Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 1 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of figures depicted in the print are written at bottom of sheet and on mounting leaf, in red ink and pencil, in two different hands; date "Jan. 1820" written in black ink in lower right corner of sheet.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Politicians, Adultery, Scandals, Thrones, Ships, Devil, Gallows, and Shackles
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
"The Duke of York sits on a settee with a courtesan on each knee, Mrs. Clarke (left) and (presumably) Mrs. Carey (right). One foot rests on large volumes of 'Army Accompts'; by the other is a smaller book: 'Ovid Art of Love'. A chair is overturned; the Duke's (broken) sword transfixes a paper: 'Promotions, My Foot Boy' [Carter, see British Museum Satires No. 11223], 'Foster 200 ... 150, Smalcroft200....' [see British Museum Satires No. 11227]. On a round table are decanters, fruit, a stand of jelly-glasses. Above the Duke hangs a picture of the Prodigal Son watching swine at a trough, inscribed: 'I will Arise and Go To my Fa[ther]'. Mrs. Clarke, unnoticed by the Duke, makes a sign to Wardle (right) who enters the room holding out a paper: 'The Duty which I Owe to my Country is Paramount to Every Other Concideration' [the tenor of the opening of his speech of 27 Jan. attacking the Duke). He is followed by a crowd of shadowy figures carrying a gibbet, an axe, and a statue of Justice."--British Museum online catalogue
Alternative Title:
Beggars opera : Act 2, Scene 1
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Missing text supplied from impression in the British Museum., and Mounted opposite page 14.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Gay, John, 1685-1732.
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
Romney, R., active approximately 1795-, printmaker
Published / Created:
[1 May 1795]
Call Number:
646 802 M243 v.4 pt.1
Image Count:
1
Resource Type:
still image
Abstract:
"In a square, horses in the foreground pulling the conspirators to a raised platform in the left middle ground for the execution, a number of spectators watching the event."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 20.4 x 27.2 cm., and Mounted before page 175 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.6 x 32.1 cm, on sheet 56 x 45 cm., and Leaf 52 in: Album of William Hogarth prints.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.5 x 32.1 cm, on sheet 59 x 46 cm., and Plate 76 in the album: Queen Charlotte's collection of Hogarth works.
"John Bull (left), wearing a star centred by a heart: 'Queens Order of Knighthood', furiously kicks Italian witnesses from a quay into the sea, where (right) a boat waits to take them to a packet-boat. His bull-dog is about to bite, and he raises a massive bludgeon, kicking a lean grenadier with an empty sleeve, to whose back is tied a large green bag (see British Museum Satires No. 13735) inscribed 'Infernal Lies from Como' [cf. No. 13857]. On this capers a demon, holding a noose above the Italian's head, and in the left hand a little gibbet from which hangs a tiny effigy of the Grenadier with his bundle. The Italian holds a stiletto and wears a high cap with dangling bell on which are skull and cross-bones. J. B. shouts: "This is Freedom's own Land, 'tis the land of the Queen, Where no hired traducers shall ever be seen, Be off each vile Eunuch--be off high and low or I'll knock you to H--ll with an Englishmans blow!!" The Italian looks back to say: "If thus you pay Italian Spies I'll bring no more Infernal Lies" Another Italian wearing braided livery is knee-deep in the sea, he looks back angrily at John, holding dagger and pistol. A terrified foreigner, ragged but fashionable, leaps towards the water, exclaiming: "Diable!! Jean Anglaise [sic]." A woman with a bunch of keys, in full flight, pours the contents of a 'Pot de Chambre' over a grotesque lawyer (Leach), who is racing down steps to the water with a green bag of 'Lies from Milan'. She says: "Dis Pot contains mine Evidence--do taste it Signor Horse Leach, you vill find very strong proof of Guilt." Leach, looking over his shoulder, says: "This Business smells strong We have kept it too long" A sturdy sailor standing in a boat at the foot of the steps fends him off with a boat-hook, saying: "Shew me a clean bill of health signed Caroline or by G d you sha'nt come on board here."."--British Museum online catalogue
Alternative Title:
Kick from Harwich to Holland
Description:
Title etched below image., Questionably attributed to William Elmes in the British Museum catalogue., Sheet trimmed within plate mark on left side., "Vivant Regina!!"--Beneath lower right corner of image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 41 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Witnesses, Ethnic stereotypes, Boats, Dogs, Staffs (Sticks), Demons, Nooses, Gallows, Daggers & swords, Handguns, Keys (Hardware), Bags, Lawyers, Sailors, and British
Four employees of a hatter force their employer into a bath of black dye. One of the journeymen holds a beaver by its tail as it cries "He robbed me of my coat, and blam'd others for it." A young apprentice entering from the right holds out a fish to the beaver. In the foreground a black demon whose speech balloon reads, "Push him through my lads. I'll adopt him as one of my children."
Alternative Title:
Advertising reward proved to be a bad plan, by dipping the master's made black as his man
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Watermark: Ruse & Turner 1805.
Publisher:
publisher not identified
Subject (Topic):
Hat industry, People associated with manual labor, Employee-employer relations, Dyes, Demons, Beavers, Gallows, and Irons (Pressing)
