Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Kitchen of a French post house ; Playing billiards
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. No. 4764 in v. 4 and no. 5913 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1749 ; 59.533.1747., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Vocal score, holograph, corrected, of Meyerbeer's first version of the opera, "terminé le 6 Novembre 1843".
Alternative Title:
Africaine. Vocal score
Description:
Meyerbeer began work on the opera, on a libretto by Eugène Scribe, in 1837. He completed a first version in 1843, and continued to revise the work until 1863. After Meyerbeer's death in 1864, François-Joseph Fétis made further revisions, and the opera was premiered at the Paris Opéra on April 28, 1865., Available on microfilm, and Title from cover.
Series of 6 numbered postcards, with narrative captions. The narrative is the French version of He loves me/He loves me not. Child advocate with cupid's wings
Alternative Title:
Postcards depicting a child posed as advocate, with cupid's wings and Legally themed postcards depicting a child advocate with cupid's wings
Description:
Date from postmark., Accompanied by translation., Include manuscript notes., Also available in original print http://morris.law.yale.edu/record=b1281724, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.8 tall., In French., and Online resource; description based on print version record.
Publisher:
Phototypie A. Bergeret et Cie
Subject (Geographic):
France
Subject (Name):
Ecole de Nancy (Group of artists)
Subject (Topic):
Law, Lawyers, Conduct of court proceedings, and Cupids (Art)
Depiction of the marble copy at the Palace of Versailles of the statue known as the Sleeping Hermaphroditus. The nude figure lies on a mattress, body turned away from the viewer, head to the right and resting upon the right arm which rests upon a pillow; a sheet is draped over the figure's calves and left shoulder
Description:
Title etched below image., Publication information from that of the volume in which the plate appeared., Plate from: Thomassin, S. Recueil des figures, groupes, thermes, fontaines, vases, statues, et autres ornemens de Versailles. Amsterdam : P. Mortier, 1695., Sheet trimmed within plate mark., Plate numbered "41" in upper right corner., Mounted on page 167 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: La Caricature. (Journal) No. 225. Pl. 468., "Au bureau galerie Véro dodat" is the location of the Aubert firm., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Au bureau galerie Véro dodat and Lith. Delaunois
Subject (Geographic):
France
Subject (Name):
Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838. and Sébastiani, Horace François Bastien, comte de la Porta, 1772-1851.
Subject (Topic):
Politics and government, Diplomacy, Diseases, Sick persons, Older people, Crutches, and Carriages & coaches
Manuscript of Honore Bonet, L'Arbre des Batailles. With Diego de Valera, Espejo de verdadera nobleza, translated into French by Hugues de Salve; and other treatises on arms
Description:
In French., Script: Written in formal batarde script. Folios 7r-9r, also in formal batarde, but in a different hand., The fine miniatures, by the Master of Bruges of 1482, are in arched frames composed of thin gold and pink bands. Between ff. 147r and 152r there are sixty-three painted armorial bearings, perhaps a later addition (16th century?) as indicated by the type of pigment, the occasional lack of correspondence with the original preparatory drawings, and the fact that some drawings were never overpainted. 5-, 4-, 3-, and 2-line initials, gold, edged in black, against irregular blue and red grounds with white highlights. 1-line initials in the table of contents, red and blue, with guide-letters to illuminator; ff. 7r-9r (the section for the L'Arbre des batailles) in darker shades and without notes, suggesting, as does the change of hand, that this section of the table as well as the portion of the text to which it refers were added to the manuscript in a second stage of its production. Paragraph marks, 1-line, red and blue. Pages foliated in red, upper right recto. Headings in red throughout., and Binding: Nineteenth century. Edges gilt. Purple goatskin case with brilliant gold tooling and elaborate doublures.
Subject (Geographic):
Connecticut, New Haven., Burgundy (France), and France
Subject (Name):
Bonet, Honoré, fl. 1378-1398.
Subject (Topic):
Chivalry, Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
