BEIN PLAYING CARDS GEN 133: Title label on case shaved with place of publication wanting. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards., Title from slipcase., and Date inferred from reference to the re-establishment of a "legitimate monarchy" in France.
Publisher:
publisher not identified
Subject (Geographic):
England, Asia, Europe, Africa, and America
Subject (Topic):
Playing Cards, Manners and customs, Costume, and Description and travel
Satire: Britannia, whose spear is broken in her hand, sits on a monumental statue which is placed on a pedestal of "Rotten Stone"; she says: "My leaness my leaness, wo untio me the treacherous dealers have dealt treacherously, yea the treacherous dealers have dealt very treacherously. ..." At the foot of the monument lies the British Lion, dreadfully emaciated, wounded by three daggers, and breathing his last. Near him are the personifications Truth, Rapine, Envy, Ingratitude, and Infidelity -- representations of the powers of Europe
Description:
Title from item., Plate numbered '22' in upper right corner., Sheet trimmed within plate mark., Four lines of verse below image: See here a monument of shame / Indelible the Horrid Name / Shame on your Actions, Cursed Tricks / To the latest Time -- O! fifty-six.", and Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Britannia (Symbolic character), Allegories, and National emblems
BEIN College Pamphlets 1959 3: 21 cm. With half-title of another pamphlet Vindication of Burke's Revolution in France (1791). From the library of Samuel Parr., Signatures: [A]² B-G⁴ [H]²., Ms. note on title page identifies author as Captain Bentinck., Ms. note on wrapper: "Capt. Bentinck read at Bowdon, June 14, 1850"., and Original wrappers.
Publisher:
Printed for C. Lowndes, No. 66 Drury-Lane
Subject (Geographic):
France, Great Britain, Europe, Europe., France., and Great Britain.
Manuscript on parchment of fragments from Codex Iustinianus
Description:
In Latin., Script: copied by one hand in Carolina, marked by the use of Half Uncial and Uncial d, ri- and st- ligatures (but no ct-ligature), and the improper use of the ae-diphthong and e caudata. Noticeable spellings and miswritings: amguitatibus (for ambiguitatibus), conitionaliter (for cognitionaliter), licteris, magestas, proibentur, spetialiter. Headings and plain initials in red; small slightly decorated black initials., Fragments from Codex Iustinianus. There are a few contemporary interlinear glosses (word explanations) and many textual corrections. In the outer margin of f. 1r a red Nota mark and of f. 1v two contemporary notes., and Only the outer margin is partly preserved; at the three other sides the leaf has been severely cropped, with loss of text; the inner top part is torn, and holes have caused some additional text losses. In the outer margin of f. 1r the modern note in pencil: "103/68/8".
BEIN PLAYING CARDS GEN 132: Title card pasted to sleeve. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards. and Title card and 25 numbered cards depicting inhabitants of various countries.
Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
