"The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: 'Commons Green Bag'. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed 'Queens Attorney General' towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed 'Resolution ..... [Ma]jesty'. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, "I should make a brave Queen to be frightened at a Mouse." The barrister, Denman, the Queen's Solicitor-General, answers: "A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger." On the extreme right, Wood, in an alderman's gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): "Why Bags! what's all this!" Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: "The Cat's out of the Bag Sire thats all." Canning exclaims: "Pro-di-gi-ous! as my Friend Domine Sampson [in Scott's 'Guy Mannering', 1815] says!" Castlereagh, very scared, says to Sidmouth: "Doctor could you not prevented [sic] this untimely Birth!" Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor's gold-headed cane, is a constable's staff. He exclaims: "A Delivery without Nurse or Doctor by Heaven." From his pocket hangs a paper: 'Foreign Circular' [cf. British Museum Satires No. 13282]. After the title: 'When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse--The Moral. Much ado about Nothing.-- Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L'Estrange's Esop.--'."--British Museum online catalogue
Alternative Title:
Mountain in labour
Description:
Title etched below image., Sheet trimmed within plate mark at top edge., 1 print : etching ; sheet 24.8 x 35.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 29 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Londondery [sic]," "Sidmouth," "Brougham," "Queen Caroline," and "Denman" identified in black ink below image; date "28 June 1820" added in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Eldon, John Scott, Earl of, 1751-1838, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Bags, Draperies, Wigs, Judges, Robes, Medical equipment & supplies, and Staffs (Sticks)
Lady Conyngham sits at a table in front of a fireplace, quill pen in hand, writing a letter by candlelight; her large figure is exaggerated and her legs are spread far apart, causing her nightgown to billow. A clock sits on the mantle in front of her. In the background on the right, a bed in which Lord Conyngham sleeps can be seen beyond a curtain; a cloud of dreams rises from his head, filled with a crown and the word "Sinecures." A cat sleeps on a stool beside the bed
Alternative Title:
Expanded sentiments of Liddy Cunning-game
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 24 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in ink below image; date "Nov. 1820" added in lower right corner, preceded by the word "Suppressed" written in pencil.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and George IV, King of Great Britain, 1762-1830.
The Tom and Jerry stand arm in arm, watching a scene of 'drunkenness, beggary, lewdness and carelessness-a complete picture of "Low Life" (in Wych Street, Strand). A woman climbs over the back of a bench to fight another as mugs and plates fly. On the fire (right) is a huge pot with a tap, at which a man fills a mug. A battered prostitute toasts a muffin. One man, of 'shabby-genteel' appearance, 'was once one of the gayest young swells upon the town'. Over the fire are cracked pictures: Innocence and Virtue. Mugs are stacked on shelves
Alternative Title:
Midnight Tom and Jerry at a coffee shop near the Olympic
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate from: Egan, Pearce. Life in London. London: Printed for Sherwood, Neely and Jones, 1821, page 181., and Sheet trimmed to plate mark, with loss of imprint: 13.4 x 21.3 cm
"Leach (right), the Vice-Chancellor, dressed as a woman, with a trimmed bonnet over his wig, sits on a corded chest inscribed Commissio[n] ; against this leans a book: Justifia et honor. He grasps a moneybag inscribed 10,000, and holds the ear of a fox which crouches against his knee. He faces John Bull who is stripped to the waist, with a gigantic leech on his back. John, a countryman in patched breeches, registers angry terror and pain; he looks over his shoulder, exclaiming: "D--me what a monstrous Leech! it not only sucks blood but honor also!" Leach says: "I am not plain, Leech, Sir, but by vulgar denomination--I am called Miss Leech if you please--." Beside J. B., and pointing menacingly towards him, are the muzzle of a cannon, a sheaf of bayonets in a chest inscribed 'G R' and 'Steel Lozenges' [see British Museum Satires No. 13513]. Against this lie shackles inscribed 'Bandages', and cannon-balls inscribed 'Bolus' and 'Iron Pills'. On a hill behind a large cap of 'Liberty' dangles from a gibbet against which leans a ladder. Leach's fox turns its head towards John, saying: "In Law. what plea so tained [sic] and corrupt, But, being season'd with a gracious voice, Observes the evil? There is no Vice so simple, but assumes Some mark of virtue on his outward parts Shak Mer of Ven--Act 3 Scene 2." Behind Leach, and on the extreme right, is a second chest inscribed 'French and Italian Monkey[s]'. A monkey wearing a fool's cap crouches on it, grinning at his reflection in a hand-mirror."--British Museum online catalogue
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 39 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "John Bull" and "Sir John Leach" identified in pencil at bottom of sheet; date "July 1820" written in ink in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. July 1820 by Smolky, 18 Rupert Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Cross dressing, Bonnets, Chests, Foxes, Worms, Parasites, Cannons, Cannon balls, Bayonets, Shackles, Ladders, Gallows, Liberty cap, Monkeys, Mirrors, and Fools' caps
"Satire on George IV who sings while Lady Conygham plays at the organ; at the side a table laden with decanters of drink."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 30 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Eliz. Conyngham" identified in black ink below image.
Publisher:
Pub. July 2, 1820, by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Organs, Singing, Tables, Bottles, Alcoholic beverages, Hats, and Pineapples
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., 1 print : etching ; plate mark 27.6 x 21.5 cm, on sheet 28.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 6 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"Companion plate to British Museum Satires No. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires No. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires No. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., Mounted on page 36 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; sheet 27.1 x 21 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Companion plate to British Museum Satires No. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires No. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires No. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., and Watermark: J. Whatman.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
