Cecchi, Giovanni Battista, 1748 or 1749-approximately 1815, printmaker
Published / Created:
[between 1770 and 1790?]
Call Number:
770.00.00.191
Image Count:
1
Resource Type:
still image
Abstract:
Self-portrait of the artist, perhaps in his studio, sitting in front of a desk. A miniature hangs on a small easel beside him; sculpted heads and hands, as well as a painting, hang on the walls behind him. Another sculpted head lies on the floor in the foreground
Alternative Title:
Giuseppe Macpherson Pitt
Description:
Title engraved on a separate sheet mounted below image., Printmaker Giovanni Battista Cecchi and intermediate draftsman Carlo Bozzolini identified in the Hamburger Kunsthalle online catalogue., This print was apparently part of the "Serie di ritratti de' pittori che se stessi di dipinsero esistenti nella R. Galleria di Toscana," which has been dated 1770-1790. See Hamburger Kunsthalle online catalogue., Engraved border is also printed on a separate sheet and mounted around the sheets with the image and title; for another impression with the exact same arrangement of sheets, see: Hamburger Kunsthalle, Kupferstichkabinett, Inv. Nr. 57533. For an impression lacking these additional sheets, see: National Portrait Gallery, London, NPG D10968., and Sheets trimmed within plate marks.
Publisher:
publisher not identified
Subject (Name):
Macpherson, Giuseppe or Joseph or James, 1720-1792,
Subject (Topic):
Artists, Artists' studios, Sculpture, and Miniatures (Paintings)
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., 1 print : engraving with etching on laid paper ; plate mark 37.8 x 28.4 cm, on sheet 43.7 x 33.5 cm., and Mounted on leaf 1 in: Album of William Hogarth prints.
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:
Alternative form of title
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and Imperfect impression; all but date erased. Sheet trimmed within plate mark.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and On page 1 in volume 1, used as bookplate. Sheet 380 x 285 mm.
"Portrait of Philippe de Champaigne, after the painter's self-portrait; half-length, turned to the right, with left hand on chest and right hand holding a parchment inscribed with the date '1668'; landscape and view of Brussels in the background."--British Museum online catalogue
Description:
Title from caption below image. and Place of publication based on printmaker's known place of activity. See Bénézit.
"Portrait in Van Dyck dress, reclining on steps turned in profile to left, with his knees bent and legs drawn up, right hand at his breast, looking at the viewer, swathed in a cloak with a plumed, broad-brimmed hat, with a book labelled 'Vita Di Rubens' at the foot of a column to left; after a self-portrait."--British Museum online catalogue
Alternative Title:
Richardus Cosway Armiger R.A.
Description:
Title from text below image., Early state, with title in light scratched lettering. For a later state with title lettering strengthened, see British Museum online catalogue, registration no.: 1875,0814.1224., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1876,1209.145., Window mounted to 51 x 36 cm., and Mounted opposite page 390 (leaf numbered '6' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs March 20th, 1786, by Mno. Bova & E. Diemar, No. 114 Strand
"Portrait, after a self-portrait (Mannings 21); half-length to right and turned to face front, wearing his robes as President of the Royal Academy."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 108 (leaf numbered '157' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 8, 1809, by T. Cadell & W. Davies, Strand, London
Head-and-shoulders self-portrait of English painter Thomas Gainsborough, facing right and "Portrait of Thomas Gainsborough, after his self-portrait; half length, to the right, head turned to the front, his hair lightly curled over ears, wearing jacket fastened at waist and cravat."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted after page 686 (leaf numbered '129' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Nov. 27, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Gainsborough, Thomas, 1727-1788, and Gainsborough, Thomas, 1727-1788.
