the (horned) head of Jenner, much distressed. The four smaller designs are realistic scenes. [1] A doctor sits with hands on knees addressing a young woman who stands holding an angry baby. He says: "I will not recommenendd your Milk Lass--unless you have the Child Cow pox'd." On the wall is a picture of a cow dancing on its hind-legs while a man fiddles. [2] A handsome young blacksmith standing beside his anvil puts his arm on the shoulder of a sick and spotty friend, asking, "What's the Matter Dick." The other, supporting his head on his hand, answers: "I have caught the Small pox tho I was Cowed with the genuine Parliment sort." [3] A milkmaid, her pail on her head, shows her little boy to an elderly doctor (Jenner). The child displays his speckled arm, his face also is covered with a dark rash. She says: "The Docter says it is the Small Pox." He answers: "Poh! 'tis-- impossible I Vaccinated him My self at Cheltenham." [4] A doctor (Moore) and a parson (Rowland Hill) sit facing each other in controversy. An angry old woman stands between them, saying to Moore: "You have brought the College into sad disgrace Squire." He says: "I dare not make any Moore Reports." Hill answers: "I'll have it preached & practised in all My Methodest Chappels not withstanding." Above the design and below the dedication is a central sarcophagus supported on cloven hoofs, and inscribed: 'To the Memory Of Vaccina who died April the First!' On this a cow lies on her back. A burlesque figure of Time chops off the cow's head with his scythe; he wears breeches, shoes, and stockings, and on his head is a winged hour-glass. Opposite, and, like Time, in the position of a supporter to a coat-of-arms, a donkey prances on one hind-leg, its forefeet on the tomb. This centre-piece is flanked by cornucopias, one (left) scattering papers on to a bed of roses, the other (right) on to a pile of skulls and bones. The papers are (left): 'Illustrations of the Proofs of Young Jenners Inoculation by Dr Barron'; 'Grovennor Case'; 'List of Fai[lures]'; 'Sermons on Cow Pox by Rowland & Others'; 'Blair's Whores of Baby Ion'; 'Harveian Orations'; 'College Reports'; 'Supposing Reports'; 'Rings Botherations'; 'Roseum oratio'; 'Ringwood Report'. On the right: 'Squinting Eyes &cc'; 'Glandle swelli[ngs]'; 'Scabed Heads'; 'Jennerain Scrophula'; 'Blindness'; 'Vaccine Eruptions'; 'Inflamed Arms'; 'Cow Itch'; 'Lingering Death'; 'Cowpox Mange'; 'Tumid Glands'; 'In Cælo Quies'."--British Museum online catalogue
Description:
Title etched below image., Month and day of publication from British Museum catalogue., Plate to the 'Scourge', iv, before page 87., Illustration to 'Vaccine quackery', pages 87-9., and Temporary local Medical Library subject terms: Vaccination controversy -- Broadhum*.
Publisher:
Pub. by M. Jones, 5 Newgate St., Scourge
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Royal College of Physicians of London., Jenner, Edward, 1749-1823., Walker, John, 1759-1830., Hill, Rowland, 1744-1833., Pepys, Lucas, Sir, 1742-1830., Moore, James, active 1812., Baron, John, 1786-1851., and Blair, William, 1766-1822.
Subject (Topic):
Golden calf (Bible), Smallpox vaccine, and Costume
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 18.5 x 25.5 cm., and Printed in vermillion ink on wove paper.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
A man sits in an armchair facing right, resting his gouty left foot on a footrest; a cane rests between his legs. He rings a bell and looks over his right shoulder at a young servant who is leaving the room through a door on the left. A hill is visible through a window on the right
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on top edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
An old man, wearing a robe from which hangs a crucifix, walks with a staff towards a city in the distance. A long beard grows from his chin and long hair hangs from the back of his head; the top of his head is completely bald
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Plate numbered "24" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A country woman in an apron and cloak, hands on her hips, laughs as she watches the havoc caused by a sow and her piglets who run in all directions on the road. A horse rears in panic and topples acouple and their buggy. Another man on horseback is pitched forward as his horse noses the piglet caught between his front legs. In the distance beyond a stone wall on the left is the town dominated by four steeples, on the right trees. While the woman is looking away, two small boys, eyeing her carefully, steal from the contents of her wheelbarrow
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed within plate mark at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Accidents, Carriages & coaches, Country life, Robberies, and Swine
Bretherton, James, approximately 1730-1806, printmaker, publisher
Published / Created:
[10 December 1812]
Call Number:
Folio 724 C22 781
Image Count:
1
Resource Type:
still image
Abstract:
"A group of men standing outside a dilapidated building, part of which is visible on the right. One, wearing a broad-brimmed hat, holds in his left hand a torn paper on which parts of words are visible: "[Pet]itio[n] ... [Fr]eehold[rs] . . . Minist[ry] . . ." His right forefinger is extended as if laying down the law to his companions. On his right stands a man holding his chin with an expression of deep thought. In his right hand is (?) a turncock. Next him (left) is an artisan, listening intently, his breeches unfastened at the knee, his stockings ungartered; he holds a short hammer and is probably a shoemaker. Behind (right) a man wearing a waistcoat over a ruffled shirt, but no coat, lounges against the stump of a tree and listens open-mouthed. On the top of the stump is an open dish of food which a dog is eating, his head twisted backwards in a peculiar manner. Beneath the design is engraved, "The Rabble gather round the Man of News And listen with their mouths. Some tell, some hear, some judge of news, some make it, And he that lyes most, is most beleiv'd -""--British Museum online catalogue
Description:
Title etched below image., Variant state. Cf. No. 5086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., No. 10 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:
Publish'd as the act directs 10th December 1812 by J. Bretherton No. 134 New Bond Street
An old maid with a large chin and lump in her neck kneels in prayer before a simple table as a man looks down at her from a gap in the rafters. On the wall hang two notices entitled "Cupid's revenge" and "Love in a village".
Description:
Title from text below image., Date based on range of years in which Davison produced caritcatures. See: Isaac, P. Some Alnwick caricatures., Sheet trimmed within plate mark., Plate numbered '4' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
