Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
Jany. 1832.
Call Number:
832.01.00.01+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Possibly a later state; significant plate fouling, some text within speech bubble in image has been scored through., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Fourth page of a monthly magazine that consisted of four pages; included on this page are five individually-titled images, "MADRID, - A FALSE ALARM (British Museum Satires No. 17269): Ferdinand VII lies on his back in bed, his crown and a huge pot of 'Holy Water' beside him. He calls 'Quick! fetch the Holy Petticoat I once embroidered. St. Peter will sure admit me in that disguise'. Behind his bed-curtains a procession hurries forward, headed by a friar holding two huge candles. An acolyte swinging a censer walks before a bishop in his robes who holds up an embroidered petticoat hanging from a cross. Behind is another bishop. (Ferdinand VII's death was expected and had been reported. He recovered and died on 29 Sept. 1833. For the petticoat, reputedly embroidered for the Virgin during his internment at Valençay, see British Museum satires no. 12508, &c.)."--British Museum online catalogue, "DIETING IN GERMANY. (British Museum satires no. 17270) 'Liberty' is represented by the flames coming from big candle-ends placed on the ground; Francis I and Nicholas (out of place in the German Diet) are putting huge extinguishers over them. Five of the candles are 'Franckfort, Hesse-Cassel, Brandenburg, Hanover, Baden'. The Tsar: 'Extinguish it in one place it blazes in another'. He is back to back with the senile Francis who puts his extinguisher over 'Brandenburg', saying, 'Why the extinguisher itself appears to be igniting'. (See British Museum satires no. 17212, &c. Revolutionary movements in Europe, cf. No. 16535, had in fact been suppressed or had subsided. For the extinguisher cf. Nos. 12588, 14145.)."--British Museum online catalogue, "DUTCHMEN BLOCKING UP THE NAVIGATION OF THE SCHELDT. (British Museum satires no. 17271) A row of fat Dutchmen sit on the water, buoyed up by bulky and inflated breeches. All are smoking long pipes; one says 'Yau Mynheer'. Behind them are small ships. Two frogs watch from a bank in the foreground. (The obstinacy of the King of Holland in claiming control over the navigation of the Scheldt, including the right of preventing ships from passing to or from the high seas, was a main obstacle in the settlement of the Dutch-Belgian question. Camb. Hist, of Br. Foreign Policy, ii. 146 ff. See British Museum satires no. 17295, &c. Van Stolk, no. 7170. )."--British Museum online catalogue, "PORTUGAL (British Museum satires no. 17272) An ugly infant, Queen Maria (left), and a crowned ape, Miguel, face each other across a chasm. On the plain below and between them scattered forces are fighting. The child, who has dropped her coral and bells, holds out her arms, screaming 'Ah you've got my crown! I will have my crown'. The ape, who presses a foot on human bones, grimaces savagely. Below each protagonist is a supporter. A man waving a cocked hat shouts 'Fight for your illustrious Queen'. A monk holds up both arms, shouting 'Fight for your August King!!' Below the title: '"Oh its a mighty pretty Quarrel" (Sir Lucius O'Trigger)' [Sheridan, The Rivals]. (For the civil war in Portugal see British Museum satires no. 17179, &c.)."--British Museum online catalogue, and "PERFECTS AND IMPERFECTS, OR DREADFUL TIMES. (British Museum satires no. 17273) 'The Times' newspaper is represented by a man whose body from neck to hips is covered by a sheet of 'The Times'; across the columns of the paper are the words: 'Horrible! \ Dreadful!! \ Frightful!! \ Mare's Nest \ discovered near \ Hammersmith'. The square head, with fierce angular features and a pen stuck in it, is seemingly an ink-pot. The limbs are those of a vigorous man, who lunges fiercely with outstretched arms, holding a huge ink-ball in each hand. With one he knocks backward and blackens the face of an elderly man dressed like the Duke of Cumberland who watches from the left. 'The Times': 'I should not have known how to make any thing of the Duke's apology; because a short-sighted man might ride nearer than he intended, and seeing people so much more frightened than hurt, might possibly smile:--But you I have at my mercy. Where's the mustachoes Sir? Where's the mustachoes?--There, Sir-- there, have you any mind for another dose'. Cumberland, stooping aggressively, exclaims: 'Oh! you officious blockhead, you will get freely belaboured for your pains'. A young lady, who watches mincingly from the right, cries, 'Oh! I am quite positive as to the mustachoes!!'."--British Museum online catalogue
Description:
Titles from text below images., Printmaker from British Museum online catalogue., and Publisher from publisher's statement "London, Published by Thos. McLean, 26 Haymarket" on first page of magazine; date of publication from series numbering "Vol. 3rd, Octr. 1, 1832" on first page of magazine. See British Museum online catalogue, registration no.: 1868,0808.12322.
Publisher:
T. Mclean
Subject (Geographic):
Antwerp (Belgium) and Great Britain
Subject (Name):
Maria II, Queen of Portugal, 1819-1853, Ferdinand VII, King of Spain, 1784-1833, William I, King of the Netherlands, 1772-1843, Anglesey, Henry William Paget, Marquis of, 1768-1854, Francis I, Emperor of Austria, 1768-1835, Wellington, Arthur Wellesley, Duke of, 1769-1852, Spencer, John Charles Spencer, Earl, 1782-1845, Russell, John Russell, Earl, 1792-1878, Nicholas I, Emperor of Russia, 1796-1855, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Ellenborough, Edward Law, Baron, 1750-1818, Maltby, Edward, 1770-1859, Derby, Edward George Geoffrey Smith Stanley, Earl of, 1799-1869, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Karl II, Duke of Brunswick-Lüneburg-Wolfenbüttel, 1804-1873, Knight, Charles, 1791-1873, Quentin, George Augustus, 1760-1851., and Georg V, King of Hannover, 1819-1878
Subject (Topic):
Siege, 1832, Catholics, Public opinion, Monkeys, and Arcimboldesque figures
Title from caption below image., Two lines of dialogue below title: Minister, Will thou take this woman for thy wedded wife? ..., Publisher's advertisement in lower margin: See the following laughable plates, 2/each colour'd ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pregnancy -- Bride and groom -- Clergy -- Interior of church -- Wedding.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[16 June 1832?]
Call Number:
Folio 75 G750 832 no. 6 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The Devil, laden with Tories, strides to the left, quoting the Duke of Newcastle with a gloating grin: 'Can't I do what I like with MY OWN' [see BM Satires No. 15884, &c.]. Across his shoulder is a trident on which a bloated bishop is spiked. From the lower end of the handle a rat-trap (see BM Satires No. 15734), on which Peel sits, hangs by a rope. Wellington, encircled by the barbed tail, is dragged along, kicking violently. He is in uniform with spurred boots; a gibbet projects from his cocked hat. Under the Devil's arm are two lawyers: Wetherell in his slovenly dress, and Lyndhurst. The remainder are tied by ropes to the Devil's back; most prominent (left to right) are Ellenborough, Cumberland, Gloucester, and Croker. The others are scarcely characterized; a Scots cap may denote Lauderdale, a renegade."--Britism Museum online catalogue
Description:
Title from text below image; series statement at top of image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum catalogue., Wood engraving with letterpress text., "Price one penny"--Text following series subtitle., Publisher's advertisement at bottom of sheet: All the numbers of John Bull's picture gallery may be had at the publisher's, W. Chubb, 48 Holywell Street, Strand, London., and An adaptation of no. ??? in v. 11 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
W. Chubb
Subject (Geographic):
Great Britain.
Subject (Name):
Tory Party (Great Britain), Croker, John Wilson, 1780-1857, George V, King of Hanover, 1819-1878, Lauderdale, James Maitland, Earl of, 1759-1839, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Wetherell, Charles, Sir, 1770-1846, and William Frederick, Duke of Gloucester, 1776-1834
A series of crude (and in some cases explicitly racist) lithographed cards numbered 1-16, with scenes relating to political reform on both sides of the Atlantic. On British side, they cover the reforms to the franchise made by the 1832 Reform Act, poking fun at 'poor distress'd turn'd out Boroughmongers' (No. 1), the rural squirearchy (No. 7), Taxes (No. 9), the established Church (No. 10) and Irishmen (no. 12), among others. United States political issues are shown in the second card which reuses - with added racist slurs - the design of Edward Williams Clay (1799-1857) entitled 'Hurrah! hurrah for Genl. Jackson!!' under the caption 'Life in Philadelphia'. Cards nos. 4 and 7, with yet more overt racism, use references to American segregationism to caricature British political positions
Description:
Title from dealer's description., Approximate date of publication based on publisher's street address; the York stationer and lithographer William Fletcher Wodson (1801-1860) operated from his "2 Pavement" location only between 1830 and 1833. Additional evidence comes from references to the 1832 Reform Act and the presidency of Andrew Jackson., and For further information, consult library staff.
Publisher:
W.F. Wodson, lith., Pavement, York
Subject (Geographic):
Great Britain and United States
Subject (Name):
Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Ethnic stereotypes, Poverty, and Racism
Image divided into six scenes captioned individually: Dizzy; Foolish; Evidently inebriated; Considerably intoxicated; Uncommon drunk; Indisputedly dead drunk!
Alternative Title:
Six gradations of a drunkard
Description:
Title from heading etched above image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Four over-fed doctors carouse at a table laden with rounds of beef and decanters. Each holds up a glass and gives a toast. The man at the head of the table (left): 'Long life to our Central Board--R |. "in medio tutissimus bibis [for ibis]"--as we say in the classics'. His vis-à-vis: 'May we preserve our health by bleeding the country'. The man in back view: 'I drink Reform in our Hospitals, may they close their doors against the public & the poor die in Hackney coaches'. On the back of his chair: 'Board & Lodging'. His vis-à-vis: 'I pledge myself to keep some cases afloat'. From their coat-pockets hang big bloated purses. Beside the first speaker a long scroll hangs from a writing-table (left): 'Post Mortem Appearances, want of Employment Poverty Starvation Quarantine Stagnation Distress Blue Ruin' [gin]. On the floor (right): 'While Drs differ & deny--The Country bleeds & patients die'. Above the principal doctor hangs a picture of a bottle (blue) emitting smoke, and with head, arms, and legs, capering menacingly. This (a symbol of humbug, cf. British Museum Satires No. 14507) is 'Contagious Cholera'. At the other end of the room (right) packing-cases are piled from floor to ceiling inscribed (reading downwards): 'A bad case' [broken]; 'Cases made on the Shortest Notice'; 'Per varios [sic] casus, per tot discrimina rerum" | Tendimus" | "By various cases & such discrimination | we get on." | Docrs Transtn --'; 'Dr Bolus Case Maker'; 'New Case' [twice]."--British Museum online catalogue
Alternative Title:
Cholera consultation
Description:
Title from text below image. Additional title above image: Cholera consultation., "A. Bird" is a pseudonym of William Henry Merle; see British Museum catalogue., Temporary local Medical Library subject terms: Dr. Bolus., and 1 print : lithograph, hand-colored ; sheet 28.1 x 43.8 cm.
Publisher:
Published by S. Knights, Sweetings Alley, Royal Exchange
Subject (Topic):
Cholera, Health boards, Dining tables, Eating & drinking, Physicians, and Toasting
"Four over-fed doctors carouse at a table laden with rounds of beef and decanters. Each holds up a glass and gives a toast. The man at the head of the table (left): 'Long life to our Central Board--R |. "in medio tutissimus bibis [for ibis]"--as we say in the classics'. His vis-à-vis: 'May we preserve our health by bleeding the country'. The man in back view: 'I drink Reform in our Hospitals, may they close their doors against the public & the poor die in Hackney coaches'. On the back of his chair: 'Board & Lodging'. His vis-à-vis: 'I pledge myself to keep some cases afloat'. From their coat-pockets hang big bloated purses. Beside the first speaker a long scroll hangs from a writing-table (left): 'Post Mortem Appearances, want of Employment Poverty Starvation Quarantine Stagnation Distress Blue Ruin' [gin]. On the floor (right): 'While Drs differ & deny--The Country bleeds & patients die'. Above the principal doctor hangs a picture of a bottle (blue) emitting smoke, and with head, arms, and legs, capering menacingly. This (a symbol of humbug, cf. British Museum Satires No. 14507) is 'Contagious Cholera'. At the other end of the room (right) packing-cases are piled from floor to ceiling inscribed (reading downwards): 'A bad case' [broken]; 'Cases made on the Shortest Notice'; 'Per varios [sic] casus, per tot discrimina rerum" | Tendimus" | "By various cases & such discrimination | we get on." | Docrs Transtn --'; 'Dr Bolus Case Maker'; 'New Case' [twice]."--British Museum online catalogue
Alternative Title:
Cholera consultation
Description:
Title from text below image. Additional title above image: Cholera consultation., "A. Bird" is a pseudonym of William Henry Merle; see British Museum catalogue., and Temporary local Medical Library subject terms: Dr. Bolus.
Publisher:
Published by S. Knights, Sweetings Alley, Royal Exchange
Subject (Topic):
Cholera, Health boards, Dining tables, Eating & drinking, Physicians, and Toasting
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
