V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in court, with the Chief Justice (Ellenborough) seated between two other judges. In front and below are three counsel and two clients. A barrister stands to examine a witness, a stout man, well dressed but countrified (right): "Well Sir, you are a witness in this Cause, eh? You look like a very knowing fellow to be sure! pray now do you know the difference between the Mortgager and the Mortgagee?" The man answers: "To be sure I do, for example now! I nod at you, then I am the Noder and you are the Nodee." All except the questioner smile; a distressed usher (right) exclaims "Silence there!"."--British Museum online catalogue
Alternative Title:
Brow-beater badger'd and Brow-beater badgered
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "176" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling cold.", Sheet trimmed within plate mark., and Manuscript "92" in upper center.
Napoleon disguised as "Count Vicenza" sits in a sled that is pulled by a horse, running at full speed, with a large devil on its back. Another smaller devil sits at the Count's feet while another large devil leans over the seat of sled. In the distance is a battlefield. The speech bubble above the Count reads: "My gaurdian [i.e. guardian] angel so you do but protect me d-n the army." The devil on the horse's back replies: "Don't be alarmed Boney. I'll escort to Paris but can't save your army."
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 9 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Caricatures and cartoons, Battlefields, Demons, and Sleds & sleighs
Print shows a man and a boy chasing a pig in the yard of a country alehouse. In the background, another man pauses to remove his hat and wipe his brow, while a fourth has evidently tripped and lies sprawling on the ground. A dog barks at the commotion
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "31" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 19 x 25.2 cm., and Printed in vermillion ink on laid paper.
Print shows a man and a boy chasing a pig in the yard of a country alehouse. In the background, another man pauses to remove his hat and wipe his brow, while a fourth has evidently tripped and lies sprawling on the ground. A dog barks at the commotion
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "31" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Lady Hertford, seated regally on a small sofa, cuts locks from the head of the Regent who reclines against her knees, asleep. The locks already cut are on the ground inscribed respectively 'Sheridan', 'Norfolk', 'Moira', 'Holland', 'Erskine'. She is about to shear off one inscribed 'Grenville'; the last, 'Grey', is still on his head. The Prince, who is conventionally handsome, and wears uniform, holds a paper signed '[Gren]ville / Grey'; his garter, inscribed 'Honi so . . .', is loose, and his left hand hides the star on his breast. Lord Yarmouth (right) stands holding a guttering candle; he points to the uncut lock, saying, "Don't forget that lock laying [on] the shoulder its Grey dy'ye see!" In his pocket is a pamphlet: 'Art of Milling' [see British Museum Satires No. 11842]. To leave no doubt as to his identity, a basket of fish is beside him inscribed '[Y]armouth Herrings'. Lady Hertford is heavily handsome; a small crown, which might pass as a tiara decorates her head; one foot rests regally on a footstool. A pillar and drapery behind her suggest regal state. On the sofa beside her is a rolled document headed 'Road to Hertford from Pall Mall'. On the ground (left) are empty wine-bottles; on a book by the Prince's feet, 'Economy of Human Life', lies a broken bottle from which wine pours. Behind (left) stands Perceval in his Chancellor of the Exchequer's gown, watching from behind a curtain which he holds aside; Castlereagh stands behind him, saying, "By Jasus, but she's as pretty a Barber as ever I clap't my eyes upon." Perceval answers: "Hush! Hush! you'l wake him before they are all cut."."--British Museum online catalogue
Alternative Title:
Delilah depriving Sampson of those locks in which consisted his strength
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed., and Album paper pasted over edge of plate at top.
Publisher:
Pubd. Feby. 1812 by Walker and Knight, No. 7 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Erskine, Thomas Erskine, Baron, 1750-1823., Grey, Charles Grey, Earl, 1764-1845., Sheridan, Richard Brinsley, 1751-1816., Grenville, William Wyndham Grenville, Baron, 1759-1834., Norfolk, Charles Howard, Duke of, 1746-1815., Holland, Henry Richard Vassall, Baron, 1773-1840., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Samson (Biblical judge), and Delilah (Biblical figure)
Title from caption below image., Artist from earlier print of which this is a copy., Questionable date of publication from unverified data in local card catalog record., A copy of a plate originally published in: Annals of horsemanship ... / communicated by various correspondents to Geoffrey Gambado, Esq. [pseud.] ... London: Printed for W. Dickinson ..., 1791., Description based on imperfect impression; text, probably a statement of responsibility, erased from lower left corner of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Doctor Cassock -- Horses.
"Syntax sits beside a pretty dairymaid in a dairy, while a cat laps from a bowl of cream. They are watched from the doorway by a distressed woman, who unjustly suspects Syntax's intentions."--British Museum catalogue, description of an earlier state
Alternative Title:
Doctor Syntax and dairy maid
Description:
Title etched below image., Reissue, with additional aquatint and statement of responsibility added, and with plate number changed from "Plate 11. Vol. 3" to "Plate 21". For the earlier state, which was published in the Poetical magazine on 1 October 1810 as an illustration to The schoolmaster's tour, see no. 11682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 177., Probably a plate from an early edition of William Combe's The tour of Doctor Syntax in search of the picturesque. Nearly all the plates from the 2nd edition of this work have the imprint "London, Published 1 May 1812 at R. Ackermann's Repository of Arts, 101 Strand"; see Royal Academy Collection online catalogue, record no.: 06/4306., "Plate 21"--Upper right corner., and Temporary local Medical Library subject terms: Sex behavior.
"The doctor, mounted on Grizzle, is beside a four-direction signpost on an open heath with a group of asses in the middle distance."--British Museum online catalogue, description of a later version of the design
Alternative Title:
Doctor Syntax losing his way
Description:
Title etched below image., Attribution to Rowlandson from Grego., Sheet trimmed within plate mark., Plate from: Combe, W. The tour of Dr. Syntax in search of the picturesque. London: R. Ackermann's Respository of Arts, 1812., "Plate 2"--Upper right corner., For an early version of the design, published in 1809 in Ackermann's The Poetical magazine, see no. 11508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 176. For a later version of the design, published in 1813, see British Museum online catalogue, registration no.: 1866,1114.848., and Temporary local Medical Library subject terms: Doctor Syntax.
Publisher:
Published 1 May 1812, at R Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Clergy, Teachers, Horseback riding, Traffic signs & signals, and Donkeys
Title from item., Sheet trimmed within plate mark., In upper right corner: Plate 8., Variant state of no. 11514 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Illustrative material: Dr. Syntax.
Publisher:
Published 1 May 1812, at R Ackermann's Repository of Arts 101 Strand
Title from item., Sheet trimmed within plate mark., Variant state of no. 11679 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Illustrative material: Dr. Syntax -- Inns: bedroom -- Robbers.
Publisher:
Publish'd May 1, 1812 at R Ackermann's Repository of Arts, 101 Strand
