Title supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Notation in ink verso.
Publisher:
Published December 1st 1861, by Day & Son, Lith. to the Queen
Subject (Geographic):
England.
Subject (Topic):
Plague, Epidemics, Anxiety, City & town life, and Capes (Clothing).
Plate [183] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; vignette with eight portrait medallions of poets on a stone standing in water with lyre in centre, weeping willow overhanging and temple of muses behind."--British Museum online catalogue
Description:
Title from catalogue., Sheet trimmed within plate mark on three sides., and Plate [183] in a volume bound to 50 cm.
Portrait of Bishop Beilby Porteus (sometimes Porteous), Bishop of Chester 1776-1787 and Bishop of London 1787-1809. He and his wife were intimate friends of Hannah More who introduced them to Horace Walpole
Description:
Title devised by curator., Signed by the artist lower right: J. Downman 1790., John Downman, Britsh artist, 1750-1824., and No. 72 in the Catalogue of Framed Pictures in the Lewis Walpole Library.
A full-length image of a stout man in profile, walkinig left, with a long wig and coat decorated with fleur-de-lis, pointing with right hand, holding his hat in the other, saying 'Im against Hanover that's flat'."--British Museum online catalogue
Description:
Title, artist, and date from British Museum catalogue., Copy in reverse from a figure in "The recruiting serjeant.", Sheet trimmed to plate mark., On page 208 in volume 3., Ms. note in pencil in unidentified hand on mount below print: Ld. Melcomb., and Ms. note in pencil in same hand lower right beneath print: Hogarth.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762
Drawing, full-length, of King Richard III and his Queen, in robes and crowned
Description:
Title devised by curator., Unsigned; artist unidentified., Possibly after a drawing from painted glass by George Vertue, which formerly hung in the blue breakfast room at Strawberry Hill., Date based on date of William Bawtree's death., and Mounted on page 55 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Geographic):
England.
Subject (Name):
Richard III, King of England, 1452-1485,, Anne, Queen, consort of Richard III, King of England, 1456-1485,, and Strawberry Hill (Twickenham, London, England)
SH Contents V568 no. 1 Framed, shelved in LFS Bin 46
Image Count:
1
Abstract:
Drawing full-length King Richard III and his Queen, in robes and crowned
Description:
Title devised by curator., Unsigned., Inscribed by Horace Walpole on verso: The original drawing by Vertue of Richard III, and his Queen, described and engraved in Mr. Walpole's Historic doubts., Sale text: A curious pen and ink drawing of King Richard III and his Queen, copied from painted glass, by Vertue, described and engraved in Mr. Walpole's Historic Doubts., Formerly hung in at Strawberry Hill, in the blue breakfast room., Image later engraved by Charles Grignion for: Horace Walpole's Historic doubts on the life & reign of King Richard the Third, 1768, opposite p. 103., and No. 118 in the Catalogue of Framed Pictures in the Lewis Walpole Library.
Subject (Geographic):
England.
Subject (Name):
Strawberry Hill (Twickenham, London, England), Richard III, King of England, 1452-1485,, and Anne, Queen, consort of Richard III, King of England, 1456-1485,
A half-length portrait of Mason in profile facing left. The esteemed poet is portrayed holding a manuscript of his epitaph for his wife’s grave in Bristol Cathedral
Description:
Title from 2005 Christie's appraisal., Attributed to Falconet based on dealer correspondence in object file and confirmed by Christie’s appraisal. Dealer correspondence notes it is a slightly different version of a Falconet reproduced in Ketton-Cremer’s Thomas Gray (1955)., and William Mason was an esteemed poet, and biographer of Thomas Gray and editor of his letters. Mason was among Horace Walpole’s chief correspondents.
Full-length portrait of Rigby facing left, his hat held in his extended right hand, his left hand gripping his sword
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching and drypoint ; plate mark 17.7 x 11.3 cm, on sheet 18.3 x 12 cm., Printed on laid paper; hand-colored., and With contemporary ink annotation in upper right: Mr. Rigby, paymaster of the Army.