"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Title from item., Printmaker identified in the British Museum online catalogue., Four lines of verse in two columns below title: There was a laugh & a craw ... ., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Variant state, with verse below title, of No. 8785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Nurseries -- Pets -- Furnishings: window curtain tassles., and Watermark: E & P 1794.
Publisher:
Pub. Febry. 13, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte Augusta, Princess of Great Britain, 1796-1817
"The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer's wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, "Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day." The King adds, "A very bad market girl, indeed, a very bad market girl - Limy shall go next" (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, 'Cartwheel's score', 'The Widow Waggonrut', and 'Mrs Towser'. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: "I made war with Kate, a buxom Northern Lass: But such my cruel fate - " Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, "She bid you kiss her A------! Damn the Whip I'll never learn the right smack of a Carter.""--British Museum online catalogue
Alternative Title:
Summer amusement at Farmer George's near Windsor
Description:
Title etched below image., Attributed to Richard Newton by Alexander., Publisher's advertisement above image: In Holland's Exhibition Rooms may be seen the largest collection in Europe of caricatures. Admittance, one shilling., Sheet trimmed within plate mark., and Watermark in center of sheet: CR.
Publisher:
Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Catherine II, Empress of Russia, 1729-1796.
Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scottish
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
