"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue
Description:
Title etched below image., Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 35 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 8 of 14 volumes.
Publisher:
Pub'd Augst. 30th, 1802, by R. Ackermann, No. 101 Strand
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820., 1 print : etching with stipple on wove paper ; sheet 33.6 x 45.4 cm., Sheet trimmed within plate mark on two edges., and Mounted on leaf 20 of volume 2 of 12.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 35.8 x 46.1 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 22 of volume 2 of 14 volumes.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647
Published / Created:
MDCXL [1640]
Call Number:
Monteverdi 5
Image Count:
9
Resource Type:
Books, Journals & Pamphlets
Description:
Author's presentation inscription to Malatesta Albani. Unidentified armorial bookplate. Shelfmark in ms. on t.p. verso: M VIII 4. Accompanied by 3 leaves of ms. notes. From the Albi Rosenthal Collection of Monteverdi and the birth of opera. and Signatures: [dagger]⁸(-[dagger]1, blank?) A-3F⁴ 3G².
Publisher:
Nella stamperia d'Andrea Fei,
Subject (Name):
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647. Compendio del trattato de' generi e de' modi della musica. and Rosenthal, Albi, 1914-2004
Subject (Topic):
Music, Greek and Roman, Music--Acoustics and physics, and Musical instruments
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue
Alternative Title:
Chelsea Reach
Description:
Title etched below image., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from impression in the British Museum., Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boats: shallop -- Chelsea -- Flute -- Watermen -- Buildings: Battersea Church., 1 print : etching on wove paper, hand-colored ; sheet 18.6 x 27 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 3 of 14 volumes.
"A staff dinner in a large open tent. At the head of the table the Duke of York carouses; a fat Flemish woman seated on his knee plays with his sword; he raises a full glass, looking down at the woman. He is seated on a drum, his left foot rests on a tattered British flag, beside which lies a bundle of muskets. On the table is a punchbowl ornamented with the royal arms. On one side (next the Duke) sits the Prince of Orange, a fat and stolid Dutch officer smoking a pipe and holding a small tankard. Facing him is a savage-looking (?) Austrian officer wearing a cap; his drawn sabre is on the table, he drinks wine voraciously from a bottle, his left arm round the waist of a stout Flemish woman seated beside him on the cannon which forms a seat; she raises her glass, holding a smoking pipe. Next the Dutchman a British officer and a fat Flemish woman are kissing. Behind the seated officers stand bandsmen wearing cocked hats and blowing wind instruments with great energy; a negro clashes his cymbals behind the Duke. On the extreme right two files of gaunt and emaciated British foot-guards advance behind the Duke carrying wine-bottles, glasses, and a punch-bowl, also with the royal arms. Empty bottles are stacked under the table. Behind (left), a file of conical tents recedes in perspective; the three flags which fly from them are British, Austrian, and Hanoverian. Dutch and Austrian officers are caricatured, but not the Duke, who is handsome and florid. The Flemish women with their wide straw hats are studies of type and costume."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., 1 print : etching with engraving & stipple engraving on wove paper, hand-colored ; plate mark 35.0 x 50.3 cm, on sheet 40.0 x 56.0 cm., and Mounted on leaf 55 of volume 8 of 12.
Publisher:
Publish'd May 20th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and William V, Prince of Orange, 1748-1806
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald., 1 print : etching on wove paper, hand-colored ; plate mark 26.2 x 36.4 cm, on sheet 29.3 x 39.5 cm., and Mounted on leaf 65 of volume 9 of 12.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.5 x 33.7 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 29 of volume 13 of 14 volumes.
