BEIN Za St34 Y998C: Original wrappers., Caption title., "The text of audiotaped conversations between Cicely Foster Gittes (at age 95; widow of American Painter Archie Gittes (1903-1991)) and her granddaughter Stephanie, which took place in Boulder, Colorado, during July 1998. The conversations were based partly on questions provided by Roy R. Behrens (Professor of Art, University of Northern Iowa), in connection with his research of the American artist William Edwards Cook (1881-1959)"--P. 1., and Includes discussion of Gertrude Stein and Alice B. Toklas.
Publisher:
s.n.
Subject (Geographic):
France and Paris
Subject (Name):
Gittes, Cicely Foster., Cook, William Edwards, 1881-1959., Stein, Gertrude, 1874-1946., and Toklas, Alice B.
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
Manuscript, in a single hand, of a collection of about 85 copies of primarily political documents pertaining to events between 1592 and 1632. The volume includes speeches and letters relating to the murder of Thomas Overbury and the trial of Walter Raleigh; a description of voyage to France to aid the Huguenot cause in 1626-7 and seige of La Rochelle; a factual account, with figures, of fighting in Thirty Years' War; "The examinations of the counterfett ghost that came into St James on fryday night the 13 of 9br 1612, beeing that day sennight after Prince Harries death," whose testimony was taken by Sir Thomas Chaloner and Sir John Holles; and the confession of Anne Lady Ross to the Star Chamber declaring that she had perjured herself by "accusing the said Right Honorable Countess of Exeter with an intent & purpose to poison" her. The volume also contains a copy of the will of Holles' father, Thomas Holles of Haughton, dated 17 March 1592 and "written in his owne hand"; and "A prayer wch my deere sister Wentworth did use, coppied from her owne hand, wch I had of my mother 24th Jan. 1631."
Description:
In English, French, and Italian., Arms of the 4th Duke of Newcastle stamped in gold on front cover., and Binding: full parchment. Printed on spine: "Copies of State Papers Etc. 1592 - 1632.
Subject (Geographic):
England., France, Great Britain., Great Britain, and France.
Subject (Name):
Chaloner, Thomas, 1595-1661., Holles, John, Earl of Clare, ca. 1565-1637., Overbury, Thomas, Sir, 1581-1613., and Raleigh, Walter, Sir, 1552?-1618
Subject (Topic):
Huguenots, History, Nobility, Thirty Years' War, 1618-1648, Treason, Trials, Wills, Foreign relations, Politics and government, and Social life and customs
BEIN College Pamphlets 1959 3: 21 cm. With half-title of another pamphlet Vindication of Burke's Revolution in France (1791). From the library of Samuel Parr., Signatures: [A]² B-G⁴ [H]²., Ms. note on title page identifies author as Captain Bentinck., Ms. note on wrapper: "Capt. Bentinck read at Bowdon, June 14, 1850"., and Original wrappers.
Publisher:
Printed for C. Lowndes, No. 66 Drury-Lane
Subject (Geographic):
France, Great Britain, Europe, Europe., France., and Great Britain.
Manuscript on parchment of 1) Le Debat du Faucon et du Levrier. G. Holmer believes that Beinecke MS 465 is the only manuscript to preserve the complete Latin text which was later translated into French by Robert du Herlin, Secretary of King Louis XI. 2) Pseudo-Bernard of Clairvaux, Epistola de gubernatione rei familiaris
Description:
In Latin., Script: Written in fine upright batarde script., 3- to 2-line spaces for decorative initials unfilled., Lower margin chewed by rodent; parchment stained throughout; no loss of text., and Binding: Ninteenth century (after 1881). Dark brown goatskin, gold-tooled with medallion of falcon on upper cover. Bound by Riviere and Son (London, 1881-1939).
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Politics and government
