A collection of drawings attributed to Augustino Aglio, circa 1835-1840, that includes a panorama comprised of seven drawings glued together and nine discrete drawings. The drawings depict his interpretation of the Aztec migration myth as conveyed in the Boturini Codex. The Boturini Codex, also known as "Tira de la Peregrinación" (The Strip Showing the Travels), was painted by an unknown Aztec author between 1530 and 1541, and is named for one of its first European owners, Lorenzo Boturini Bernaducci (1702-1751). The codex depicts the legendary Aztec journey from Aztlán to the Valley of Mexico on a long sheet of amatl (fig bark), which was then accordion-folded into pages. Unlike many Aztec codices, the drawings are outlined with black ink and not colored.
Description:
Rodrigo Rivero Lake's blind stamp on first panel of the panorama, and his ink stamp on verso of last panel.
Kongōchō yugachū ryakushutsu nenjukyō, Kongōchō yugachū ryakushutsu nenzukyō , Tennin 1 [1108]. Kan daiichi., Kongōchōyugachūryakushutsunenzukyō, and 金剛頂瑜伽中略出念誦經, 天仁1 [1108]. 卷第一.
Description:
"A sutra, chapter 1. Original copy dated 1108, heavily marked in vermilion in 1122.", "The red marks are an aid to reading and intonation. The postscripts show that the copying was done on Mt. Kōya and the markings added at Ninna-zhi, Kyōto." (K. Asakawa. "Gifts of the Yale Association of Japan," 1945)., In Chinese., Scroll: 27.2 x 1118.5 cm rolled to 27.2 x 25.9 cm in diameter. One roll in a wood box., and Yale Association of Japan Collection original call number: Ab9.
Subject (Geographic):
Ninnaji (Kyoto, Japan)
Subject (Topic):
Buddhism, Japanese manuscripts, Shingon (Sect) --Early works to 1800, and Yale Association of Japan Collection
A fragment of a sutra copied in silver on indigo-colored paper. An 8th century copy. Original. This piece, retrieved from a fire at the monastery To-dai-zhi long ago, is one of the oldest remnants of the kind known in Japan. and Manuscript, in an unidentified hand.
Alternative Title:
Konshi ginji Kegonkyo, Konshiginjikegonkyo, Konshiginjikegonkyō, and 紺紙銀字華厳経, [8th cent.].
Description:
"A fragment of a sutra copied in silver on indigo-colored paper. An 8th century copy. Original.", "This piece, retrieved from a fire at the monastery Tō-dai-zhi long ago, is one of the oldest remnants of the kind known in Japan." (K. Asakawa. "Gifts of the Yale Association of Japan," 1945)., In Chinese., Scroll: 23.0 x 108.6 cm rolled to 23.0 x 26.7 cm in diameter. One roll in a wood box., and Yale Association of Japan Collection original call number: Ab2.
Subject (Name):
Tripitaka. Sutrapitaka. Avatamsakasutra
Subject (Topic):
Hua yan Buddhism, Japanese manuscripts, Tripiṭaka.--Sūtrapiṭaka.--Avataṃsakasūtra, and Yale Association of Japan Collection
Setsugekka no maki, Setsugekka, Genroku 12 [1699] / Sumiyoshi Gukei., Yuki tsuki hana, and 雪月花, 元禄12 [1699] / 住吉具慶.
Description:
"Scenes of snow, moon, and flower; original paintings by Sumiyoshi Gukei, 1636-1705 ; words by the hand of the poet Kitamura Kigin, 1624-1705 . Done in 1699, when Ki-gin was 75." (K. Asakawa. "Gifts of the Yale Association of Japan," 1945)., In Japanese., Scroll: 26.0 x 452.6 cm. One roll, in a wooden case., and Yale Association of Japan Collection original call number: Aa7.
Subject (Name):
Sumiyoshi, Gukei,--1631-1705, Yoshida, Kenko, 1282?-1350. Tsurezuregusa, and 住吉具慶,--1631-1705
Subject (Topic):
Japanese manuscripts, Japanese poetry--Edo period, 1600-1868, Painting, Japanese--Edo period, 1600-1868, and Yale Association of Japan Collection
Formed by long sheets of paper featuring hieroglyphic-like characters written in ink by Caruso over existing teletyped text.
Description:
Luciano Caruso (1944-2002) was an Italian experimental poet, editor, and art critic based in Naples until 1976 and in Florence thereafter. He was a prominent practitioner of Italian visual poetry ("poesia visiva").
Subject (Name):
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry
Subject (Topic):
Experimental poetry, Italian--20th century, Poets, Italian--20th century, and Visual poetry, Italian--20th century