Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Two policemen are shown arresting chimney sweeps, roughly pulling one by the arm and another pushing an adult chimney sweep away while carrying four little boys on his back or in his arm. Two chimney sweeps on the left and one on the right complain of the crackdown on their trade
Alternative Title:
Sweeping reform among the clergy
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 55.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Great Britain., England, and London
Subject (Topic):
Chimney sweeps, Legal status, laws, etc, and Social conditions
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, Yellow fever, and Hunting
Leaf 10. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady with an enormous coiffure surmounted by hat with huge ostrich feathers brandishes a long whip as she drives her phaeton behind a pair of diminutive horses. The carriage is elevated on very high springs, and on its side bears a ducal coronet (a possible allusion to the Duchess of Devonshire) and the motto "Swift".
Alternative Title:
Phaetona, or, Modern female taste and Modern female taste
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark., On leaf 10., and 1 print : etching and engraving on laid paper ; plate mark 24.8 x 35.1 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824.
Subject (Topic):
Carriages and carts, Women, Social life and customs, Social conditions, Horses, Clothing & dress, Hats, Hairstyles, Carriages & coaches, and Coach drivers
Leaf 10. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady with an enormous coiffure surmounted by hat with huge ostrich feathers brandishes a long whip as she drives her phaeton behind a pair of diminutive horses. The carriage is elevated on very high springs, and on its side bears a ducal coronet (a possible allusion to the Duchess of Devonshire) and the motto "Swift".
Alternative Title:
Phaetona, or, Modern female taste and Modern female taste
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark., and Sheet mounted to 27 x 37 cm.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824.
Subject (Topic):
Carriages and carts, Women, Social life and customs, Social conditions, Horses, Clothing & dress, Hats, Hairstyles, Carriages & coaches, and Coach drivers
A manuscript in a single hand, signed by the clerks and witnesses, providing a record of the answers to fifteen questions, prompted by an 1814 parliamentary investigation into the living conditions of ‘Lascars and Chinese’ which ended with the publication of a report from a Committee on Lascars and Other Asiatic Seamen in 1816. As part of their investigation, the clerk Isaac Newton records the answers of 'Boodoo' and 'Mamood', both of whom attest to the statements with their marks of an 'x', which provide very detailed evidence of the living conditions, the kind and amount of food and drink provided, clothing and health care and the physical safety in cramped living quarters, the way in which these sailors were buried
Description:
In English., Title from item., and For further information, consult library staff.
Subject (Geographic):
China., India., and London (England)
Subject (Name):
East India Company
Subject (Topic):
Employees, Merchant mariners, Economic conditions, and Social conditions
Design consists of eight panels arranged in two horizontal rows, with lines of text etched in the top portion of each panel. In the upper left, an intoxicated woman in an arm chair, says "May we have in our arms what we love in our hearts. No tax upon gin! Here we go up, up, up, and there we go down, down, down!" The next shows a man prostrate on his back holding a lantern, with words above, "Bless me, is that the sun of the moon I see above there!" On the wall behind him a print with the title "The good woman" etched above the figure of a woman without a head. Third, a bare chested gravedigger looks up from his work in horror as a woman loses control of the pail of water on her head. Above them are the words, "Hollo! Damn your blood you old Faggot, where are you coming to?" The final panel in the top row shows an obese well-dressed woman vomiting, a bottle of "Comfort for the Cholick" in her left hand. The words etched above her head: "Too much of a good thing!". First on the left of the second row: a large, young woman with bare breasts and generally disheveled and quesy look on her face, walks on a cobblestone street; behind her in the distance a man shakes a cleaver in her direction. Above her the words, “I am a little sickish or so, but no matter, I've given Sal her gruel? She drink gin with me! Blast me she could as soon swallow the fat landlady!” The next panel shows a unconscious woman being carried on a man's back. The text above them reads, “She's got her quantum, by jingo, she smells as sweet as a daisy! But no matter, I'll get the blunt in the morning from her old goat of a keeper. 'Upon my conscience and soul he will have a precious bedfellow of her to night! In the third panel, bottom row, an old woman with spectacles bumps into a large rock, causing her to drop her bottle of gin and a bloody nose. Etched above her head are the words, “What's that for you sawcy reascal! Here, Watch! Watch! Watch! Lord a mercy upon me what a blow! My poor head spins like a top!” In the final panel, a military officer escorts a well-dressed young woman along a street as he brandishes a club. Above them is etched, "Stick, close, my dear, Charlotte. Hold up your head, my lily of the valley. I am as sober as a judge. Woman and wine for ever, damn me!”
Description:
Title from caption below images., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Russell & Co. 1799., and Mounted on modern secondary support.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
St. Giles in the Fields (London, England)
Subject (Topic):
Social conditions, Couples, Gin, Gravedigging, Intoxication, Spouses, and Watchmen
"Scene in a ramshackle attic, with a curtained bed on the right. A family sit at a table covered with a tattered cloth, on which are part of a loaf and four small potatoes. The ragged, lean, and elderly man (left) faces his still more haggard wife. A small boy stands by his mother, a youth and little girl sit opposite. All scowl with dismay at the meagre fare. A starving cat miaows. The man recites: "O! thou that blest the loaves and fishes, Look down upon these two poor dishes, And though the 'tatoes are but small, Oh make them large enough for all. For if they should our bellies fill 'Twill be a kind of Miricle!!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 9., Printseller's announcement following imprint statement: Folios of caracatures [sic] lent., and Cf. No. 11469, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with modified imprint statement.
Publisher:
Pubd. Janry., 1807 by T. Tegg, 111 Cheapside, London
Subject (Geographic):
Great Britain and Ireland.
Subject (Topic):
Irish, Social conditions, Cats, Ethnic stereotypes, Families, Potatoes, Poverty, and Starvation
In four columns with the title and two woodcuts above the first two; the columns are separated by rules., Verse begins: "You London dames, that love to range", Imprint below the third and fourth columns., Date from ESTC., Mounted on leaf 23. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at the Printing-Office in Bow-Church-Yard, London
Subject (Geographic):
Great Britain, England, London, and London (England)
Subject (Topic):
Broadsides, Prostitution, Apprentices, Women, Moral and ethical aspects, Social conditions, Men, Sex, Prostitutes, Abused children, and Social life and customs
Verse begins: "Come all that love to be merry,", In four columns, with the title and illustrations above the first two; the columns are separated by columns of type ornaments; the imprint is below the last two columns., Imprint below the third and fourth columns., Date conjectural., Mounted on leaf 22. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at Sympson's Warehouse, in Stonecutter-Street, Fleet-Market
Subject (Geographic):
England and London
Subject (Topic):
Women, Social conditions, Men, Moral and ethical aspects, and Sex
Three generations of a family gather around a humble hearth, forming an image of domestic happiness in a modest setting. The father, seated on a chair set in front of a fireplace, lifts a small child. The mother is seated to his right, holding the hand of one of child while a third plays a drum set on chair. An old man leans on the chair that holds the drum, a bed visible behind him, while at his feet lies a game bag containing a rabbit. On the mantlepiece a cat sleeps beside a lantern
Description:
Title from caption etched below image. and A print in reverse after Etienne Aubry's Paternal love which was exhibited in Paris in 1775.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the act directs
Subject (Geographic):
France. and France
Subject (Topic):
Family life, Social conditions, Children & adults, Domestic life, Interiors, Clothing & dress, Drums, Lanterns, and Chairs
