In a sparsely furnished bedroom, a woman in a high night cap lies in a curtained bed on the right . A man stands in the center of the room, facing her, hat under his left arm. His riding crop lies on a table by the window
Description:
Title from item., Sheet trimmed within plate mark., Engraved song for two voices and violin with a version for flute. Illustrated with an etching at top of sheet., Opening words: Off [sic] all comforts I miscarried ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Pro patria., and Window mounted to 37 x 27 cm.
Title from item., Publication date from an unverified card catalog record, based on Lord Bute's appointment., Sheet trimmed within plate mark at top., Illustration to a ballad of the same title, printed below the plate., One line of quotation below title: Cantabit vacuus coram latrone viator?, Twelve stanzas in two columns separated with vertical ornamental border: I. We're told how Cecilia did soothingly sing and sweetly inspire, th'angelical quire! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Choruses -- Buildings: outhouse -- Pleasure gardens: reference to Ranelagh -- Musical instruments -- Music: song sheets -- Ballads: The Dilletante! -- "The new Highland laddie" -- Literature: quotation from Decimus Iunius Iuvenalis (55/60-127)., and Watermark: countermark I V.
Publisher:
Published by M. Darly, at Number 39, in the Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Letterpress text, printed in two columns; partly in verse., Directly beneath title are eighteen quoted lines from Shakespeare's Henry VIII, beginning: "Queen.-- I do believe, induced by potent circumstances ...", Verses to the song are printed in the left column beneath Shakespeare quote; they begin: In a House of Fears, hard by, Lord! how the Italians lie! ..., In the right column beneath Shakespeare quote are the details of a mock auction; the text begins: To roguish lawyers, false swearers, common informers ... To be sold by auction, without reserve,-- by Mr. Milan Commission, at the House of Fears ... Lot 1. A quantity of pure consciences ..., With a woodcut illustration at head depicting a John Bull figure dumping out the contents of a green bag, with tiny figures (members of the Milan Commission or witnesses against the Queen?) tumbling to the ground. He says: "Halu boy! here's a royal mess of no mi ricordo for you." A dog looks aggressively at the tiny figures, its speech bubble reading: "No, no. I'm a queen's boy-- send them to hell to make soup for her enemies." Four common folk watch the scene from the right, a man commenting to his wife: "Damn me Poll, that's just what I said they'd come to." Beneath the image is the quote: "We say the King is wise and virtuous!!!" - Shakespeare., "Price three pence.", Mounted to 58 x 39 cm., and Mounted on leaf 33 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Printed and published by T. Wallis, Camden Town, and sold by all booksellers and news-vendors
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and George IV, King of Great Britain, 1762-1830.
Title from item., Publication date from unverified data in local card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout, illustrated with an etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional two stanzas below. Part for flute at foot of page., and Opening words: Trust not man for he'll deceive you ...
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
King George III and his wife Queen Charlotte are shown as a farmer and his wife riding on a tired-looking horse on the road to the spa Cheltenham as indicated by the milestone. In the distance is a castle
Alternative Title:
Visit to Cheltenham
Description:
Title engraved above image., Printmaker from British Museum catalogue., Two columns of verses printed in letterpress below image, entitled: The royal ramble, or, A visit to Cheltenham spa., and Mounted to 37 x 26 cm.
Publisher:
Publish'd as the act directs, July 26 1788, by E. Rich, No. 55, Fleet-Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
The musical score with lyrics of a drinking song "The jolly Bacchanalians" with a copy of William Hogarth's "A midnight modern conversation" which shows a large party of men smoking, drinking, and singing around a table with a large bowl in the center. Several of the men are clearly intoxicated, one has fallen off his chair, lost his wig and is sprawled on the ground
Alternative Title:
Jolly Bacchanalians
Description:
Title from item., Plate from: Universal harmony, or, The gentleman & ladies' social companion. London : Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul's Church Yard, 1746., Engraved throughout; illustrated with a design after Hogarth's painting 'A midnight modern conversation' at top of plate., and "P. 55"--Upper right corner.
Publisher:
Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul's Church Yard
Kight-errant, or, The distressed Queen, Knight-errant, and Distressed Queen
Description:
Caption titles., Two slip songs printed on one sheet, in two columns, each titled separately. The songs are in celebration of Queen Caroline’s return to England in 1820. The two woodcuts are a portrait of Alderman Wood in an oval border together with a crude woodcut of a lady., Printer's statement following title in first column., In verse., First line of "The knight-errant, or, The distressed Queen": When the Queen was detain'd on th[e] Gallian shore ..., First line of "Queen Caroline lov'd in our island": Queen Caroline's come ..., Bodleian Ballads online, V4292, and Edge mounted on upper half of sheet. For further information, consult library staff.
Publisher:
Printed & sold by J. Pitts, 6, Great St. Andrew Street, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843,
Caption titles., Two slip songs printed on one sheet, in two columns, each titled separately. The songs are in celebration of Queen Caroline’s return to England in 1820. The three woodcuts are two crude images of a woman and a small ship., Printer's statement from first column. Additional printer's statement in second column: Pitts, printer and wholesale toy warehouse, 6 Great St. Andrew Street, 7 Dials., In verse., First line of "The knight-errant, or, The distressed Queen": When the Queen was detain'd on th[e] Gallian shore ..., First line of "Queen Caroline lov'd in our island": God save Queen Caroline ..., and Partially edge-mounted. For further information, consult library staff.
Publisher:
Printed & sold by J. Pitts, 6, Great St. Andrew Street, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
