Full length portrait of Gascoyne wearing a hat and buttoned coat, his hands in the pockets
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching and drypoint on wove paper ; plate mark 17.6 x 11.4 cm, on sheet 19.7 x 13.3 cm., Mounted with three other prints on leaf 3 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Bamber Gascoigne.
Each card shows music and lyrics from John Gay's Beggar's opera and a small standard playing card inset in the upper left corner; red suits with stencil colored pips; no tax stamp; maker's details on king of clubs, 10 of spades and ace of hearts
Description:
Title devised by cataloger., French suit system., Composition of deck: 52 (A, K, Q, J, 10-2)., and All cards mounted with photo corners onto 3 display boards, encapsulated in clear plastic, each board 40 x 54.5 cm; together with a folder of notes (printed and handwritten) mostly regarding the Beggar's Opera on which the cards are based, including manuscript notes prepared (presumably by Dudley Ollis) for a talk on this theme. For further information, consult library staff.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and Sheet trimmed with loss of text.
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and On page 43 in volume 1. Plate trimmed to: 18.1 25.6 cm.
Charles Fox, his feet wide apart and his hands on his hips, stands on the steps of an open arched doorway looking outside. Below the image is a quote from Hudibras, beginning, "--he that has but Impudence / To all things has a fair pretence."
Description:
Title devised by the cataloger., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 25 cm.
A collection of pictorial conundrum cards from various unidentified sets of cards trimmed from larger sheets of etched images; also a single drawing signed "R. Ck." suggesting it is his work on the largest set (incomplete) of 19 cards. The other four sets, also incomplete, are grouped by the similarity in style and letterforms. All cards contain a humorously named person with an image and a riddle. Presumably the sheet from which these images were cut contained the answers to the riddles. Queen Victoria and Sir Edwin Eglinton (the Eglinton Tournament 1839) suggest the possible date of 1840
Description:
Title devised by cataloger., Each card shows an illustration and a query., Date range estimated base on pictorial images and design., and For further information, consult library staff.
Some with unidentified notes; also some with dates and locations including: Drury Lane and Covent Garden; the provinces, including Dublin, Edinburgh, Glasgow, and other locations
Description:
Includes some undated playbills.
Subject (Geographic):
Great Britain., England, London., Ireland, Dublin., Scotland, Edinburgh., and Glasgow.
Subject (Name):
Covent Garden (London, England) and Theatre Royal, Drury Lane (London, England)
Full length portrait of Isaac Barré, facing viewer, a hat in his right hand, his left hand in waistcoat
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XII" in upper left corner., 1 print : etching with drypoint on wove paper ; plate mark 17.6 x 11.3 cm, on sheet 19.7 x 13.3 cm., Mounted with three other prints on leaf 5 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Colonel Barré.
