"Interior with a man kissing the hand of a woman, his staff and hat at his feet, to the surprise of another man opening the door at left; trimmed to image and pasted with inscription separately below."--British Museum online catalogue, description of later state
Description:
Sheet trimmed within plate mark., Illustration to Act 1, Scene 1 of The Mayor of Garratt by Samuel Foote., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniforms: officers' uniforms -- 'Cits' -- Pictures amplifying subject., Mounted to 33 x 35 cm., and Part of the sheet below image cut off and pasted to bottom of design, overlaping the image
"A fat vicar with pipe and glass standing in a doorway, regarding a nervous thin clerk, who holds another glass and a lantern; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate I)' in lower right below image., First of two plates illustrating a popular song under the same title., Thirty-two lines of verse (first half of the song) printed in two columns below title: At the sign of the horse, old Spintext of course, ..., Sheet trimmed mostly within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
"Graveside scene at night; a fat vicar swathed in a surplice and looking at a book by the light of a lantern held up by a thin, singing clerk, from whom he also takes some snuff; the open grave to left, the child's coffin beside it, mourners behind, shrouded so that all but one face is invisible, the church in the background; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate II)' in lower right below image., Second of two plates illustrating a popular song under the same title., Thirty-two lines of verse (second half of the song) printed in two columns below title: Then Moses went on, Sir; the clock has struck one, ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed mostly within plate mark.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
Volume 2, page 92. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Kitchen scene with a woman standing over a table at left with knife in hand, displaying a diamond in her palm to a man and young boy, a figure at right seen from behind leaving the room, above a bird-cage hangs; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image, enclosed within parentheses., Sheet trimmed to plate mark., and Mounted on page 92 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pub'd April 10th, 1795, by W. Dickinson, No. 53 next York House, Piccadilly
Subject (Topic):
Interiors, Kitchens, Tables, Knives, Fish, Diamonds, Fireplaces, Birdcages, and Boys
Title from text above image., Publication information from earlier state described in the Calabi and de Vesme catalogue with imprint: London, Published October 1st, 1795, by John Jeffryes ..., Sheet trimmed within plate mark., and Five lines of verse etched below title: The Arch-angel Uriel, regent of the sun, Satan bowing low, down from th' ecliptick ... Paradise Lost, Book III.
Stubbs, George Townly, -1815?, printmaker, publisher
Published / Created:
[30 April 1795]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, bust, three-quarter to left, looking towards the viewer, with a top hat, curled hair at ears, frilled front shirt, open dark waistcoat and jacket; in an oval; after Stubb's enamel."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with partial loss of statements of responsibility and complete loss of imprint statement. Missing text supplied from impression in the British Museum, registration no.: 1868,0808.1652., Window mounted to 51 x 36 cm., and Mounted opposite page 344 (leaf numbered '166' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published April 30, 1795, by G.T. Stubbs, 86 High Street, Mary'bone
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818, and Hastings, Warren, 1732-1818.
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image. and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand in margin at top of print: See p. 1 & Mr. Nichols's book, 3d, edit. p. 295., and On page 147 in volume 2. Sheet trimmed within plate mark to: 39.6 x 29.9 cm.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Copy of a self-portrait by William Hogarth; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette
Description:
Title from item., Plate engraved after the original oil painting, done in 1745, now in the Tate Gallery, London. Hogarth himself engraved this image in 1749; cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., On verso, stamp of the copperplate manufacturer: [Whitto]w & Son, N. 43 Shoe Lane, Holborn, London., and For the print produced from this plate, see: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 538, no. 10.
Publisher:
Published June 4, 1795, by J. & J. Boydell, No. 90 Cheapside; & at the Shakspeare Gallery, Pall Mall
