Title from item., Date supplied by curator., Place of publication derived from street address., Above image: La Caricature. (Journal) No. 225. Pl. 468., "Au bureau galerie Véro dodat" is the location of the Aubert firm., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Au bureau galerie Véro dodat and Lith. Delaunois
Subject (Geographic):
France
Subject (Name):
Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838. and Sébastiani, Horace François Bastien, comte de la Porta, 1772-1851.
Subject (Topic):
Politics and government, Diplomacy, Diseases, Sick persons, Older people, Crutches, and Carriages & coaches
Manuscript of Honore Bonet, L'Arbre des Batailles. With Diego de Valera, Espejo de verdadera nobleza, translated into French by Hugues de Salve; and other treatises on arms
Description:
In French., Script: Written in formal batarde script. Folios 7r-9r, also in formal batarde, but in a different hand., The fine miniatures, by the Master of Bruges of 1482, are in arched frames composed of thin gold and pink bands. Between ff. 147r and 152r there are sixty-three painted armorial bearings, perhaps a later addition (16th century?) as indicated by the type of pigment, the occasional lack of correspondence with the original preparatory drawings, and the fact that some drawings were never overpainted. 5-, 4-, 3-, and 2-line initials, gold, edged in black, against irregular blue and red grounds with white highlights. 1-line initials in the table of contents, red and blue, with guide-letters to illuminator; ff. 7r-9r (the section for the L'Arbre des batailles) in darker shades and without notes, suggesting, as does the change of hand, that this section of the table as well as the portion of the text to which it refers were added to the manuscript in a second stage of its production. Paragraph marks, 1-line, red and blue. Pages foliated in red, upper right recto. Headings in red throughout., and Binding: Nineteenth century. Edges gilt. Purple goatskin case with brilliant gold tooling and elaborate doublures.
Subject (Geographic):
Connecticut, New Haven., Burgundy (France), and France
Subject (Name):
Bonet, Honoré, fl. 1378-1398.
Subject (Topic):
Chivalry, Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"Satire against Barnave as a Janus-headed figure, holding the civil list as a tied sack in his hand, with 3-line verse below."--British Museum online catalogue
Alternative Title:
Homme du peuple 1789
Description:
Title from item., "Janus" etched below image in lower left; "Brutus" etched below image in lower right., Illustration from an unidentified book with another portion of an illustration on verso., Text below image begins: Tantot froid, tantot chaud, tantot blanc ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Declaration of Rights of Man -- Mythology: reference to Janus -- Literature: allusion to Shakespeare's Julius Caesar -- Allusion to French Revolution., Watermark (partial); probably fleur-de-lis in an oval frame., and With a stamp of Bibliotheca Lindesiana in lower right corner.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Barnave, Antoine, 1761-1793
Subject (Topic):
History, Foreign public opinion, British, Janus (Roman deity), and Bags
Title from item., Date supplied by curator., Place of publication from item., Above image: Actualités; 137., Above printmaker's signature: 133., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, French.
Publisher:
Chez Aubert & Cie. Place de la Bourse 89 Paris and Lith de Me. Vve. Aubert r de l'Abbaye 5 Paris
Subject (Geographic):
France
Subject (Topic):
Suffrage, Women, Politicians, Umbrellas, History, and Politics and government
Series of 15 numbered postcards, with narrative captions, arguing for acceptance of women as advocates
Alternative Title:
Postcards depicting women advocating acceptance of women as lawyers and Legally themed postcards advocating for the recognition of women as lawyers
Description:
Postmarks dated 1902-1903; also dated in manuscript 1901. Other manuscript notes., Also available in original print http://morris.law.yale.edu/record=b1281711, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.6 tall., In French., Online resource; description based on print version record. , and Accompanied by translation.
Score, holograph, dated 1862 Aug 25 (Le fleur) and Aug 26 (Le crucifix). A fragment of Guitare, song, with text by Auguste, comte de Villiers de L’Isle-Adam, dated [1862] Aug 23, is on the recto of the first page
Description:
Jules Massenet, French composer. and Fleur et le papillon: song, with text by Victor Hugo. Composed 1862. Crucifix: song, with text by Alphonse de Lamartine. Composed 1862.
Surugue, Louis, approximately 1686 -1762, printmaker, publisher
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.1 (Oversize)
Image Count:
1
Abstract:
Allegorical scene with Decrepitude as an old woman in extravagant costume putting another beauty spot on her face and looking at her reflection in a mirror on a washstand, while Madness personified by young woman with fool's bauble hanging from a sash is helping her getting dressed; above them, Cupid flying with arrow in his hand."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., See no. 2211 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 72 in volume 1.
Publisher:
Chez L. Surugue graveur du roy ruë des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves, A.P.D.R.
Subject (Geographic):
France
Subject (Name):
Ward, John, 1678-1758
Subject (Topic):
Death and burial, Aging, Clothing & dress, Cupids, Cosmetics, Dressing tables, Mirrors, and Women domestics
Title from item., Date supplied by curator., Publisher derived from other prints in this series., Place of publication derived from publisher's known location., Above image: Actualités 50., Written in image: hD 9., Originally published in Le Charivari 16 March 1872., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Bicephalic monsters; Politics, French.
Publisher:
A de Vresse
Subject (Geographic):
France
Subject (Topic):
Politics and government, Dicephalism, Anatomical specimens, Specimens, Politicians, Infants, and Chickens
