Title above each image., Titles: Bombario Actionist en de Geest van Esopus; Actieuse Nacht-Wind-Zanger met zyn Tover Slons; Natuur Actie-Doctor of klap-achtig Bobbel Meester; Directrice der Vervalle Actie-Regimenten en bezonderlyk van Natuurlyke Lawe Actien., Date supplied by curator., Four plates on one uncut page, numbered 1 thru 4., From an edition of "Het Groote Tafereel der Dwaasheid" or "The Great Mirror of Folly"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Politics and government, Physicians, Peddlers, Coats of arms, Parrots, and Cauldrons
A satire on the financial crisis of 1720 ... Time draws back the curtain to reveal what appears to be a large painting showing a 'Roomse Schilderij', the deathbed of Pope Clement XI in March 1721. In front of the bed stand John Law and the Old Pretender, who has lost his wig and hat; they hold strings attached to the sails of a windmill on the canopy of the bed, beside which are the French cock, the Imperial eagle and the lion of the Netherlands. A thread encircles the waists of Law, the Pretender and Cardinal Alberoni who stands on the far side of the bed. At the head of the bed stands a group of cardinals holding up the papal tiara as the future Innocent XIII reaches for it; his medallion portrait hangs above, with an angel driving away a devil as the background. The Director being pushed forward by the satyrs is now identified as Robert Knight, cashier of the South Sea Company; coins fall from his pocket. The town in the distance is now 'Vryplaats'. The two vignettes at the bottom of the sheet have been changed, that on the left, which still has the same design is now identified as the son of the Pretender (born in 1720); that on the right, now showing a wheel of fortune with Pope Innocent at the top holding a scourge which he directs towards Law who falls down at the left, and destroying with a lightning bolt a paper representing the constitution as the Pretender ascends on the right; Cardinal Alberoni is at the bottom of the wheel. Engraved Dutch title, inscriptions, and verse in three columns which differs from those in the original state
Description:
Title from item., Title translation in British Museum catalogue: Bombario, O death, you were no friend to law when you shot down Pope Clement., State, with depiction of a chamber containing pope's deathbed in the right portion of the image., Publication date from British Museum catalogue., Three columns of verse in Dutch at bottom of image, titled: 't Cashot van Mr. Knigt zuidzee actie Kassier en de roomse schildery en medali., Plate 33 from: Het groote tafereel der dwaasheid ... , v. 1., Temporary local subject terms: Pictures amplifying subject -- Rome: allusion to "Romish picture" -- Architectural details: palace interior -- Freetown -- Popes -- Furniture: canopyed bed -- Papal deathbed -- Destruction of Constitution -- Crimes: South Sea -- France as crowing cock -- Rome as eagle -- England as lion -- Mississippi scheme -- Humbug -- Reference to Venetian trade -- Clergy -- Papacy: tiara and keys -- Father Time with hourglass -- Death as skeleton with sickle -- Portraits: Innocent XIII -- Satyrs with spears -- Capital punishment: gallows -- Bags of money -- Zanies -- Bladder: noisemaker -- Emblems: papal emblems -- Mottoes: S.P.Q.R. -- Schemes -- Symbols: wheel of fortune -- Symbols: tomb of death., and Watermark in the lower portion of sheet, countermark in the upper portion.
Publisher:
publisher not identified
Subject (Name):
Clement XI, Pope, 1649-1721, Innocent XIII, Pope, 1655-1724, James, Prince of Wales, 1688-1766, Alberoni, Guilio, Cardinal, 1664-1752, Knight, Robert, 1675-1744, and Law, John, 1671-1729
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Cardinals, Emblems, National emblems, and Windmills
Title from texted engraved above image., Attributed to P.V.D. Berge in an unverified card catalog record., Publication date from book in which this plate was published., Earlier lettering burnished from plate and replaced with title and verse of this edition., On one sheet with five columns of letterpress., "Pag.14."--Upper left corner of plate., Four lines of verse below image: Al wie zyn maag te veel met d'Acties heeft belaân ..., Plate from: Het groote tafereel der dwaasheid ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., Numbered '45' in pencil in an unidentified hand., and Title translation on verso of mount: Spring water as medicine for the ill shareholder; mounted to 46 x 33 cm.
Title from item., Date of publication from unverified data in local card catalog record., Later version of the design by Peter Brueghel the Elder., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
South Sea Bubble, Great Britain, 1720 and Medical procedures & techniques
Title above each image., Date supplied by curator., This print appears to be "Comt Mannen en Vrovwen Alle Bey en Laet v Snyden Vande Key", published by Carolus Allaerdt, reworked with new legends etc. Most of the figures are copies of Bruegel figures., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title from item., Publication date inferred from British Museum catalogue., Version with printmaker's name and additional caption lines not present on the British Museum impression and without symbols on backs of figures numbered 13, 14 and 15. Cf. No. 1472 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Another version of No. 1472 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., and Mounted to 46 x 30 cm.
Manuscript on parchment containing Ceremonials for a nuns' convent and related texts. Contents: 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 February, f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation
Description:
In Latin and Dutch., Script: the main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text., Decoration: Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r, 18r, 40r, 46v, and 86r., and Binding: circa 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps. The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443.
Subject (Geographic):
Connecticut, New Haven., and Flanders (Belgium)
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Convents, Manuscripts, Medieval, Monastic and religious life of women, Nuns, Processionals (Liturgical books), and Religious life and customs
