1.
- Published / Created:
- [between 1785 and 1794]
- Call Number:
- Hogarth 785.00.00.127+ Box 210
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy (reversed) of the first state of Plate 8 of Hogarth's 'The Rake's Progress' (Paulson 139), after the painting at Sir John Soane's Museum.: A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude. Variant and related titles:Title in Paulson: Rake's progress. Plate 8
- Alternative Title:
- [Rake's progress]. Plate 8 and His Fortune ruin'd, Frenzy wrecks his Mind, ...
- Description:
- Added title from Paulson., "Plate 7."--Lower right below design., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., See: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 138., and Matted to: 34 x 46 cm.
- Publisher:
- Printed for Robt. Sayer & Co., Fleet Street, London
- Subject (Name):
- Bethlem Royal Hospital (London, England),
- Subject (Topic):
- Asylums, Dogs, Guards, Mental institutions, Mentally ill persons, and Rake's progress
- Found in:
- Lewis Walpole Library > Mad in Bedlam. [graphic]. Plate 8