Manuscript on paper of a collection of alchemical texts, including works by Rasis, Roger Bacon, and Hermes. Though the Bacon text and one other are early practical alchemies, the contents are mainly speculative in character
Description:
In Latin., Script: Written by one scribe in a very neat and regular prehumanistic hand., Book and chapter headings in red, rubrication, capitals stroked yellow, larger initials painted in red or blue with tracery ornament in the contrasting color (all decoration probably by the scribe; red headings in the scribe's hand, all other red decoration with ink of apparently identical composition)., and Binding: Modern. Parchment, cut from a leaf of a very large manuscript, probably a lectionary, written in a Rotunda antiquior hand, Italian, 12th century; writing on outer surface erased, printed paper label on backstrip.
Manuscript on paper of a miscellany of alchemical texts including corrupt copies (which are typical of the compiler) of traditional Latin alchemies with practical procedures and vernacular poems on alchemy. Compiled by one Johannes Baptista F., along with Mellon MSS 34 and 35.
Description:
In Latin, Italian, and Spanish., Script: Written by one, perhaps two, hands in mid-16th-century italic, sometimes of excellent, professional quality, but often ranging from fairly good to extremely bad and careless., Extensive series of small ink drawings of alchemical vessels and equipment on the front flyleaves, mostly flasks and other glasswork on the left page, with similar equipment, as well as a "Bain-Marie" and a large furnace on the facing right page, each drawing labeled., and Binding: Original parchment over pasteboards with remains of thong ties; probably a home-made binding utilizing used parchment (show-through of writing and earlier folding visible) from a document; plain edges. Labeled in ink in the hand of the compiler on the backstrip: "Lapis philosophalis". Loose in cover and badly wormed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Drawing, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of a collection of extracts from various alchemical and medical writers. Includes John of Rupescissa, Liber de confectione veri lapidis; and Arnold of Villanova, De perfectione operis alkimie. Compiled by one Johannes Baptista F., along with Mellon MSS 34 and 36.
Description:
In Latin, Italian, and Spanish., Script: Written by one or perhaps two hands in mid-16th-century italic, sometimes of excellent, professional quality, but often ranging from fairly good to extremely bad and careless., and Binding: Original parchment over pasteboards with remains of thong ties; probably a home-made binding utilizing used parchment (show-through of writing visible) from a document, plain edges. Labeled in ink in the hand of the compiler on the backstrip: "Medicina | astrologia." Loose in cover and wormed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of 1) John of Rupescissa, De consideratione quinte essentie. 2) Rhemigius Burgensis, Quaestio de medio demonstrationis termino. 3) Simone Porzio, De animae immortalitate quaestio. 4) Francesco Petrarca, Dialogus de coniugii claritate. 5) Alchemy and recipes, in Latin. 6) Properties of various fruits and nuts, in Italian verse, and Seasons for planting, in Italian prose. 7) Notes on logic, provenance of elements of this manuscript, and a game of divination
Description:
In Latin, Greek, and Italian., Watermarks: 1) crossed arrows surmounted by a six-pointed star; 2) crossed keys in a cartouche, neither identified with certainty., Script: Written in several different italic cursive hands., and Binding: Original, north Italian. Black leather, the sides outlined in blind rules, a rectangular panel on each cover ruled in gold with a square Arab knot tool gold-stamped outside each corner of the panel, traces of holes for four thong ties on each cover, the backstrip divided into five compartments by raised bands, a gold-stamped cinquefoil in each compartment, the back and sides repaired, edges stained black. Front and back pastedowns: parchment fragments of a 12th-century Italian codex, probably a Gospel Lectionary, containing an extract from the Gospel of St. John written in Latin in a Rotunda antiquior hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Divination, Italian poetry, Logic, and Manuscripts, Medieval
Manuscript fragment on paper of extracts from Laudabile sanctum. There follows on ff. 1r-7v an extended series of longer and shorter alchemical recipes and procedures, probably including excerpts from standard sources, a passage on transmutation, a brief account of the planets, etc., often with marginal captions. With a poem in English
Description:
In Latin and English., Watermark: an extended hand with a five-pointed star extending on a stem from the middle finger, a quatrefoil (?) at the wrist, which is sharply cut off, the fingers partly articulated, of the type of Briquet 11341 and following, but more refined., Script: Written by a single hand, very small (sometimes minute) and mostly very neat, using a good cursive italic for the Latin passages, and a secretary hand for the English, both sloping somewhat to the right., and Binding: Parchment wrapper made from a bifolium of a late 13th-century French (or possibly English?) canon law manuscript written by two hands, one of them using a classical Littera parisiensis, the other slightly more rounded, the writing partly scraped away on what is now the front cover of the wrapper, the outer side of the lower cover with an inscription in a very large hand which has not been read.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, English poetry, Formulas, recipes, etc, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of a large quantity of alchemical recipes and procedures, relating above all to metallurgy and transmutation. With Alchimie und Bergwerck; and German translations of John of Rupescissa, De consideratione quinte essentie; and Ramon Lull, Extracts from Experimenta and Testamentum novissimum
Description:
In German and Latin., Watermarks: 1) a long-stemmed cross above a bull's head; 2) a six-lobed arc above and each lobe surmounted by a three-lobed cross; 3) a crown. All with vertical chain marks, trimmed, not identified., Script: Very neat and clear gothic cursives, captions by the same hand, written in two parts, the second beginning at f. 201r., Some red sentence-strokes and underlining; red captions and chapter headings with minimal elaboration, carefully laid out on the page, also pen line-fillers at end of each section, as needed for text spacing. A penned brown and red crown as folk symbol at left margin of f. 135r. Infrequent sketches of alchemical vessels in brown or red at side margins, some very slightly trimmed., and Binding: Original blind-stamped brown calf over beveled wooden boards, the sides paneled in vertical patterns of roll tools, two brass catches on upper cover, remains of brass attachments for clasps on the lower; the original backstrip with three raised bands laid down; plain edges; restored by Carolyn Horton, New York, and with a leather title label on the backstrip supplied by her.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Manuscripts, Medieval, Metallurgy, and Transmutation (Chemistry)
Manuscript on paper, composed in three parts, of a large number of practical procedures, chiefly alchemical but sometimes medical, with a few standard medieval alchemical texts by Khalid ibn Yazid, Theodoric, and Albertus Magnus. Occasionally there are passages in cipher, added by Martin Roesel of Rosenthal ca. 1586, long after the principal contents were written; the cipher seems to be of a simple number-substitution type
Description:
In Latin and German, partly in cipher., Watermarks: 1) unidentified eagle watermark somewhat resembling Briquet 104; 2) a crown pattern resembling Briquet 4921 and 1922; 3) the Paschal lamb resembling Briquet 61., Script: Part I (ff. 1-29): Written in 1536 in red and black in a gothic cursive by Wolfgang the Organist. Part II (ff. 30-65): Written in a well-controlled gothic cursive without color. Part III (ff. 66-132): Written in one or possibly two scrawling gothic cursives, with red headings on ff. 109-124., Several initials illuminated in trick have been cut from a late 15th-century MS and pasted into the present MS at ff. 2v, 4v, 5, 10r, and 16r. Marginal drawings of alchemical apparatus are cropped, as also marginalia., and Binding: Probably ca. 1586 for Martin Roesel. Red-stained limp parchment (most of the stain now lost), single central clasp and catch now missing from center of fore-edges, two slits on each fore-edge for thong or ribbon ties, also missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on parchment and paper of 1) Johannes de Sacro Bosco, Algorismus. 2) Jordanus Rufus, Medecina equorum. 3) Pseudo-Aristotle, Secretum secretorum. 4) William Falconer, Falconibus
Description:
In Latin, German and French., Script: multiple hands writing in multiple scripts., and Binding: S. XV limp parchment binding with leather spine stiffener and visible sewing and flap. The parchment is from an erased music manuscript. Remnants of a paper title label on the spine (text lost).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Falconry, Horses, Manuscripts, Medieval, Mathematics, Medieval, Medicine, Medieval, and Occultism
Manuscript on paper of Iohannes de Virgilio (Giovanni del Virgilio, 1300-1350), Allegoriae librorum Ovidii Metamorphoseos, in prose and verse
Description:
In Latin., Watermark: tower, var. Piccard, Turmwasserzeichen 611-613; var. Briquet, 15911?., Copied by one hand in extremely small Humanistica Semitextualis Libraria. In the poetical sections the majuscules at the opening of each verse are set apart., Headings ("liber secundus" etc.) in clumsy Capitalis (several times erroneous: "LIBE"). Space for a 2-line initial left free on the first line of f. 1r, although this is not the beginning of the text., and Binding: Fifteenth century. Brown leather (sheepskin?) over cardboard (replacing worm-eaten wooden boards), blind-tooled with a frame of fillets and rolls; in the central panel a motif made of small rhomboid stamps. Parchment front pastedown. Remnants or marks of four clasps attached to the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giovanni del Virgilio, active 1319.
Subject (Topic):
Allegories, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Ptolemy, Almagest in a Latin translation by Gerard of Cremona. With Calendar with computistical information, January through December
Description:
In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gherardo, da Cremona, 1113 or 1114-1187. and Ptolemy, active 2nd century.
Subject (Topic):
Astronomy, Ancient, Calendars, Manuscripts, Medieval, and Mathematics, Ancient
