V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Two dandies from 1519 and 1819 stand full length in profile, contrasting the fashions of their respective time periods
Alternative Title:
Dandies
Description:
Title etched below image., Sometimes attributed to William Heath., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 29 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Two dandies from 1519 and 1819 stand full length in profile, contrasting the fashions of their respective time periods
Alternative Title:
Dandies
Description:
Title etched below image., Sometimes attributed to William Heath., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched above image., Plate numbered '83' in upper left corner., and Plate from: A political and satyrical history of the years 1758 and 1759.
Publisher:
publisher not identified
Subject (Name):
Stone, Andrew, 1703-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Holland, Henry Fox, Baron, 1705-1774
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
Subject: Image of the French colony of Aigleville, Texas, now part of Alabama. Men, women and children are gathered outside, all seen wearing French clothing or military uniforms. At center, a man in uniform stands under a tree with a sign reading "Aigleville." He holds a young child in his arms. A woman kneels on the ground near him holding an infant, while a young girl holds a bunch of bananas and hands them to the man. Other men are seen moving wheelbarrows, carrying items on their backs and sawing logs. A large metal pot is seen at right over an open flame
Description:
Advertised as published by Basset in April, 1820 in Recueil des actes administratifs, Volume 20, Tours, 1820, p. 190. Erroneously dated 1830 by Library of Congress.
Publisher:
A Paris chez Basset rue St. Jacques no. 64. Déposé au bureau
Title from caption below image., Publication date from unverified data from local card catalog record., Caption below title: "I want a penn'orth of stirrup oil", and Print numbered in ms. near upper edge of sheet: 32.
Subject: View of the French settlement of Aigleville, Texas, now part of Alabama. At center a young woman sits on a log holding a baby, while at right center, a man steps over the log to embrace a young man. At left, a man is seen taking letters out of a trunk on the ground, and a young boy is seen holding letters in his hands. At right, a man stands with a shovel underneath a palm tree with a sign attached to it reading "Place [covered]rengo." In the background, men are seen sawing and chopping wood, and working by a stream
Description:
BEIN WA Prints +117: Imperfect: damp-stained. Hand-colored. and Advertised as published by Basset in April, 1820 in Recueil des actes administratifs, Volume 20, Tours, 1820, p. 190. Erroneously dated 1830 by Library of Congress.
Publisher:
A Paris chez Basset rue St. Jacques no. 64. Déposé au bureau
Copy of the image from Hogarth's subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
Three characters. Four caricaturas and Characters and caricaturas
Description:
Title etched below image., Lettered immediately below image: Cartons. Raphael urbin pinxt. Cavl. Chezzi del. Annibal Charraci invt. Leonard da Vinci pinx., Plate from: Trusler, J. Complete works of William Hogarth in a series of one hundred and fifty superb steel engravings. London and New York : London Printing and Publishing Company, [18--], between p. 180 and p. 181., Sheet trimmed within plate mark with loss of subtitle. Subtitle supplied from a more perfect impression bound in Lewis Walpole Library book: Quarto 75 H67 876., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2591., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 156.
Copy of the image from Hogarth's subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
Three characters. Four caricaturas and Characters and caricaturas
Description:
Title etched below image., Date based on date of original in Paulson., Lettered immediately below image: Cartons. Raphael urbin pinxt. Cav. Chezze del. Annibal Charraci invt. Leonard da Vinci pinx., Sheet trimmed to plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2591., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 156.
