"The Duchess of St. Albans, fat, flamboyant, moustached, and smiling, stands on a carpeted floor, a glove in one hand, three large feathers in her hair. Curious draperies decorate a deep border to her skirt, and are seemingly intended for money-bags. On the wall is a small framed picture of a melon (cf. British Museum Satires No. 15458). Above: 'Sure thou wert form'd by all the Gods in Council; Who having made a lucky hit, | beyond their journey-work, Cry'd out,--"This is a Woman!"'."--British Museum online catalogue
Alternative Title:
Hugeous Duchess
Description:
Title etched below image., Alternative title etched above image: Hugeous Duchess., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., Watermarked paper: J. Whatman 1829., and Offprint on verso
Publisher:
Pub. by E. King, Chancery Lane
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The apex of a tall plant with red flowers, intended for a scarlet runner, supports the head of Scarlett, in wig and bands, in profile to the left, his eyes a slit between closed lids. The plant grows from the summit of a hill or mound, backed by trees and clouds."--British Museum online catalogue
Alternative Title:
Scarlet bean being scarlet
Description:
Title etched below image; the letters "i" and "g" in the first "being" in title scored through to read "bean" and a letter "a" etched above the "i". and Imprint continues: ... sole publisher of W. Heaths etchings.
Publisher:
Pub. Nov. 20, 1829, by T. McLean, 26 Haymarket ...
Title from caption below image., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240., and Watermark.
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Startling interogation, Startling interrogation, and New panorama
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where complete sets of P-Pry caricatuers may be had., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"John Nash, misery personified, sits on the ground, in profile to the left, hands on knees, chin close to his hands; a harrow with huge spikes rests on his shoulders, and is thus tilted up, while a horse, its head cut off by the left margin, drags it along. Only one corner touches the ground, on a heap of papers, some of which it has spiked up; these are: 'Artists' Gallery', 'Marble Job', 'Lath & Plaister Acct', 'Job' (five times), 'Pimlico job' [Buckingham Palace], 'Regent Street Job', 'Brighton Job' [the Pavilion], 'Suffolk Street Job', 'Woods and Forests Job', 'Windsor Job', 'Brick . . .', 'his Mi . . . Job', 'Mosaic Gold Job'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Spiked harrows., Watermark: J. Whatman., and Numbered in ms. at top of sheet: 99.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Two columns of dialogue below image: Bless me captain, there must be some mistake. It was your own company to tea I requested ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
"A fight between Lyndhurst and Peel with Ellenborough and Wellington as bottle-holders. Lyndhurst (left), in Chancellor's wig and gown, staggers back, arms flung out, at a punch on the nose from Peel who lunges forward, ruthlessly pugnacious. Ellenborough, dressed and behaving as a dandy (in tight-waisted blue coat and white bell-shaped trousers), holding a tubular eau-de-cologne bottle, emblem of the dandy, cf. BM Satires No. 13031, registers alarm, exclaiming, 'Oh! Oh! my dear Lud, take care--he's a terrible hitter--or he'll have your Ludship's dear head in Chancery.' Wellington (right), in uniform with sword, gauntlets, and heavily spurred cavalry boots, says: 'That's it Bob; serve him out--He won't ride rusty after this I know.'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark., Watermark: J. Whatman 1928., and Numbered in ms. at top of sheet: 178.
Publisher:
Pub. by J. Field, 65 Regents Quadrant
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Baron, 1750-1818, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Dandies, British, Judges, Military uniforms, and Wigs
