Title from text above images., Date of publication from unverified data in local card catalog record., Four designs on one plate, each individually captioned., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper ; sheet 16.6 x 24.1 cm., Sheet trimmed within plate mark leaving top two designs only., and Print numbered in manuscript near top of sheet: 132.
Title from text above images., Date of publication from unverified data in local card catalog record., Four designs on one plate, each individually captioned., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark leaving top two designs only., 1 print : etching on wove paper ; sheet 16.2 x 24.1 cm., and Print numbered in manuscript near top of sheet: 137.
Title from text above images., Date of publication from unverified data in local card catalog record., Four designs on one plate, each individually captioned., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., John Phillips: Satirical printmaker, worked for many publishers from 1825. Dorothy George in the British Museum catalogue suggests that Phillips was the producer of the prints made in 1829-31 by 'A Sharpshooter' and published by S. Gans, mostly pirating William Heath; she also suggests that he was the "false Paul Pry" of 1829 who used Heath's signature of a tiny figure of John Liston. ... A trade card of 'Phillips' also at 16 Brownlow Street is presumably the same man or a member of his family (Heal,56.12)., Text below title: By-and-bye a man will go a hunting after breakfast upon his tay-kettle., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Peel kicks a lean old watchman behind, and drags from his shoulders his patched and tattered coat. Just behind him (right) is a big bonfire in which a watch-box and battered lanterns are blazing; beside it lie more lanterns, a rattle, and staves. In the background a watchman hangs by the neck from the branch of a tree, still holding rattle and lantern. Beside the tree is a pond from which projects an arm clutching a rattle. Peel says: '"But such a poor, bare-forked animal as thou art--Off--off you lendings: come unbutton here vide Shaks--' ["Lear", III. iv]. The terrified watchman answers: '"Nay, take my life and all, pardon not that: You take my house, when you do take the prop That doth sustain my house; you take my life, When you do take the means whereby I live, vide Shaks.' ["Merchant of Venice", IV. i]."--British Museum online catalogue
Alternative Title:
Michaelmas Day 1829, or, The last watchman and Last watchman
Description:
Title etched below image., Imprint continues: ... sole publisher of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Sep. 29th, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
England and London.
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Police, Watchmen, Bonfires, Drowning victims, Hangings (Executions), Kicking, and Lanterns
"European sovereigns (wearing crowns) and others, watch a game of billiards between the Tsar, the principal figure, and the Sultan. Nicholas (left), a dandy in uniform, is about to make a stroke which will inevitably pocket the Turkish ball; in the pocket beside him is a ball inscribed 'Greece'. He registers complacent satisfaction. The Turk (right), in ornate Turkish dress and jewelled turban with two aigrettes, stamps furiously, tearing his long white beard. Greece (or the pro-Russian President of the Republic, Capodistrias) stands behind Nicholas on the extreme left, gloomily smoking a long pipe. He wears elaborate national costume, and a cone-shaped cap from which project two long ass's ears; this is surmounted by a chain and padlock and inscribed 'Cap of Liberty presented by Russia'. Charles X bends excitedly towards him, both hands raised; he says: 'By Gar he has pocket your Ball--dat is no good for you.' On the wall a framed map of the globe serves as marking board; the east, north, and west sides are respectively: 'Greece', 'Turkey', and 'India', the last being 'Game'. The pointer is a bayoneted musket. Francis I is marking, his finger on the pointer which has just passed "Turkey" on its way to "India"; he looks down at the table, saying, 'I may as well mark Game.' Frederick William III puts his hand on his shoulder, saying, 'I say Brother Marker, you and I must go snacks.' Seated under this map is Francis I of the Two Sicilies, his arms folded; he holds his crown which is 'Wrapped up--to preserve the NAP'. Between the map and Charles X stands an American, presumably President Jackson, a tall man in civilian dress with a jauntily worn high-crowned hat. He says: 'Pretty considerable--that is I guess how the game will be' [see British Museum Satires No. 14714]. Between the King of Prussia and the Sultan stands Ferdinand VII, as the "Spanish Mule" of British Museum Satires No. 12508, &c., an ass's head, with blinkers and a muzzle, and long ears projecting through his crown. He wears ruff, slashed doublet, &c, and reads a paper: 'Map of Sou[th] Amer[ica]'. In the foreground Wellington (right) sits in a small chair, in profile to the left, his eyes looking apprehensively behind him, his mouth pursed. He wears blue coat and white trousers and holds a cue, the butt resting on the ground; under his chair lies a British bull-dog, gazing up with melancholy intentness. The Duke's shadow forms the silhouette of a soldier standing with folded arms. In the middle distance are notabilities, less directly concerned. The Duke of Brunswick in the uniform of a Death's Head Hussar, with a conical fool's cap with bells poised above his crown, says, 'I'll see Hanover d--n before I ask his pardon.' O'Connell, with a big bag of 'Rent' under his arm (see British Museum Satires No. 14766, &c), says to the Pope, holding out a ticket inscribed 'MP, By der powers father I won two games' [his two returns for Clare, see British Museum Satires Nos. 15538, 15847]. On the extreme right Dom Miguel, wearing the Order of the Tower and Sword, clutches his crown, saying, 'I must hold tight now--my little Wife that was to be--is gone home.'"--British Museum online catalogue
Description:
Title etched below image., Imprint continues: ... sole publisher of W. Heaths etchings., Sheet trimmed within plate mark., Mounted to: 33 x 43 cm., and Mounted on a sheet, on the verso of which is an offset impression of: Heath, William. High & mighty queen recieving an address from the most loyal subjects in the world.
Publisher:
Pub. Sep. 30, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Charles X, King of France, 1757-1836, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Francesco I, King of the Two Sicilies, 1777-1830, Jackson, Andrew, 1767-1845, Ferdinand VII, King of Spain, 1784-1833, Wellington, Arthur Wellesley, Duke of, 1769-1852, Karl II, Duke of Brunswick-Lüneburg-Wolfenbüttel, 1804-1873, O'Connell, Daniel, 1775-1847, Pius VIII, Pope, 1761-1830, and Miguel I, King of Portugal, 1802-1866
Subject (Topic):
Billiards, Heads of state, Dandies, Pipes (Smoking), and Maps
"A game of chess between the Tsar and the Sultan. The latter sits cross-legged on a chest, to which the chess-board, supported on legs, is attached. Nicholas, a military dandy with a hideous profile, moves a piece, saying 'Check Mate'; he has taken two castles and other pieces. With his left hand he slips a large bag of 'Roubles' into the hat of Wellington who stands behind his chair. The Duke raises two fingers, saying, 'I say's Nothing'. The Sultan clutches his turban, registering consternation; to the box on which he sits is chained a Greek (? Capodistrias) in national costume. The Emperor of Austria and King of Prussia stand behind the chess-board; the former says: 'We must look on for the present Brother.' Beside them stands a Quakerish-looking man, hands clasped and thumbs together, probably President Jackson; he says 'Um . .m.. .m.' Behind Wellington (right) are Eldon, with his hands raised in horror, saying 'Here's treatment of Old friends and Allies.' Behind him is Lyndhurst in wig and gown. Behind the Greek (left) the King of France says to his fellow-Bourbon of the Two Sicilies (identified from BM Satires No. 15865), 'Ve must take care ours turn is not de next.'"--British Museum online catalogue
Description:
Title etched below image., British Museum catalogue suggests September or October as the month of publication in 1829., Sheet trimmed within plate mark., Temporary local subject terms: Military dandies -- Games -- Chess -- Russo-Turkish wars -- Reference to Greece -- Turkey -- Russia -- Austria -- Prussia -- France., and Numbered in ms. at top of sheet: 222.
Publisher:
Publish'd by J. Field, 65 Quadrant
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Wellington, Arthur Wellesley, Duke of, 1769-1852, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Jackson, Andrew, 1767-1845, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Charles X, King of France, 1757-1836, and Francesco I, King of the Two Sicilies, 1777-1830
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Twelve reduced copies (hand-coloured woodcuts), crude and sometimes simplified, of caricatures, arranged in three rows of four, each in a border, having an additional title above the design, the original title (except in No. 9) being below. The original of 11 is not in the Museum. The designs are copied in British Museum Satires No. 15782, or, otherwise, from it. [1] No. 15732, reversed. Above: ''Tis all vel at Vindsor'. Inscription: 'Does jarvey [Wellington] mean to start on his own account? Them leaders seem tohave it all their own way'. [2] No. 15731, reversed. Above: 'Achilles' [cf. No. 14409]. Inscription: 'Ready to start, your Honour'. Reproduced, Hindley, Life and Times of Catnach, p. 214. [3] No. 15734, reversed and altered: Peel holds, not a cage, but a rat by the tail. Above: 'Orange Pe--l' [cf. No. 15390]. Inscription: 'He made each felley turn his coat | And caught each rat by the tail'. [4] No. 15733. Above: 'The Cunning Hen'. The inscription is as the original, but continues, 'or they'll bolt with the coach'. [5] No. 15749, reversed and with the same inscription. Above: 'Paddy Whack!' [6] No. 15736, reversed and altered. Above: 'The Oeld 'un'. His foot is on the Catholic [Bill]. Inscription: 'I drove the Long Tail Blacks [cf. No. 15658] for fifty years. I drove your dad, your honour'. [7] No. 15737, reversed and altered. Above: 'A Kow-Cumber'. Inscription: 'I say, Jemmy All-Weather [see 8], keep your eye on them fellies of the Sovereign--they're arter no good: See they dont prig our luggage. That coach is their own, they think'. [8] A copy of No. 15752, reversed. Above: 'A Man of All-Weathers'. Inscription: 'I was once a bright lad, | But now I'm a Cad'. [9] A copy of No. 15703, reversed and altered; title: 'The Man wot missed his mark'. Above: 'Once in Batter sea | NoW-in-Chelsea'. His paper is headed 'Anti-Catholicism'. On the rock are scrawled two duellists, aiming at each other. Inscription: 'Death's heads and marrow bones, are now my portion'. [10] A copy of No. 15756, reversed and without the letter. Above: 'A drive from Dublin'. Inscription: 'One kick from the leader floor'd me'. [11] 'The Man wot owns the Vestminster'. Above: 'Long Franky'. Burdett stands in profile to the left, knees flexed, regarding a small framed picture of a giraffe (see No. 15425). Inscription: 'I used to go by the John Bull, now I goes by the Sovereign'. (The radical M.P. for Westminster as a supporter of the Ministry, cf. N0.16058.) [12] 'John Bull, broke down'. Above: 'The Last Stage'. Probably based on No. 15743. J. B. stands in profile to the right, bowed under a bulky sack inscribed 'Taxation'; he rests both hands on a stout stick, inscribed 'Trade', which breaks under his pressure. (See No. 15799.)"--British Museum online catalogue
Description:
Title from text at top of sheet., Date of publication from the British Museum catalogue., One line of quoted text below title: "All the world's a stage, and all the men and women merely players.", "Price 2s."--Lower left corner., and Folded and laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Printed and published by T. Rockliffe, 65 Ratcliff Highway
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Conyngham, Elizabeth Conyngham, Marchioness, -1861, O'Connell, Daniel, 1775-1847, Eldon, John Scott, Earl of, 1751-1838, George V, King of Hanover, 1819-1878, Wetherell, Charles, Sir, 1770-1846, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Anglesey, Henry William Paget, Marquis of, 1768-1854, and Burdett, Francis, 1770-1844
"An ancient Gothic church in the middle distance stands on a grassy hill inscribed 'Protestant Ascendency'; under the hill (left) is a cave, 'Cave of Catholic Ascendency', in which are barrels of 'Gun . Pow[der]'. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a 'Petition to Parliament'. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting 'Down with it--never mind the People' [see British Museum Satires No. 16058]. In front is O'Connell, in wig and gown, shouting, 'By St Patrick I've got the Rope over at Last.' Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: 'Look to your selves People.' Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul's whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Publisher:
Pub. March 19, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, Leo XII, Pope, 1760-1829., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Mackintosh, James, Sir, 1765-1832, Burdett, Francis, 1770-1844, O'Connell, Daniel, 1775-1847, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Churches, Caves, Crowds, Monks, and Vandalism