BEIN 2018 873: Embroidered purple silk binding with woven carrying strap and metal clasps; carrying strap broken and embroidery worn with some loss. Edges gilded. Number 1 of 2 titles bound together, with inscription: Alethea Fabritia [i.e. Alida Fabricia?]., Engraved title page, with architectural border., Vol. 2, with title "De prophecyen der propheten", has separate title page, dated 1627, foliation, and signatures; v. 3, with title "Het Nieuwe Testament", has separate title page, foliation, and signatures., and With the Apocrypha.
Title from item., Place of publication derived from language of text., Date derived from style of image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Bayer
Subject (Topic):
Patent medicines, Advertising, Drugs, Medicines, Chains, and Arms (Anatomy).
"Satire on the financial crisis in 1720, the print is No.1 in a series of eight prints. A cartouche, enclosing a view of a tomb or monument before which stand Aesop, with a fox and holding a parrot and a pipe, and Bombario with a pedlar's tray holding a flask and allowing his hunchback to be used by a well-dressed man as a writing desk; a monkey plays on a pipe at his feet. On the tomb is an inscription 'Het na-geslecht zal dit/ Voor Fablen houwen/ En tot Esopus eer, een/ Graf naald bouwen' (Posterity will take this as a fable, and will build a tomb in honour of Aesop). The cartouche is supported by a satyr, whose name is given at the top on a ribbon as "Oorblasers Baas" (Chief of the Ear-blowers, or liars), his head peers over the top of the cartouche and he blows bubbles, some bearing images of ears; on his head is a basket with little figures of men and women who will appear in subsequent prints in the series. At the top of the cartouche are pan-pipes, on the left, and a hunting horn, on the right; at the bottom between the satyr's goat legs is the date, 1720."--British Museum online catalogue
Description:
Title etched below image., Title translation in the British Museum catalogue: Bombario the share jobber and the ghost of Esop., Sheet trimmed within plate mark., Plate numbered '1' within the image., Earlier design burnished from plate and replaced with verse of this edition., Two columns of verse at top of image on either side of the design: 1 Bombario treed in gesprek Met broer 2 Esopus Geest zy kaller ..., Temporary local subject terms: South Sea Bubble., and Mounted to 26 x 19 cm.
Title above each image., Titles: Bombario Actionist en de Geest van Esopus; Actieuse Nacht-Wind-Zanger met zyn Tover Slons; Natuur Actie-Doctor of klap-achtig Bobbel Meester; Directrice der Vervalle Actie-Regimenten en bezonderlyk van Natuurlyke Lawe Actien., Date supplied by curator., Four plates on one uncut page, numbered 1 thru 4., From an edition of "Het Groote Tafereel der Dwaasheid" or "The Great Mirror of Folly"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Politics and government, Physicians, Peddlers, Coats of arms, Parrots, and Cauldrons
A satire on the financial crisis of 1720 ... Time draws back the curtain to reveal what appears to be a large painting showing a 'Roomse Schilderij', the deathbed of Pope Clement XI in March 1721. In front of the bed stand John Law and the Old Pretender, who has lost his wig and hat; they hold strings attached to the sails of a windmill on the canopy of the bed, beside which are the French cock, the Imperial eagle and the lion of the Netherlands. A thread encircles the waists of Law, the Pretender and Cardinal Alberoni who stands on the far side of the bed. At the head of the bed stands a group of cardinals holding up the papal tiara as the future Innocent XIII reaches for it; his medallion portrait hangs above, with an angel driving away a devil as the background. The Director being pushed forward by the satyrs is now identified as Robert Knight, cashier of the South Sea Company; coins fall from his pocket. The town in the distance is now 'Vryplaats'. The two vignettes at the bottom of the sheet have been changed, that on the left, which still has the same design is now identified as the son of the Pretender (born in 1720); that on the right, now showing a wheel of fortune with Pope Innocent at the top holding a scourge which he directs towards Law who falls down at the left, and destroying with a lightning bolt a paper representing the constitution as the Pretender ascends on the right; Cardinal Alberoni is at the bottom of the wheel. Engraved Dutch title, inscriptions, and verse in three columns which differs from those in the original state
Description:
Title from item., Title translation in British Museum catalogue: Bombario, O death, you were no friend to law when you shot down Pope Clement., State, with depiction of a chamber containing pope's deathbed in the right portion of the image., Publication date from British Museum catalogue., Three columns of verse in Dutch at bottom of image, titled: 't Cashot van Mr. Knigt zuidzee actie Kassier en de roomse schildery en medali., Plate 33 from: Het groote tafereel der dwaasheid ... , v. 1., Temporary local subject terms: Pictures amplifying subject -- Rome: allusion to "Romish picture" -- Architectural details: palace interior -- Freetown -- Popes -- Furniture: canopyed bed -- Papal deathbed -- Destruction of Constitution -- Crimes: South Sea -- France as crowing cock -- Rome as eagle -- England as lion -- Mississippi scheme -- Humbug -- Reference to Venetian trade -- Clergy -- Papacy: tiara and keys -- Father Time with hourglass -- Death as skeleton with sickle -- Portraits: Innocent XIII -- Satyrs with spears -- Capital punishment: gallows -- Bags of money -- Zanies -- Bladder: noisemaker -- Emblems: papal emblems -- Mottoes: S.P.Q.R. -- Schemes -- Symbols: wheel of fortune -- Symbols: tomb of death., and Watermark in the lower portion of sheet, countermark in the upper portion.
Publisher:
publisher not identified
Subject (Name):
Clement XI, Pope, 1649-1721, Innocent XIII, Pope, 1655-1724, James, Prince of Wales, 1688-1766, Alberoni, Guilio, Cardinal, 1664-1752, Knight, Robert, 1675-1744, and Law, John, 1671-1729
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Cardinals, Emblems, National emblems, and Windmills
Title from texted engraved above image., Attributed to P.V.D. Berge in an unverified card catalog record., Publication date from book in which this plate was published., Earlier lettering burnished from plate and replaced with title and verse of this edition., On one sheet with five columns of letterpress., "Pag.14."--Upper left corner of plate., Four lines of verse below image: Al wie zyn maag te veel met d'Acties heeft belaân ..., Plate from: Het groote tafereel der dwaasheid ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., Numbered '45' in pencil in an unidentified hand., and Title translation on verso of mount: Spring water as medicine for the ill shareholder; mounted to 46 x 33 cm.
Title from item., Date of publication from unverified data in local card catalog record., Later version of the design by Peter Brueghel the Elder., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
South Sea Bubble, Great Britain, 1720 and Medical procedures & techniques
Title above each image., Date supplied by curator., This print appears to be "Comt Mannen en Vrovwen Alle Bey en Laet v Snyden Vande Key", published by Carolus Allaerdt, reworked with new legends etc. Most of the figures are copies of Bruegel figures., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
