"Two dark-complexioned money-lenders, Eurasians or Portuguese, sit facing each other at a round table. One (left), with a cane under his arm, appears to be a visitor; he regards his vis-à-vis with a fixed and cunning grin, holding out a bill or cheque, and pointing to an open chest containing money-bags which is on the ground. The other (right) stares angrily, leaning on the table and clutching a large money-bag. He wears a shirt and waistcoat with breeches and shoes; the other wears a short jacket or long spencer, breeches, and boots. The figures are strongly lit, the room is in deep shadow. Apparently a companion plate to No. 11833. Cf. also Nos. 12164, 12165."--British Museum online catalogue
Alternative Title:
Thirty-six percent discount at Calcutta and 36 per cent discount at Calcutta
Description:
Title from caption below image., Text following imprint: of whom all the other caricatures may he had., Watermark: Turkey Mill 1825., and Publication date changed to "1803" from "1811" in manuscript.
Publisher:
Pub. Feb. 1803 by Willm. Holland No. 11 Cockspur Street
Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
A man wearing in a nightcap leans out a window from the upper story of his cottage and aims a blunderbuss at a ghostly sprite who dances in the yard outside his front door. The man's face is contorted with anger and concentration as he points his gun
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Octr. 1, 1792, by W. Holland, No. 50 Oxford Street
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., Mounted to 43 x 33 cm., and Slight alteration to the design in ink.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
In a tavern, a group of men, several of them with very large bellies, sit around a table with a large punch bowl in the center; they are smoking pipes, some laughing at their companion who has just been struck with a stick by a large woman; others look up in alarm while still others continue to read. In preparing for another strike she accidentally hits the innkeeper wearing an apron behind her as he brings in another punch bowl, which spills as raises his arms. Above the fireplace is picture of a man racing a horse; another print of a horse hangs above the door. Their hats hang on pegs on the walls around the room
Alternative Title:
Special messenger!
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1819.
Publisher:
Pub. April 16, 1794, by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Anger, Bowls (Tableware), Pipes (Smoking), Taverns (Inns), Waiters, and Wigs
A middle-aged woman in a cap, and wearing earrings, a bracelet and necklace, raises her fist in anger at a young servant girl. The girl also in a cap, looks back over her shoulder at her mistress in surprise and fear
Description:
Title engraved above image., Sheet trimmed within plate mark., Plate numbered 'No. 18' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Two lines of text below image: This unruly passion shews itself in a forcible degree in a termagant mistress scolding her maid servant., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and State without plate number.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
A virago wearing a torn apron, her cap slipping off her head exposing her short cropped hair, seizes by the hair a weeping man, who clutches a ladle as he bends under the weight of the assault
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '2' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Variant state, with a plate number. Cf. No. 11664 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"Satire on servants; a scene in a pantry with a liveried servant retreating in horror from a stout woman, probably a cook; he holds his hand to his face which sports two black eyes and she, scowling in fury, extends her right fist."--British Museum online catalogue
Description:
Title etched below image., "Holland's caricatuee exhibition is now open. Admittance one shilling"--Text above image., Six lines of verse below title: By two black eyes my heart was won, sure never wretch was more undone! To Celia with my suit I came, But she regardless of her prize, Thought proper to reward my flame, By two balck eyes!!!., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to: 43 x 33 cm., and Stamped 'E' on verso, lower left. Mounted to: 43 x 33 cm.
Publisher:
Pubd. by Willm. Holland, Oxford St.
Subject (Topic):
Anger, Black eyes, Fear, Fists, Pantries, and Servants
An elderly husband, with a look of despair and exasperation, sits at a tall cased escritoire, after reading his young wife's account book; she sits in the chair next to the desk hiding her smile behind a handkerchief. Behind her is a harp. On the desk at the husband's elbow is a book with a spine label "L'École des vieillards" and at his feet he has thrown his quill pen and the account book with the label "Dépense".
Description:
Title from caption below image., Series title and number from caption above image., Printmaker's name letterd in image on the base of the harp., This plate was listed in the 'Bibliographie de France' for 12 June 1824. See British Museum online catalogue, Registration number: 2003,0630.14., and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet
Subject (Topic):
Anger, Couples, Desks, Harps, Interiors, Parlors, and Writing materials
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1777]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 109. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue
Description:
Title etched below image., Intermediate state of the plate, after additional drypoint shading added but before title changed. For an earlier state with less drypoint shading, see no. 4730 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. For a later state with the title "Damn Mambrino", see no. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date of publication from a brief mention of the print on page 278 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark., Temporary local subject terms: Gout -- Horse racing -- Horses: Becephalus., and Mounted on page 109 of: Bunbury album.
