Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., Mounted on page 9 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.3 cm, on sheet 40.2 x 35.0 cm.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy."--British Museum online catalogue, description of an earlier version of the same design
Description:
Title engraved below image., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to the folk ballad 'Lord Thomas and fair Annett'., and Mounted on page 105 of: Bunbury album.
Publisher:
Publish'd Jany. 23, 1794, by W. Dickinson, No. 24 Old Bond Street
The fifth of a series of six scenes showing a courtship between two monkeys in human clothing. A second monkey dressed as a fine gentleman prepares to cut off the tail of the suitor as his paramour looks on with arms raised in distress
Description:
Title from caption below image. and Publication date from unverified data from local card catalog record.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Adultery, Envy, Gardens, and Revenge
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: proceeding to a round game". In the second row: "In love I pereceive [sic]", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of all women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Similar prints, also published by G. Blackman in 1817, are attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt
