Manuscript note in Richard Bull's hand that relates how a collection of Maria Sibylla Merian's drawings came into his possession. Merian's place and year of birth are also noted, as is her great ability for drawing insects, reptiles, and other natural objects
Description:
In English., Date supplied by cataloger based on the year of Richard Bull's death., Formerly page 4 of an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Manuscript on parchment and paper, composed in 3 parts, of Notes on grammar, syntax, logic, mathematics, and canon law. With excerpts of moral treatises and proverbs. Parts I and II, ca. 1300 on parchment. Part III, between 1300 and 1350 on paper
Description:
In Latin., Script: Part I (ff. 1r-8r): Written in Gothica Cursiva Antiquior (Anglicana) mainly by two hands. Part II (ff. 9r-43v): Two hands, both writing Anglicana. Part III (ff. 44r-78v): Several hands, all writing Anglicana Currens and highly abbreviated: the first (ff. 44r-55v) is marked by lengthened and bold or decorated ascenders on the top line., Part II: Red paragraph marks; red plain 2-line initials. Part III: Red paragraph marks in some sections. Red plain 2-line initials (3-line initial f. 44r), some with flourishing, and guide-letters in artt. 5-8. Logical diagrams on ff. 44v and 47r. Hand A has curious line-fillers and his explicits are written in a dotted rectangular frame., and Binding: Early limp vellum, with a bone button in the middle of the rear cover.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Topic):
Education, Medieval, Grammar, Comparative and general, Latin language, Grammar, Logic, Medieval, and Manuscripts, Medieval
Autograph notebook, signed, dated 1686, containing Partridge's Harvard College class notes, including extracts from the writings of William Ames, Heinrich Gutberleth, Charles Morton, and others. Pages numbered 249-274 contain notes in shorthand. Verso of title page contains autograph note, "Jonathan Edwards, 1751," and an autograph note on last page reads, "Jonathan Edwards, Ejus Liber, Anno Domini 1719."
Description:
William Partridge (1669-1693) was born in Hadley, Massachusetts and graduated from Harvard University in 1689. He was a Congregational minister in Wethersfield, Connecticut. and In English.
Subject (Geographic):
Massachusetts and Cambridge.
Subject (Name):
Ames, William, 1576-1633., Gutberleth, Heinrich, 1572-1635., Morton, Charles, 1627-1698., Partridge, William, 1669-1693., and Harvard College
Notebook containing a floral alphabet in watercolor and a journal headed "Tour up the Rhine," describing a family outing from Southold to Heidelburg and Wurtemburg in the summer of 1838
Description:
First page recto reads, "Emily Caroline Cobbold. 1836" in the same hand as the verses of the floral alphabet that follows. and Binding: Original board blank book.
Subject (Geographic):
Rhine River Valley
Subject (Name):
Cobbold, Emily Caroline.
Subject (Topic):
Flowers, Juvenile poetry, and Description and travel
Holograph of a collection of notes and personal memoranda. The volume begins with a description of a dream, dated August 1840, in which she imagines she is with child, from which she awakes in tears, recalling that she has never possessed either husband or child, and has long survived that "Friend" who had been such a comfort to her. Following this recollection and dated 9 May 1842, she reminisces about her past vigor of body and mind, including extraordinary sense of sight and hearing, and notes how these senses are diminishing with age; she also mentions her quickness of mind which was nurtured by those to whom she was devoted. The volume concludes with a brief essay titled The apocalypse, which analyzes the Book of Revelation
Description:
Mary Berry (1763-1852), author, was born at Stanwick, Yorkshire. She and her sister Agnes began a close friendship with Horace Walpole in 1788, who spoke of them as his "twin wives." He established the sisters at Teddington, in 1789, and two years later offered them the use of his own secondary residence, Little Strawberry Hill. Berry became engaged to General Charles O'Hara (c.1740-1802) about October 1795, though the couple separated in 1796. In 1824 the sisters took up residence in Curzon Street, where they established a salon frequented by many prominent figures in society; Berry's acquaintances included William Thackeray, Maria Edgeworth, and Madame de Staël. Her literary productions include the comedy Fashionable Friends; A comparative view of the social life of England and France from the Restoration of Charles the Second to the French Revolution (1828) and its sequel Social Life in England and France from the French Revolution in 1789 to that of July 1830 (1831); and an edition of the Works of Horace Walpole (1798)., In English., Binding: cardboard covers. Written on cover: MB. 1839., and For further information, consult library staff.
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript fragment on parchment of a Noted Breviary (Nocturnale) containing a portion of a chant for an undisclosed office; St. Nicholas (6 December), from vespers to the first nocturn of matins; St. Nicholas, the first nocturn of matins; Office of St. Ulric, from vespers to the first nocturn of matins; Office of St. Afra (9 August), from the first to the second nocturn of matins with lessons from the Vita S. Afrae; Office of St. Gall (16 October), third nocturn of matins
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: written in two sizes, with a smaller script for the chants and a larger script for the lessons; drawing of a face with the words " Vita S. Uodalrici episcopi et confessoris" in brown ink; 2-line initial "V" at the beginning of the office on f. 2r is a red square capital; 1- and 2-line initials of lessons are in red uncials or square capitals; 1-line chant initials are brown uncials; rubrics written in red capitals; punctuated with the punctus for end of chants and punctus elevatus for lessons; antiphons and responses have interlinear neumes in the St. Gall style.