Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
March 1, 1777.
Call Number:
777.03.01.04+
Image Count:
1
Abstract:
A small-waisted lady with towering coiffure topped by a beribboned hat stands in her boudoir holding onto post of canopy bed, as her footman, bracing his foot on her rump, tightens her stays. A decorative carpet is visible underfoot, and her dressing table may be seen to the left
Alternative Title:
Hold fast behind
Description:
Title from item., MD of publisher's name form a monogram., and Numbered in plate at top: 29, V. 2.
In a cobbler's workshop a shoemaker has seized his wife by the arm and is about to beat her with a leather strap. Her partly laced stays are being tightened by the weight of the cobblers hammer. She wears her hair in the monumental fashion, and her high heels are visible beneath the hem of a quilted skirt. To the left is a chair beneath a casement window, while a bird in a cage is suspended from the ceiling on the right
Alternative Title:
Cobler's wife in the fashion and Cobbler's wife in the fashion
Description:
Title from item. and Eight lines of verse in 2 columns below image beginning: "The hoity head & toity waist, As now they're all the ton ..."
Publisher:
Published Novr. 4th 1777 by Wm. Hitchcock No.5 Birchin Lane
publish'd according to act of Parliament, 18 July 1747.
Call Number:
Topos N878 no. 1++
Image Count:
1
Resource Type:
still image
Abstract:
"View of a ruined castle, on the flat top of a cliff, with several bsuildings closer to the sea, all surrounded by low walls, ships on the sea to the left, which runs into a bay below the castle, with figures on the clifftop in the foreground, including a man wearing plaid and leaning on his staff as he talks to a seated man, a small rowing boat striking out on the left; after Thomas Smith"--British Museum online catalogue, description of a later state of the same composition
Description:
Title from caption below image. and Ownership stamp in red ink on verso: B. Newton.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress, 1796 -- Male dress: spencers -- Walking staves.
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : mezzotint ; plate mark 35.1 x 25.2 cm, on sheet 36 x 26 cm, mounted to 37 x 27 cm.
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : mezzotint on wove paper ; sheet 35.2 x 25.4 cm., Sheet trimmed to plate mark leaving thread margins., and Tipped in at page 243 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
"Interior; a great hall with figures in Elizabethan dress, the women in balconies around the side, men standing below, a procession approaching from the right towards Henry VIII who sits enthroned at the far end, below a coffered ceiling with pendants"--British Museum online catalogue
Description:
Title from dedication etched below image. and Sheet trimmed within plate mark.
pubd. according to act of Parliamt., March 28th, 1761.
Call Number:
Topos Ox98 no. 2++
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of the Sheldonian Theatre, Oxford, looking towards the rear, the seats around the sides, in the gallery and in the stalls, crowded with scholars and others listening to a debate between two academics facing each other in pulpits on either side, observed by the chancellor in a pulpit in the centre, with women among the spectators grouped in front of the benches in the foreground and showing part of Streater's paintings on the ceiling above."--British Museum online catalogue
