"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., and 1 print on laid paper: etching ; plate mark 34 x 25.8 cm., on sheet 39 x 27 cm.
"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., Matted to 48 x 39 cm., and Watermark: J Whatman.
"A tall handsome lady walks diagonally forwards from left to right, her left hand on the arm of a much shorter companion with a larger head, perhaps a young girl. The latter, though her dress is simple, has a grotesquely high bunch of erect feathers in her turban, and holds a large fan. The tall lady is wearing a fashionable turbine with tall feathers at the front, a high-waisted dress, with voluminous petticoats and a flowing train. Drapery is twisted round her waist and festooned about her skirts. In the background ladies with erect feathers in their hair are freely sketched. An officer in back view leads a lady by the hand, an enormous cocked hat in his left hand."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text below title: "Delightful task! to teach the young idea how to shoot!", Temporary local subject terms: Female dress: headdress -- Lady Katherine or Lady Elizabeth Manners., and Watermark: J Whatman.
Publisher:
Pubd. June 20th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831
A collection of theatrical costume drawings from a variety of sources in a variety of mediums on paper and pasteboard, mostly unidentified but some signed: two by Lucien Besche, one by Herbert Norris, one by C.A. Stothard, two by Charles Wilhelm and two idenitified only by the initials T.O., with dates ranging from the last quarter of the 18th century through 1925. Also includes one print of Charles Kean. The 18th century drawings show women's costumes for a variety of unidentified productions in a variety of period dress, including a group of five drawings of classical Roman figures and deities, a drawing for a costume for Lady Macbeth, and Stothard's drawing for Henry V. Later costume drawings include three pen drawings of mid-19th characters, one of whom is in a train carriage, a "Wood Gatherer" costume from London Lyceum Theatre's 1893-1894 production of 'Cinderella' , Bosche's 1892 drawing of a female warrior for "The 40 thieves". Some drawings include notes about the fabric and colors to be used, address of vendors, etc
Description:
For further information, consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Garrick, David, 1717-1779. and Kean, Edmund, 1787-1833
Subject (Topic):
Costume design, Actors, English, and Costume design drawings
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., and Watermark: J Whatman.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., 1 print : etching with stipple on wove paper ; sheet 23.6 x 32.7 cm, mounted to 28 x 37 cm., and Sheet trimmed within plate mark with loss of imprint.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Seamstresses -- Cribs -- Washer tubs -- Crowns -- Bonnet rouge., Watermark: J Whatman., and Mounted to 31 x 42 cm.
Publisher:
Pubd. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Bedford, Francis Russell, Duke of, 1765-1802, and Lauderdale, James Maitland, Earl of, 1759-1839
"A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), see BMSat 9244, &c. ... From O'Connor's pocket hangs a paper: 'The Press by O'Connor' [inflammatory organ of the United Irishmen, see BMSat 9186]. Round his neck is a noose of rope held by the hand emerging from clouds of the (invisible) Justice; in her right hand are equally balanced scales. The witnesses to O'Connor's character are speaking simultaneously. Four stand in the foreground in profile to the right, behind a barrier, looking towards the judge across a table. Fox (right), nearest O'Connor and the spectator, holds the book to his lips, his raised left arm thrust forward in a rhetorical gesture. ... From his pocket projects a book: 'Letters to Lord Ed F. M O'Connor &c &c.' (cf. BMSat 9244). Next stands Sheridan, with a sly expression, holding the book, 'Four Evangelists', his hat in his left hand; he testifies ... Next is Erskine, kissing the book, with left arm raised oratorically ... Next (left) is the Duke of Norfolk, kissing the book, his expression and attitude suggesting embarrassment. ... On the extreme left and behind Norfolk is Grattan. ... Among a crowd of other heads, chiefly hidden by labels, is one resembling Tierney. Above this phalanx of Opposition witnesses is a crowded gallery. Three counsel (the Attorney-General (Scott), Solicitor-General (Mitford), and (?) Garrow), who sit beneath the judges, are divided from the witnesses by a table covered with papers, &c, one being conspicuous: 'Charges of High Treason against Arthur O'Connor, Oliver Bond Dr McNevin.'"--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 285., and Temporary local subject terms: Irish Rebellion, 1798 -- Trials: O'Connor's treason trial at Maidstone, May 1798 -- Judges -- Witnesses -- Emblems: scales of Justice -- Noozes -- Pamphlets: Reference to Character or the Innocent Imposture.
Publisher:
Pubd. Octr. 1st, 1798, by J. Wright, 169 Piccadilly
Subject (Geographic):
England and London
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
"A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked hat, is naked from the waist, but wears sleeve-ruffles, according to the old gibe on the beggarly French fop. He is much emaciated, and gashed with wounds; 'Nelson' is inscribed on his solar plexus. Blood gushes from his nose. Jack Tar's right leg stretches across central Europe, the toe supported on 'Malta'. Clouds form a background."--British Museum online catalogue
Alternative Title:
Jack Tar settling Buonaparte
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Boxing -- Maps: globes -- Uniforms: sailor's uniform -- Jack Tar (Symbolic character)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 20th, 1798, by H. Humphrey, St. Jamess [sic] Street
