Manuscript on parchment (thick; most leaves palimpsest: religious text of the 10th century, in a small, regular Greek minuscule is faintly visible) of Miscellaneous prayers. Includes Liturgy of St. John Chrysostom (the many peculiarities of the text suggest that it was copied by a scribe unfamiliar with Greek, perhaps from dictation); Gospel of John, 1.1-14. The lower text of palimpsest leaves appears to contain the Life of an unidentified saint named Ioannes
Description:
In Greek and Latin., Script: Written by two scribes in clumsily formed Greek minuscule: Scribe 1, ff. 1r-5v, 41r-42v (he signs himself brother Jacobus on f. 42r); Scribe 2, ff. 6r-39r (an unusually large and thick script). Latin added on ff. 39v-41r in gothic cursive of 15th or 16th century. Marginal notes in Greek by various later hands., Initials very crudely done, in various styles and several shades of red. Rubrics throughout. Some scribblings in the margins, including a cow on f. 25v., Folios 1, 2, 3, 41, and 42 are all torn, so that significant portions of the text are missing., and Binding: Nineteenth century. Rigid vellum case; handwritten on spine: "Codex Memb Graec"; on front cover, "no. 2".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407.
Subject (Topic):
Christian hagiography, Liturgies, Manuscripts, Medieval, and Prayers
Manuscript on parchment of 1) Passio S. Agapiti. 2) Passio S. Iustinae. 3) Passio S. Secundi. Followed by poems in praise of St. Secundus and a note on his translation from Gubbio to Pergola
Description:
In Latin., Script: The main part is copied by two hands: A (artt. 1-2), writing a careful Humanistica Textualis; B copied art. 3 in Southern Gothica Semitextualis; the first two pages of this section (ff. 5v-6r) are very faded and worn and are probably palimpsest., Artt. 1-2 have headings and explicit formulas in red but are otherwise undecorated. On f. 1r there is space for a 4-5-line initial, on f. 3r for a 4-line initial. Art. 3 opens with a 3-line decorated initial in black and orange, with penwork extensions in the left margin, and all majuscules in this part have red stroking., and Binding: Twentieth century. Blue and yellow marbled paper over pasteboard. Paper endleaves.
Manuscript on paper (?) containing 1) Atto Pistoriensis, Vita sancti Iohannis Gualberti, Italian adaptation by friar Giovanni. 2) Gregorius abbas Passinianensis, Miraculum sancti Iohannis Gualberti, Italian version. 3) Prayer to God and St. John Gualbert. 4) Final Epilogue to the Life of St. John Gualbert. 5) Vita sanctae Euphrosynae Alexandrinae, Italian adaptation. 6) Poem in honour of St. John the Baptist, consisting of 10 strophes of 17 verses, describing "la nobile chapella del Batista" in Florence. 7) Sermon for nuns
Description:
In Italian., Script: copied by various rapid hands in Gothica Cursiva Currens (ff. 25r-40r, line 20; 42r-47v) or Gothica Hybrida Libraria (ff. 40r, line 20 - 41v). The explicit formula on f. 41v is in Humanistica Textualis., No decoration., and Binding: Eighteenth century (?). Marbled paper over pasteboard. On the spine a label with the handwritten title "Vite / dei Si / Gio: / Gual: / ed / Eufra/sina" (Eighteenth Century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Christian hagiography, Monasticism and religious orders, and Manuscripts, Medieval
Manuscript on paper of Jacques Legrand (c. 1360-1415/1418), Livre de bonnes meurs
Description:
In French., Script: copied by the unrecorded scribe Lambert in Gothica Cursiva Libraria/Currens (Bastarda)., Watermarks: two parallel keys, Briquet 3818; three monograms, var. Briquet 9746 (DP) and 9913-9916., Red paragraph marks, red stroking of the majuscules and of the punctuation marks. The words following a majuscule are generally written in large and narrow Gothica Textualis and barred with horizontal parallel red lines. 2-line plain initials in red, with guide letters (3-line on ff. 2r and 3r)., and Binding: 21st century. Bound in paper cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Manuscript on paper containing Jacques Legrand (c. 1360-1415/1418), 1) Livre de bonnes meurs 2) Les peines d'enfer, a treatise in verse on the torments of Hell
Description:
In French., Script: probably copied by two hands, both writing a small Gothica Cursiva Currens: A copied artt. 1-2, B copied art. 3 in even smaller script., Brittle and defective edges due to moisture., Red stroking of majuscules (art. 1); red stroking of the punctuation and red underlining (art. 2). 2-line plain initials, alternately red and blue, with guide letters., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre
Description:
In Middle French. and Binding: individually mounted.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Manuscripts, Medieval and Arthurian romances in art
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on paper of 1) Paulus Venetus (d. 1429), Logica parva, with diagrams. 2) Paulus Pergulensis (d. 1451), Obiectiones contra primum tractatum, ending imperfectly. 3) Paulus Pergulensis, Tractatus de sensu composito et diviso. 4) 10 short paragraphs on logic, followed by diagram on f. 60r. 5) Unidentified 14-line poem, in Italian
Description:
In Latin., Watermarks, in gutter and obscured by parchment binding stays: unidentified mountain and animal (?)., Script: Written by several scribes in a humanistic bookhand that exhibits various gothic and cursive features, above top line., Red or blue initials, poor quality, 7- to 3-lines, with penwork designs in red, blue and/or black. Headings, paragraph marks and line divisions between segments of text, in red., and Binding: Sixteenth century (?), Italy. Stays made from parchment manuscripts adhered inside of quires and outside of first and last ones, the pastedowns included. Original, wound sewing on three tawed skin, kermes pink, slit straps laced into paste boards. The endbands, caught up on the spine, are sewn on tawed skin cores laced into the boards. Covered on greenish tan tawed skin (sheep?) with corner tongues and the remains of two tawed skin ties. Remains of title scratched on upper cover "Logica Paul*".
