Manuscript sheet, in unidentified hand, on parchment, containing an anatomical drawing of a seated woman. Text includes descriptions of the different parts of the body
Alternative Title:
Anatomie pour congnoistre les parties interieures : [a large anatomical drawing in color, surrounded by explanatory text]
Description:
In Middle French., Title from heading., Script: humanist hand., Layout: anatomical drawing in center, double columns of 80 lines surrounding and underneath drawing., No text on verso. Used as binding waste., Included in a portfolio (66 x 51 cm.) with eight 58 x 38 cm. color photoreproductions., and Dr. Peter Jones, May, 2003, states that this single sheet most likely is a manuscript copy of the Jean Ruelle fugitive sheet (female figure only) Paris, 1540. cf. Carlino, A. Paper bodies ... London, 1999, page 171.
Subject (Topic):
Anatomy, Human anatomy, Medicine, Manuscripts, and Medicine, Medieval
Manuscript, on parchment, incomplete, containing the remains of a book of hours, probably Use of Rome. All illuminations have been excised and there are few complete sections except for the Penitential Psalms (63r-75v) and the Office of the Dead (82r-112v). These texts are followed by two prayers to Saint Lazarus in Latin (113v- 115r ). Folios 115v-116v contain a personal narrative in French by Sister Collette d'Oisellet of the Hospice of Beaune, the owner of the volume. She describes being miraculously healed from paralysis in 1497 at Autun cathedral through the relics of Saint Lazarus; an annotation records her decision to remain at the Hospice of Beaune to care for the poor. Her account is followed by two additional prayers, also in French
Description:
In Latin and Middle French., Ownership inscription of Sister Alix de Besançon on 116v., Nineteenth-century printed bookseller description, annotated in pen, affixed to 116r., Bookseller description available., Script: gothica textura (Book of Hours); bâtarde (personal narrative and final prayers)., Layout: single column, 14-16 lines (Book of Hours)., Decoration: rubricated. Many small decorated initials, gilt; some two-line initials, also gilt. Some line-filler decorated bars. Many ivy leaf borders with gold leaves and colored blossoms. All leaves that might have contained illuminations appear to have been excised from the volume., and Binding: modern amateur binding of reddish velvet over pasteboard. Needlepoint flowers and leaves on both covers; the embroidered word "Heures" on the front cover.
Subject (Geographic):
France., France, Connecticut, New Haven., and Autun (France)
Subject (Name):
Oisellet, Collette d'., Lazarus, Saint (Poor man from the Gospel of Luke), Cathedral of Saint-Lazare (Autun, France), Hospices civils de Beaune., and Catholic Church
Subject (Topic):
Relics, Books of hours, Manuscripts, Medieval, Miracles, Nuns, Women, Religious aspects, Catholic Church, and Religious life and customs
Manuscript fragment, on parchment, of text from a Brut chronicle in Anglo-Norman rhyming octosyllabic couplets
Description:
In Anglo-Norman French., Layout: two columns of 39 lines., Script: gothic hand., Decoration: initial C in blue and initial Q in red., and Stained and somewhat worn from use as a pastedown, with some later pen trials.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman literature, Brutus the Trojan (Legendary character), and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Baudouin d'Avesnes (d. 1289; Lord of Beaumont and son of Margaret of Flanders), Chroniques de Hainaut. Continues to ca. 1131
Description:
In French., Script: Written in fine gothic textura. Corrections made over erasures., One fine historiated initial, 4-line (f. 4r): orange, pink and blue with white filigree; a king seated in conversation with three men, the figures orange, pink, and blue against a ground diapered in gold and blue with crowns in white; on a blue ground with white floral filigree framed in gold; curling vine serifs, red and green, extending into a 3/4 vine border, blue and pink, with red, blue, green and white leaves with some knots and gold cusping; large gold dots; two dogs, one with a bone, in lower margin. Two coats-of-arms in upper and lower margins. One fine calligraphic initial, 5-line, f. 197r, divided red and blue with particolored penwork, red and blue, with flourishes and a cascading column of I's, alternating red and blue and extending 3/4 length of inner margin. 4- to 2-line initials, red or blue, with blue or red penwork, dots and large flourishes, one on f. 4r with a cascading column of I's as above. 1-line initials, red or blue, with penwork, as above. Numerous crude marginal drawings in brown ink. Notes to rubricator, arts. 1 and 3., and Binding: Nineteenth century. Diced brown calf over heavy wooden boards which are possibly original.
Subject (Geographic):
Connecticut, New Haven., and Hainaut (Belgium)
Subject (Name):
Baudouin d'Avesnes.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, in at least two scribal hands, containing works by Alain Chartier, including Le quadrilogue invectif, Le livre des quatres dames, Le lay de paix, Le livre d'esperance, Le breviaire des nobles, Le debat du reveille-matin, Le lay de plaisance, La belle dame sans mercy with La requeste baillee aux dames contra l'acteur and Lettres envoyees par les dames a l'auteur, L'excusation aux dames, Le debat des deux fortunes d'amour, and La complainte contre la mort. The volume also contains poems by Michault Taillevent, Boton de Grandson, Achille Caulier, and Simon Greban
Description:
In Middle French., Script: lettre bâtarde., Layout: 43 lines in two columns., Decoration: Rubricated.Text capitals and versal initials highlighted in yellow. Numerous one- to eight-line initials in pink or blue on burnished gold grounds with pansies and numerous stanza markers with pansies on a gold ground. 22 initials with full borders. 11 small and 8 large figurative miniatures., Modern foliation, in pencil, 1-136., Byname: Clumber Park Chartier., and Binding: 18th-century full red morocco, gilt. Gilt-tooled six-compartment spine. Spine title in second compartment, in gilt: Alain Charti.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Caulier, Achille., Chartier, Alain, active 15th century., Dunois Master, active 1430-1465., Granson, Oton de, -1397., Gréban, Simon, -approximately 1473., Lecuy, Abbé., and Taillevent, approximately 1315-1395.
Subject (Topic):
French literature, French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (trimmed), with parchment bifolios interspersed, of Julius Caesar, Commentary on the Gallic Wars, translated into French by Jean Duchesne. Written for Jacques Donche, counselor of Charles the Bold of Burgundy
Description:
In French., Watermarks: similar to Briquet Armoires: Trois fleurs de lis 1741., Script: Written in neat batarde script by Hellin de Burchgrave., Ten half-page miniatures, each in an arched frame composed of two thin bands, gold and red highlighted with white, edged in black, the arch with tiny cusps; beneath, initials, 6-, 4-, or 3-line, blue or blue and red with white highlights on a gold ground of irregular shape conforming to the letter, edged in black, with serifs protruding into the left margin; filled with green and/or red and crimson trilobe leaves on curling stems with white and/or yellow highlights, or with a blue, green, crimson, and gold diapered ground with white highlights. Three smaller miniatures, 12- or 14-line, occasionally cut off at the upper edge so as to fill only part of a line of text; frames rectilinear, otherwise identical to those described above, Beneath, 2-line initials, blue, with white highlights, filled with trilobe leaves, as above, once (f. 25r) with one leaf of spiky acanthus added, and once (f. 256r) with a pink ground with gold filigree. There is a blank space on f. 27r for another miniature of this type. Other decoration consists of 2-line calligraphic initials, paragraph marks, line fillers (spirals and heraldic dragons), page and chapter headings, all executed in red. The first one or two lines of some books (as well as occasional lines within the text) are underlined in red., A few folios have tears in the margins., and Binding: Eighteenth century. Spattered and gilt edges. Red goatskin, gold-tooled, with the arms of Eugene of Savoy on cover and his monogram on spine.
Subject (Geographic):
Connecticut, New Haven., and Gaul
Subject (Name):
Caesar, Julius.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on paper of Jean Faucket (or Faucquet), Commonplace Book: Holograph. Completed 1497 or later
Description:
In French., Four distinct watermarks: one resembles Piccard, vol. 2, IX 96 (Xanten, 1452), one resembles Piccard vol. 2, IX 182 or 190 (Rhine valley, 1470-1480 or Flanders, 1463-70), one closely resembles Briquet 9196 (St. Omer, 1491), and a fourth closely resembles Briquet 8992 or 8993 (Vaudrevange, 1499 and 1493, respectively)., Script: written by the author in a gothic bastarda script., Numerous full color illuminations of coats of arms. Ornate initials in black and red throughout. Rubricated., and Binding: heavy black cloth over boards made of early printed material. Several parchment manuscript fragments which were used in binding are visible in the spine. One contains 12th-century Caroline minuscule and the other contains a gothic bookhand of the 13th-14th century. Damaged, front board detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Faucket, Jean, fl. 1488-1497.
Subject (Topic):
Commonplace-books, Heraldry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (crude) of Copy of an account book for the hunting expenses of King Charles VI of France. The account is rendered by Philippe de Courguilleroy (?) "chevalier maistre veneur du Roy et maistre de ses canes et forestz" and encompasses November 1395 to 2 February 1396
Description:
In French., Script: Written in a chancery script by a single scribe., and Binding: 18th-19th centuries. Brown mottled and spattered calf with a red label, gold-tooled.
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Leonardo Bruni, De bello punico, translated into French by Jean Lebegue; made, and presented in 1445, for Charles VII of France (1422-1461).
Description:
In French., Watermarks: closest to Briquet Armoiries-Trois fleurs de lis 1686., Script: Written by a single scribe in an elegant batarde script that sits above the line, rather than on it., Red and blue divided initials, 5-line, on ff. 1r, 2v, 4v, and for major text divisions thereafter. 3- to 2-line plain red or blue initials throughout. Initials alternate red and blue for tables on ff. 1r-2v. Multi-line headings in red sharply indented toward right. Guideletters for illuminator., and Binding: Sixteenth century, France. Olive green goatskin, roughly gold-tooled with the arms of Claude d'Urfe in the center and a monogram of his initial (C) with that of his wife, Jeanne de Balzac (I) in the corners, together with cornucopiae, caducei, laurel and flaming altars. Gilt edges. Corners repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bruni, Leonardo, 1369-1444. and Charles VII, King of France, 1403-1461.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, and Punic wars
