A lady holding a fan is seated in a chair and tipped backwards by the weight of her coffure which appears to be several feet high. Two young men also having extremely tall coiffures attend her, one pointing to the formal gardens and the other bending over a small boy in leading strings. A gardener on a ladder stands above the group, while a small dog urinates on the woman's skirts
Description:
Title devised by cataloger., Sheet rimmed within plate mark., and Date and place of publication surmised from costume.
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
An album of sketches largely comprised of images drawn by a traveller in central and southern France in the late 1820s and early 1830s. The images, executed in a variety of media and styles, are mostly skillfully drawn landscapes, elevations of buildings, and people in local costume, with captions in French (with some English), many of which show scenes in the Bagnères-de-Bigorre (September-October 1828) in southwestern France as well as scenes in Pau (1827), Saint-Étienne (1828), Peyrehorade (1828), Nimes (1828), Bayonne (June 1828), Toulouse (May 1829), Montpellier (June 1829), Bordeaux (August 1830), and Royan (1831). The picturesque views include: a shepherd on stilts ('berger des Landes'); a couple on a cacolet at Bayonne; a rear view of a farmer sitting on a wall; a view of a chateau near Toulouse silhouetted against the red night sky, and another of the Tour des Pins at Montpellier glowing in the dark. Several drawings demonstrate an interest in architecture and antiquities: there are detailed, very skilled architectural drawings of the Thermes de Marie Thérèse at Bagnères-de-Bigorre, and Latin inscriptions copied from Roman monuments. Landscape drawings include a tall chestnut tree at the convent of Notre-Dame de Médoux and Narcissa's tomb at Montpellier (with a quote from Young's Night Thoughts). The album also includes five British scenes by another artist: the Tower of Refuge, Isle of Man; Netley Castle in Hampshire England; Carisbrooke Castle, Isle of Wight; the ancient well at Wavertree and Prince Rupert's headquarters, Everton, both near Liverpool (these last two signed 'Alex Aikin').
Description:
In French and English, with some Latin., Title devised by cataloger., Artist unidentified, but is plausibly English; the sketch of Narcissa's tomb at Montpellier has a quote in English from Young's "Night Thoughts"., On different colored papers, with a table of contents, a few leaves previously removed; red glazed paper over pulp boards, green glazed endpapers., and For further information, consult library staff.
Subject (Geographic):
France, England, France., and England.
Subject (Topic):
Grand tours (Education), Buildings, structures, etc, Drawing, British, Monuments & memorials, and Castles & palaces
BEIN PLAYING CARDS GEN 1031: Imperfect: 23 cards only (KS-JS, 8S, 5S; KH-JH, 9H-5H; KD, JD; AC-JC, 8C-5C). Hand-drawn color illustrations of cartomanic figures on versos of cards. From the Cary Collection of Playing Cards., Title devised by cataloger., Date of publication from Keller., French suit system., Composition of deck: 52 (A, K, Q, J, 10-2)., and JS, JC: Claude Valentin.
Volume 1, page 10b. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A grinning man with a long queue stands facing right, holding a pair of shears in his left hand. He holds wooden box that serves as a stool in his right hand, and under his right arm is a struggling dog. Behind him, in the upper left, hangs a sign with three fleur-de-lis that is lettered "LA VENGEANCE De crotteur royal Tond des CHIENS Proprement".
Description:
Title, printmaker, and publication date supplied by curator., Sheet trimmed to plate mark., For a version of this design in reverse, published 25 April 1771 by M. Darly, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 10b in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Holograph diary which chronicles a journey through France, Switzerland and Italy, compiled from several diaries of different journeys, the earliest being a tour in the summer of 1816. The author travels to Calais from London with members of her family. In Paris, she sees King Louis XVIII reviewing his troops in commemoration of his return to Paris last year; attends the theater; visits the Conservatorie des Arts et des Metiers to view the models of machines; and dines at Very's. She also visits the porcelain manufactory at Sevres; climbs Montanvert, describing the system of sticks used by their guides to protect them from falling; and spends the night in a monastery in St. Bernard, in the same room in which Napoleon stayed on his way to the Battle of Marengo. In Italy, she attends the opera in Turin, commenting on its lighting system, "which like the theatres in France is dark, the only lights being on the stage." She also vists churches, admires artwork and architecture, ascends Mount Vesuvius, and attends Mass at the Sistine Chapel. The diary concludes with a visit to the Devil's Bridge in Switzerland and The diary is annotated throughout, in the same hand, with further notes concerning the journey
Description:
In English. and Binding: quarter pigskin. Taped on spine: MS. Diary 1816.
Subject (Geographic):
France, Italy, Europe, Switzerland, and Vesuvius (Italy)
Subject (Topic):
Mountaineering, Alps, Theater, Travelers' writings, English, Description and travel, and Social life and customs
Holograph diary describing a tour through France, Switzerland, and Germany. The diary begins with the author's sea voyage from Southampton to Havre by steam packet. He remarks on the abundance of parrots in Havre, speculating that they have been brought across the Atlantic as part of Havre's extensive trade with America and the West Indies. In France, he visits Versailles, Rouen, and Paris; in Switzerland, he travels through the Via Mala, a narrow passage through a mountain; and discusses the Romansch dialect with a local bookseller. In Germany, he provides a history of minnesingers and comments on fashion in Strasbourg. The diary concludes with his voyage back to England and his experience at the custom house there
Description:
Available on microfilm., In English., Written on flyleaf in first volume: J. S. Haygarth Journal. Vol. I. 1839. Written inside front cover in second volume: J. S. Haygarth. Journal. 1839. Vol 2., and Binding: quarter morocco; gilt decoration.
Subject (Geographic):
France, Germany, Le Havre (France), and Switzerland
Subject (Name):
Haygarth, John Sayer, ca. 1811-ca. 1865.
Subject (Topic):
Minnesingers, Raeto-Romance language, Dialects, Travelers' writings, English, Troubadours, and Description and travel
Holograph diary describing a tour through France, Switzerland, and Germany. The diary begins with the author's sea voyage from Southampton to Havre by steam packet. He remarks on the abundance of parrots in Havre, speculating that they have been brought across the Atlantic as part of Havre's extensive trade with America and the West Indies. In France, he visits Versailles, Rouen, and Paris; in Switzerland, he travels through the Via Mala, a narrow passage through a mountain; and discusses the Romansch dialect with a local bookseller. In Germany, he provides a history of minnesingers and comments on fashion in Strasbourg. The diary concludes with his voyage back to England and his experience at the custom house there
Description:
Available on microfilm., In English., Written on flyleaf in first volume: J. S. Haygarth Journal. Vol. I. 1839. Written inside front cover in second volume: J. S. Haygarth. Journal. 1839. Vol 2., and Binding: quarter morocco; gilt decoration.
Subject (Geographic):
France, Germany, Le Havre (France), and Switzerland
Subject (Name):
Haygarth, John Sayer, ca. 1811-ca. 1865.
Subject (Topic):
Minnesingers, Raeto-Romance language, Dialects, Travelers' writings, English, Troubadours, and Description and travel