"A farmer, wearing his hat, John Bullish and intimidating, hand resting on a cudgel, stands in a plainly furnished room staring fixedly at a closed door, at which a dog is sniffing. A plumed cocked hat, sword, and boots, just outside the door, tell their story. He says to a terrified maidservant who holds a lighted candle: 'Hulloa Girl! what the devil's all this?--Bring the light this way.--Where's your Mistress?--'. She answers: '--Why, Sir, She--she--she--sh--e--e--e--e--e--e--'. Above the hearth are two small pictures: 'Virtue Rewarded' and 'Village Innocence'. A wall clock points to 10.30. Through a casement window is seen a violent zigzag of lightning."--British Museum online catalogue
Description:
Title etched below image., Lines of dialogue below title: Halloa, girl! What the devil's all this? Bring the light this way. Where's your mistress? ..., and Sheet trimmed within plate mark on lower edge.
Title from caption below center image., Nine designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240.
"The King's giraffe hangs limply from a sling which is suspended from a cross-beam supported on two uprights. George IV and Lady Conyngham push hard at a windlass to hoist up their pet. He has thrown off his coat and rolled up his shirt-sleeves; tight breeches define spherical posteriors. She looks up sentimentally at the animal, whose forelegs are swathed in stockings, with the feet in large shoes stamped with a crown. Beside it is an open chest of stoppered spirit bottles. A background of trees and grass indicates Windsor Park."--British Museum online catalogue
Description:
Title etched above image., Plate signed in bottom left corner using William Heath's device [image of Paul Pry]: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... where political and other caricature are dialy [sic] pub., Sheet trimmed within plate mark on left side., To the left of the small image of Paul Pry: I supose [sic] we shall have to pay for stuffing him next., and Text below image: Little hope is now entertaind. of the recovery of the giraffe - since the last attack he is unable to rise without the assistance of slings - every attention is paid him but tis fear'd without effect. Morning papers.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A stout cylindrical shaft stretches across the upper part of the design, inscribed 'Manufactures & Commerce'. To this cling by both hands four ragged and desperate artisans, wearing aprons, but it has broken in the middle so that they, and others clinging to them, are about to fall into the swirling clouds at the base of the design. Two larger and stouter men, respectably dressed employers, cling frantically to the legs or garments of the four artisans. At the base of this inverted pyramid is a stout figure, half-bishop, half-King, clinging to coat-tails and pocket of the two men above him. A bloated episcopal face is half covered by a battered crown (right), while a large mitre tilts to the left, and the figure, Church and State, is clothed half in surplice (left), half in ermine-trimmed robe, with one episcopal leg, and one leg with a garter inscribed '[Hon]i Soit' [George IV as in British Museum Satires No. 15819 by the same artist]. Above the broken shaft is a large irradiated inscription: 'Manufactures & Commerce support the Workmen | they the Merchants & Masters who are the | chief tax payers & thereby support | The great tax eater Church-and- State.'"--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Matted to: 45.6 x 31.5 cm.
Publisher:
Publishd. by Thos. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Artisans, Aprons, Crowns, Miters, Robes, Church & state, and Taxes
Title from caption below image., Title from dialogue in Shakespeare's The taming of the shrew: Tailor "The sleeves curiously cut." Petruchio "Ay, there's the villainy.", Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P-Prys caricatures, none are original without this publication., Text following title: Vide Skakspeare., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
"After the title: 'Dedicated to the enlightened and temperate Protestants of the united Kingdoms--.' The 'Bugabo' is held up by an Irishman in the centre of the design: a huge sheaf of straw to which is tied a mask inscribed 'Inquisition' with glaring eye-balls and fanged mouth; from the sheaf project a cross and a lighted church candle. The Irishman peeps from behind it, saying, 'Hurra! by Jasus! a'rnt I a comeing.' He terrifies a crowd of 'old women' (right) who flinch, flee, and fall. The foremost is Eldon, wearing a cap over a Chancellor's wig, and holding a 'Petition of the Old Women of Petty France Westmr against Catholic Emancipation' [cf. BM Satires No. 15716]. He says: 'Avaunt and quit my sight! Hence! Horrible shadow Hence! Hence without Hesitation!!' A little boy exclaims: 'D'ont be frightened Mother! why i'ts only straw!' A woman, holding a big birch-rod, to show that she is (?) Joseph Birch, M.P. for Nottingham, exclaims: 'Oh! this is the consequence of that fatal Thursday! O that I could give them their deserts I'd make them remember Birch!!' Of the remaining six women, one exclaims 'Indeed Sir it was not me that cried No Popery'; two others wear ducal coronets: Cumberland (moustached) says: 'Only let me catch you in Cumberlan thats all!' Newcastle (unrecognizable) adds: 'Aye or at Newcastle we'd make Pickle Salmon of him.' On the extreme left are Wellington and Peel; the Duke, who is in uniform with cocked hat, sword, and boots, says to Peel: 'That many would be frightened at straws is no more than I anticipated my worthy Colleague! -- but depend upon it they will find the Hearts of his Majestys Catholic Subjects contain as much Honor Loyalty and Gratitude as those of their fellow Countrymen of a different persuasion --and in time they will find I have made no Mistake!!' Peel, who walks hat in hand, carrying a box of 'Candi[ed] Peel', answers: 'It is with this conviction I have candidly acknowledged my change of former sentiments assured that your measures as leader of His Majesty's Government will prove as conducive to the Peace and Happiness of these realms as your Tactics when Leader of his Armies.'"--British Museum online catalogue
Alternative Title:
Bugabo for old women and children
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., Text following title: Dedicated to the enlightened and temperate Protestants of the united kingdoms., Sheet trimmed to plate mark., Temporary local subject terms: Irishmen -- Reference to Inquisition -- Emblems -- Cross -- Church candles -- Grotesque masks -- Chancellor's wigs -- Ducal coronets -- Birch, Joseph, fl. 1829., and Numbered in ms. at top of sheet: 172.
Publisher:
Pubd. 1829 by J. Chappell, Royal Exchange
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A very ragged Irish bog-trotter stands full-face, knees flexed, a shillelagh in the right hand, a shilling in the left palm. Shaggy hair bursts through his small shapeless hat in which is a tobacco-pipe. He stares, with raised eyebrows and a grin. Above his head: 'Arrah now, be asy, ye devils, be asy! I'm thinking how I shall pay Dan two thirteens out o' one. Och now! and Dan's a dear crater!'."--British Museum online catalogue
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
