Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript indenture, on parchment, detailing an agreement between the Prior and canons of the Augustinian priory of Bromehill on the one part and the Mayor, burgesses, merchants and residents of the town of Thetford on the other part. The indenture concerns the rights to income from the annual Prior's fair at Bromehill, including rights to the toll, stallage and pickage fees
Description:
In Latin., Docketed in a sixteenth-century? hand: the indentur of Bromehyll ffeyes., Annotated in a later hand, possibly that of the Norfolk antiquary Thomas Martin., Layout: single column of 26 lines. Head of document indented., Script: secretary script., and With: Seal of the Prior and Canons of Bromehill Priory, in green wax, containing a pyramid between a star, below, and a crescent moon, above.
Subject (Geographic):
England., England, Connecticut, New Haven., Norfolk (England), and Thetford (England)
Subject (Name):
Augustinians and Bromehill Priory (Norfolk, England)
Subject (Topic):
Fairs, Manuscripts, Medieval, Markets, and Monasteries and state
Manuscript on parchment of 1) Conditions agreed between Bianca Bentivoglio, Lady of Spilimbergo (d. 1519), and the Jew Daniel, son of Abraham of Modena, for the establishment of a bank by the latter in the castle of Spilimbergo, 15 July 1506. 2) Renewal for a second period of fifteen years, by Bianca Bentivoglio, widow of Niccolo Count Rangoni (d. 1500), of the agreement made at the time between her husband and Daniel, son of Abraham, allowing the latter to establish a bank in the castle of Spilimbergo, 13 Dec. 1507, subscribed by the chancellor Franco Correggi
Description:
In Latin., Script: Art. 1 is written by one scribe in Gothica Hybrida Currens (Mercantesca); art. 2, by Franco Correggi, is in Humanistica Currens., and Binding: Original light blue paper.
Subject (Geographic):
Italy., Connecticut, New Haven., and Pordenone (Italy : Province)
Subject (Topic):
Banks and banking, Charters, and Manuscripts, Medieval
Manuscript on paper of Michael Puff von Schrick's Von den ausgebrannten Wassern
Description:
In German., Script: copied by a single scribe writing Gothica Hybrida Libraria/Formata with some Fractura features. Red underlining and red heightening of majuscules and paragraph marks., Von den ausgebrannten Wassern by Michael Puff von Schrick. The manuscript also includes a table of body parts and diseases and the waters to be used as remedies for them., and Binding: plain parchment binding over cardboard, by P. Dusel, 1998.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Schrick, Michael Puff von, approximately 1400-1473.
Manuscript on parchment of 1) Bible in the usual order with some prologues. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) Chapters 25-29 of the Testament of the 12 Patriarchs. Written for Cardinal Niccolo Albergati
Description:
In Latin., Script: Written in rounded gothic bookhand., The Bible is a splendid example of the Italian late gothic illuminated manuscript. The decoration consists of two very richly illuminated pages (f. 5r, Genesis; f. 272r, Psalms), thirteen small miniatures (ff. 1r, 570v-576v), and 79 historiated initials, 7 to 10-line (not including ascenders or descenders) at the beginning of every book of the Bible, the sections of the Psalter, and a few prologues. The miniatures are in thin gold or yellow frames. The historiated initials are composed of acanthus, mauve, blue, pink, orange, and/or green. At least four artists collaborated in the illustration and decoration of the codex. On virtually every folio, recto and verso, are elaborate bar borders, in margins and/or between text columns, full or half-length, gold, blue, green, pink, and/or orange with white filigree, some with curling acanthus, leafy midpoints and terminals with acanthus and hair-spray extension. On folios with miniatures or initials, more elaborate borders (full borders on ff. 1r, 5r): curling hair-spray with gold dots and trefoil leaves, spikey ivy, pink, blue, orange and green flowers, putti, insects, birds, grotesques and, on f. 348v, a marginal scene, lower left corner, a fowler chasing rabbits., Ornamental initials (5 to 6-line) at the beginning of the prologues in red, blue, orange, and/or green, acanthus infilled red with white filigree against irregular gold grounds; gold against cusped pink and blue backgrounds with white filigree; some rinceaux initials in Franco-Flemish style, pink or blue with white highlights against cusped gold grounds. 2 and 1-line initials, gold on red and blue grounds with white filigree. Running titles in alternating red and blue letters or in gold against red and blue rectangular grounds with white filigree. Line fillers (ff. 617r-682r) in red, blue and/or gold. Chapter numbers in red or blue. Rubrics throughout., First two leaves slightly creased., and Binding: 19th-20th centuries. A painted design under the gilt fore edge. Red velvet binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, -1228.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper containing 1) J. G. Toeltius, Coelum reseratum chymicum, translated into English by F.H. (?), together with fifty-four Secret Keys to the understanding of the work. 2) Concerning divine magic, or Cabbalistic mysteries, an anonymous translation from a German original
Description:
In English., Script: Written probably by a single hand in a clear copper-plate cursive larger and less formal from the beginning through p. 226, the remainder in a smaller, neater version of the same hand., Watermarks: On machine-made preruled paper with watermark "HAGAR & Co 1824." not recorded in the literature consulted., Illustrations in the text; some illustrations on inserted pieces of tracing paper, copied from an unidentified source and intended for insertion into the manuscript but left unfinished., and Binding: Rebound about 1900 in dark blue buckram with leather title label gold-stamped "COELUM RESERATUM CHYMICUM.," edges mottled red, with binder's ticket of George Redway, 15 York St., Covent Garden, London, on first pastedown.
Manuscript on paper of 1) John of Rupescissa, De consideratione quinte essentie. 2) Arnold of Villanova, Epistola de sanguine humano ad magistrum Iacobum de Toleto. 3) Alchemical procedures. 4) Francesco Petrarca, Epistola ad Marcum Tullium Ciceronem. 5) Pier Paolo Vergerio, Epistola in nomine Ciceronis ad Franciscum Petrarcham. 6) Johannes Obrist, Super confectionem auri potabilis. 7) Nicolaus Claudii, Opus super aurum potabile
Description:
In Latin., Script: Written by a single scribe using a clear and regular gothic bookhand without strong nationalistic traits., Headings in red, rubricated., and Binding: Modern parchment over pasteboards, parchment pastedowns and guards, back gilt-lettered: "DE QVINTA ESSENTIA".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius and Petrarca, Francesco, 1304-1374.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Latin letters, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of a collection of the works of Nicolaus, mostly related to medicine. In addition the codex has interesting lists of substances in Latin and German, as well as a tract on the distillation of brandy
Description:
In Latin and German., Watermarks: Two batches of unidentified paper watermarked with a gothic "P," the mark plain and smaller in one batch, larger and surmounted by a trefoil in the other., Script: Neatly written in a gothic cursive hand., Large capitals in red at text divisions, sometimes with slight pen ornament, other capitals stroked red throughout, fancy ascenders on top lines transgressing the upper rules and stroked red, similar descenders occasionally below the bottom bordering line, usually not colored., and Binding: Modern three-quarter binding of light brown buckram, plain brown niger back and corners, the back with five (false?) raised bands, gilt-lettered in the second compartment from the top, ANTIDOTARIUM NICOLAI, and at the foot of the spine, "AB. 1460". Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicolaus, Salernitanus, active 12th century.
Subject (Topic):
Alchemy, Brandy, Latin language, Glossaries, vocabularies, etc, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
