From Horace Walpole's 1784 edition of Description of the villa, he describes the Beauclerk drawings thus: "The beauty and grace of the figures and of the children are inimitable; the expression of the passions most masterly, particularly in the devotion of the countess with the porter, of Benedict in the scene with Martin, and the tenderness, despair, and resolution of the countess in the last scene; in which is a new stroke of double passion in Edmund, whose right hand is clenched and ready to strike with anger, the left hand relents. In the scene of the children, some are evidently vulgar, the others children of rank; and the first child, that pretends to look down and does leer upwards, is charming. Only two scenes are represented in all the seven, and yet all are varied; and the ground in the first, by a very uncommon effect, evidently descends and rises again. These sublime drawings are the first histories she ever attempted, were all conceived and executed in a fortnight."
Description:
Title, date and artist name written by Horace Walpole on the verso, in ink., One of six Beauclerk drawings for Mysterious mother in The Lewis Walpole Library., and Lady Diana Beauclerk, English artist, 1734-1808.
From Horace Walpole's 1784 edition of Description of the villa, he describes the Beauclerk drawings thus: "The beauty and grace of the figures and of the children are inimitable; the expression of the passions most masterly, particularly in the devotion of the countess with the porter, of Benedict in the scene with Martin, and the tenderness, despair, and resolution of the countess in the last scene; in which is a new stroke of double passion in Edmund, whose right hand is clenched and ready to strike with anger, the left hand relents. In the scene of the children, some are evidently vulgar, the others children of rank; and the first child, that pretends to look down and does leer upwards, is charming. Only two scenes are represented in all the seven, and yet all are varied; and the ground in the first, by a very uncommon effect, evidently descends and rises again. These sublime drawings are the first histories she ever attempted, were all conceived and executed in a fortnight."
Description:
Title, date and artist name written by Horace Walpole on the verso, in ink., One of six Beauclerk drawings for Mysterious mother in The Lewis Walpole Library., and Lady Diana Beauclerk, English artist, 1734-1808.
In Horace Walpole's 1784 edition of Description of the villa, he describes the Beauclerk drawings thus: "The beauty and grace of the figures and of the children are inimitable; the expression of the passions most masterly, particularly in the devotion of the countess with the porter, of Benedict in the scene with Martin, and the tenderness, despair, and resolution of the countess in the last scene; in which is a new stroke of double passion in Edmund, whose right hand is clenched and ready to strike with anger, the left hand relents. In the scene of the children, some are evidently vulgar, the others children of rank; and the first child, that pretends to look down and does leer upwards, is charming. Only two scenes are represented in all the seven, and yet all are varied; and the ground in the first, by a very uncommon effect, evidently descends and rises again. These sublime drawings are the first histories she ever attempted, were all conceived and executed in a fortnight."
Description:
Title, date and artist name written by Horace Walpole on the verso, in ink., One of six Beauclerk drawings for Mysterious mother in The Lewis Walpole Library., and Lady Diana Beauclerk, English artist, 1734-1808.
Drawing of one side of an ivory comb that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill. Only the depicted scene in the center of the comb is shown, with the rows of teeth and side ornamentation left out. The scene consists of three figures with musical instruments standing among stylized flowers; the man on the left playes a flute, the man on the right plays a harp, and the woman in the center holds an unidentified instrument
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 118 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
A design for St. Hubert's Priory, a perspective with part plan showing piers of the tower. The steeple has been drawn on a separate piece of paper and mounted to the sheet with the main building, cut to line up with the roof line
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Date from J. Harris., With a note in Horace Walpole's hand in ink below title: N.B. This was built, but pulled down after her death., With a watermark (partial) in center of sheet., and Formerly mounted on leaf 51 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Drawing of the interior of the Chapel at Strawberry Hill, with the ornate shrine brought from Rome in 1768 prominent at center. On the wall to the left of the shrine hangs the panel showing Humphrey Duke of Gloucester praying, and on the wall to the right hangs the panel showing an old man in a stable; these panels originally came from the abbey of St. Edmundsbury. In the shadows beneath the shrine, beyond its twisted columns, sits the cross inlaid with mother-of-pearl. Gothic tracery decorates the arched ceiling and runs down the walls in columns; two short steps leading up to the shrine are visible in the foreground
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., Mounted on page 230 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Wash drawing of the ornate silver bell that was kept by Horace Walpole in the Tribune at Strawberry Hill. Made for a pope by Benvenuto Cellini, this bell is covered with images in relief of insects, snakes, and other animals. Images of the Virgin and boy-angels cover the top part of the bell; an image of a wreath of leaves runs along the bottom of the bell
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 189 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Cellini, Benvenuto, 1500-1571. and Strawberry Hill (Twickenham, London, England)
Wash drawing showing three of the bronze lamps kept by Horace Walpole in the Tribune at Strawberry Hill. The lamp depicted at top is in the shape of a foot and includes upon the ankle a figure of cupid fallen asleep over the flame; the lamp depicted below that is in the shape of a face; and the lamp depicted at the bottom is more traditional in form, with the handle at left and spout at right
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 165 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
A design for the tomb of Galfridus Mann of Boughton Malherbe in Kent, brother of Sir Horace Mann, with elevation and details
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Epitaph on tomb and notes below image are in Latin., Date from Horace Walpole correspondence with Sir Horace Mann 20 November 1757: "... that columbarium at Linton is to have a beautiful urn designed by Mr. Bentley as the whole is, with this plain, very true inscription, Galfredo Mann, amicissimo optimo, qui obit--H.W.P.", With a note in Horace Walpole's hand in ink bottom of image: Qui obit Dec 20. 1756 status sud 50 Horatius Walpole posuit., and Formerly mounted on leaf 50 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Subject (Geographic):
Kent (England)
Subject (Topic):
Buildings, structures, etc, Tombs & sepulchral monuments, and Urns
