Opposite half-title page. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"Margery in stays and petticoat seated before her dressing-table holds the monstrous erection on her head. Her father, Inkle, seated on a chair (right), watches in astonishment. A maid stands by an open door (left) holding the cock which has been robbed of its tail-feathers, some of which lie on the ground, others adorn Margery's head-dress. A cat miaows at the cock."--British Museum online catalogue
Description:
Title from British Museum catalogue., Printmaker identified as William Hibbart in the British Museum online catalogue, registration no.: 1855,1208.65. Formerly attributed to William Hassel by Mary Dorothy George., Later state, with etched shading lines added in the background. Earlier state is a plate from: Anstey, C. An election ball. Bath : S. Hazard, 1777. Cf. No. 5386 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed within plate mark., Mounted on leaf 23 x 14 cm., and Mounted opposite half-title page in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Pub. by C. Anstey
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Corsets, Dressing tables, Roosters, Feathers, and Cats
Full length portrait of Rockingham standing in profile to the left, wearing bag wig and sword
Description:
Title from variant state in the British Museum catalogue., Signed with the monogram of James Sayers., Variant state, without plate number "XVI" in upper left. Cf. No. 6069 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., 1 print : etching with drypoint on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.3 x 13.3 cm., Mounted with three other prints on leaf 8 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: The Marquis of Rockingham.
Publisher:
Published 17th June 1782 by C. Bretherton
Subject (Geographic):
England and England.
Subject (Name):
Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782
Full length portrait of Rockingham standing in profile to the left, wearing bag wig and sword
Description:
Title from variant state in the British Museum catalogue., Signed with the monogram of James Sayers., Variant state, without plate number "XVI" in upper left. Cf. No. 6069 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Mounted on page 13 with three other prints.
Publisher:
Published 17th June 1782 by C. Bretherton
Subject (Geographic):
England and England.
Subject (Name):
Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Manuscript, on parchment, containing copies of several treatises: 1) Tractatus de Sacramento Corpus Christi, by Baldwin, Archbishop of Canterbury (ff. 1-26); 2) De Vero Sapientia, Dialogus I and II, attributed here to Petrarch (now believed to be by Nicholas of Cusa) (ff. 27-50v); 3) De Invidia, Niccolò Perotti's translation of a sermon by Basil the Great, with a preface addressed to Pope Nicholas V (ff. 51-63); 4) De invidia et odio, Niccolò Perotti's translation of a work by Petrarch, with a preface addressed to Pope Nicholas V (ff. 63v-68v); 5) De fortuna virtute ve nominum: ad Nicolaum quintum pontificem maximum, by Niccolò Perotti (69-73v); 6) Epistle LXVII to Simplician, by St. Ambrose (ff. 74-79v); 7) Ex sermonibus quadragesimalibus: Sermone de correctione fraterna, by Leonardo di Utino, O.P. (80-86v); 8) Speculum regis Edwardii tercii, attributed here to Simon Islip, Archbishop of Canterbury (now recognized as the work of William Pagula) (ff. 87-148, with skip from 89 to 100); 9) De tenenda obedientia et evitanda superbia, by St. Augustine (ff. 148-152).
Description:
Peter Meghen (d. 1537), of 's-Hertogenbosch in Brabant; scribe who copied works for several English clients, including Christopher Urswick and John Colet, and served as a courier for Erasmus and Sir Thomas More. Meghen's other patrons included Cardinal Wolsey, and he became Writer of the King's Books in the 1520s and served until his death in 1537. His nickname, "Cyclops," referred to his having only one eye., In Latin., In a humanistic script., Original foliation in red, from i to clii, skips from lxxix to c., Rubrics and foliation in red. Historiated initial and full-page border on ff 1v.; seven large and twenty-two small illuminated initials, all in a Northern Netherlandish style ("Masters of the Dark Eyes")., Colophon (ff. 142v) in red states that the manuscript was written for Christopher Urswick by "Petrus Meghen monoculus.", Spine label: Vrsyke de sacra: euch:. Spine date at foot: MCCCCCII., and Binding: 19 century full paneled brown calf, blind-stamped. Five-compartmented spine.
Subject (Geographic):
Connecticut, New Haven., England, and Great Britain
Subject (Name):
Meghen, Peter,, Nicholas V, Pope, 1397-1455., and Urswick, Christopher, 1448?-1522.
Subject (Topic):
Conduct of life, Envy, Kings and rulers, Duties, Lord's Supper, Sermons, Wisdom, Manuscripts, Medieval, Economic conditions, Intellectual life, and Politics and government
A boisterous scene set in Covent Garden. It is likely early morning after a night of carousing. In which the market has been disrupted by a raucous crowd. A man sits atop a sedan chair occupied by a woman. A woman raises her arm to strike a man lying on the ground in front of the sedan chair which has apparently knocked over baskets of assorted produce that are strewn in the foreground. The scene is otherwise crowded with pedlars and other more smartly dressed persons. St. Paul’s Church designed by Inigo Jones is prominent in the left background along with other buildings in the market square
Description:
Title from 2005 Christie's appraisal. and Date based on Nebot's departure from London. See Finberg.
