Verse in three parts begins: "Here is a penny-worth of wit"., Printed in five columns with the title and imprint above the first two; the columns are not separated by rules., Full stop at end of title and no punctutation at end of the first line of verse., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 13. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold by J. Evans and Co. 41 Long-lane West-Smithfield
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
Verse in three parts begins: "Here is a pennyworth of wit,"., In five columns with the title above the first two and imprint below the last two; the columns are not separated by rules., Full stop at end of title., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 12. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold in Bow-Church Yard, London
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
"All ye youths of fair England,". - In six columns with the title above the first three; the columns are not separated by rules. - The same setting of type was issued both without an imprint and with a shorter imprint excluding "no. 4"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In six columns with the title above the first three; the imprint at foot of the sixth, below a single rule; the columns are not separated by rules., The same setting of type was issued both without an imprint and with a shorter imprint excluding "no. 4"., Mounted on leaf 6. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold at no. 4, Aldermary Church Yard
Subject (Geographic):
England and London
Subject (Name):
Barnwell, George
Subject (Topic):
Murder, Criminal behavior, Prostitution, Young men, Conduct of life, Apprentices, Robbery, and Merchants
Verse - "Here I must tell the praise of worthy Whit-"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this edition, the text is in four columns, with the title above the first two columns. There are four woodcuts. The first and second woodcuts are above their respective columns. The third woodcut is located in the middle of the third column. The fourth woodcut is located near the top of the fourth column., Mounted on leaf 65. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"Portrait, standing, three-quarter length, directed to left, facing and looking to front, his right hand on belt, wearing cloak and cap."--British Museum online catalogue
Description:
Arutin George was an Armenian merchant who came to England during the reign of Queen Anne. See British Museum catalogue., Title engraved below image., and Annotation in ink in a contemporary hand on verso: 2 Anne.
Publisher:
Sold by I. Faber at the Golden Head in Bloomsbury Square
Copy (not reversed) of the first state of Plate 2 of Hogarth's 'The Rake's Progress' (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 2 and To recompense the Sire's continu'd fast, ...
Description:
Title from text engraved above image., "Plate 2"--Lower right, below image., A reissue, with a new publication line and with ornamental borders added, of the second of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., and Ornamental borders partially obscure image and plate number.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Copy in reverse of the first state of Plate 2 of Hogarth's 'The Rake's Progress' (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.--British Museum online catalogue
Alternative Title:
[Rake's progress]. Plate 2d and To recompense the Sire's continu'd Fast, ...
Description:
Title from Paulson., Added title from text engraved above image., Plate number below image, lower right., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Matted to: 34 x 46 cm.
Publisher:
Printed for Robt. Sayer & Co., Fleet Street, London
Title from item., Place of publication derived from publisher's street address., Date from item., In margin lower left: Done from an Original Picture Painted by Sr. Godfrey Kneller., Lebeck was a London tavern-keeper., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for John Bowles & Son, at the Blackhorse in Cornhill
"Satire on differences among parliamentary constituencies instructing their members variously to insist on an investigation into the conduct of Robert Walpole's administration, or to desist and to support new government measures. In a large compartment at the top, a balance hangs from the ceiling in which a glove representing the challenge from the City of London to allow the investigation outweighs two men representing Bristol and Nottingham who oppose it. The City challenge is supported by members for Stafford, Dorset, Edinburgh, York and Westminster, standing to left, while behind them the old Tory Opposition now supporting City interests; in the centre, City tradesmen wave their hats and cheer. On the right, a servant pulls down on the scale containing Bristol and Nottingham, turning back to answer a group of unhappy government double-faced supporters. In the centre foreground, a large dog urinates on two small dogs; on the wall behind, a picture of Liberty or Britannia on the left, is juxtaposed with one, on the right, showing a man chained by the foot to a block. In the compartment at lower left, "A M[inisteria]l Forge", a blacksmith stands at an anvil hammering out the "Lie of the day". Ready-forged lies hang on the wall, "Hanov[er] Spurs", "Party Scissars", "Debt Bridles", "Tax Skrens" (a mistake for screws), "State Forks", "Law Pincers", "Eccles[iastical] Hooks", "Parl[iamentary] Bars" and "Session Fetters". On the right, an assistant hands two journalists, "Representat[ion]" and Art[icle] ag[ains]t West[minste]r" saying "to be every day in the Gazetteer", to which the journalists reply, "I want a Hook for Bristol" and "this is fit for Nottingham". On the left, a man pumps the bellows at the forge; a monkey on the beam, cries, "my Guts are coming out" as it defecates papers labelled, "Repres[entation]", "Gazetteer", "False Return", "Indict[ment]" and "Season Export". A man sits on a latrine labelled, "T[reasur]y Bog house/Repres[entations] Bristol/Repres[entations] Notting[ha]m", saying "I'll do thir Business for them" and writing on a paper headed "West[minste]r". In the compartment at lower right, "The Worcester Magician", a large fool stands in the centre, saying "Alls done in my Name, ha! ha! Am n't I a clever fellow", another fool standing at a table to left weighs "Instructions" and "Cringes", the latter brought in a basket by a servant; to right, an official holds out a purse and with his staff splits, "in the name of Corruption", a double-headed figure representing Samuel Sandys and Thomas Winnington, the two members of parliament for Worcester, one holding out "Cringes" and saying "I obey your Wand", the other, holding "Instructions" and exclaiming, "Delicate Guardians!"."--British Museum online catalogue
Alternative Title:
Bristol & Nottingham weighed in the balance & found light and Bristol and Nottingham weighed in the balance and found light
Description:
Title etched above large compartment at top., Compartment in lower left captioned "A M-l Forge" below; compartment in lower right captioned "The Worcester Magician" below., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Armorial watermark.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745. and Ombersley, Samuel Sandys, Baron of, 1695-1770
