Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
An engraved ticket for a program of four plays presented in 1781 by Sir Watkin Williams Wynn, the wealthy fourth baronet devoted to private theatricals. This ticket, an oval design in a rectangular frame, is for the 1781 performance of Rule a wife and have a wife, Bon ton, Richard III, and Lyar
Description:
Title etched below image., Artist identified as Bunbury in the British Museum online catalogue., Questionable printmaker attribution to Bretherton from the British Museum online catalogue, registration no.: 1917,1208.2958., Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching on laid paper ; sheet 21.5 x 14.8 cm., and Sheet trimmed to plate mark.
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A woman, shown full-length, stands in a field in front of a theater, holding a dramatic mask; other masks are at her feet. Surrounding the scene is an oval frame of laurel with 'Wynnstay' on the ribbon at the bottom. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Description:
Title from inscription in ink at bottom of image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., Mounted alongside the print made after this drawing, as well as with another related drawing, on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design for a print in the British Museum; see British Museum online catalogue, registration no.: C,3.149.
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Admission ticket for the theatre at Wynnstay, the private theatre of Sir Watkin Williams Wynn. ... A full length woman standing in a field in front of the theatre, holding a dramatic mask, others at her feet, in oval frame of laurel with 'Wynnstay' on ribbon at bottom."--British Museum online catalogue
Description:
Title from item., Artist attribution to Bunbury based on the inclusion of an impression of this print, mounted alongside the original drawing, in Horace Walpole's bound collection of Henry William Bunbury's works. See Lewis Walpole Library call no.: 49 3563., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., and Mounted on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Probably an illustration to Sterne's Sentimental Journey. A corpulent gentleman with an equally rotund lady on his arm waits in a line of passengers to board a ship. An invalid is carried up the gangpank in a chair, while a servant carries a side of beef on a platter together with a basket of wine-bottles. Another gentleman descends from a coach. Masts of sailing vessels occupy the background
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Published as the Act directs, by A. Hamilton ...
Subject (Geographic):
Great Britain, Dover (England), England, and Dover
Bateman's tragedy and Godly warning to all maidens
Description:
Date of publication from ESTC., Verse, known as 'Bateman's tragedy' - "You dainty dames so finely fram'd,". - In four columns, with the first and second as well as the third and fourth columns separated by ornamental rules; the title and first woodcut are above the first two columns while the second woodcut is above the third and fourth columns., Mounted on leaf 69. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
An oversized John Bull with a carbuncled-faced sits at a round table across from a very young looking William Betty and his father, both handsome and not caricatured. John Bull toasts the two, full wine glass in hand: "Youngster, heres to you I'm glad to see you in town. Old Master Roscius your health, and may you get such another boy every New Year's Day for the benifit [sic] of the English stage." Behind them pinned to the wall are two prints: the one a profile portrait of Mrs. Siddons, hangs from one corner only, and the other a portrait of J.P. Kemble. The three ostrich feathers on the back of Master Betty's chair may indicate the patronage of the Prince of Wales
Description:
Title etched below image., Printseller's stamp in lower right corner: S.W.F., and Description from British Museum catalogue of "Young Roscius and Don John" mounted on verso.
Publisher:
Pubd January 4, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Betty, William Hen. West 1791-1874. (William Henry West),, Siddons, Sarah, 1755-1831, and Kemble, John Philip, 1757-1823
Subject (Topic):
John Bull (Symbolic character), Theater, Actors, British, and Child actors
Manuscript, in a single hand, of a collection of descriptions of residences of English nobility. The author focuses on descriptions of the views from each seat and the landscape in which the house is situated; occasionally he also describes the architecture and furnishings of the houses and provides anecdotes about the owners. He calls Winander Meer in Westmoreland "the largest water of the kind in England," and notes its picturesque promontories and shrub-decorated shores. At Raby Castle in North Riding, Yorkshire, the seat of the Earl of Darlington, he praises the Gothic taste of the windows; provides the dimensions of the "rendezvous apartment"; and explains how the dog-kennel, "rising out of a wood," beautifies the scene. He also speaks approvingly of Sir James Lowther's project in Cumberland of "building a town to consist of 300 houses, for the use of such of his Domesticks, and other people as are married," which he calls "a most incomparable method of promoting population."
Description:
In English., Alphabetical table of contents at beginning of manuscript., At end of manuscript: "The following table of Rooms in the Noblemen & Gentlemen's Seats mentioned in this Vol[u]me do not give the exact proportion of any whole house ... .", Title from title page., Bookplate of Philip Shirley., Bookplate of Ettington Manuscript Library. Written in ink in center: No. 62., Steel engraving pasted on preliminary leaf, opposite clipping with description: Ickworth House near Bury St. Edmunds : the seat of the most noble the Marquess of Bristol / engd. on steel by Alfred Adlard. 50 Dorset Street, Salisbury Square., and Binding: quarter calf over marbled boards. Printed on spine: Noblemens Seats.
Subject (Geographic):
England., England, and Great Britain
Subject (Name):
Young, Arthur, 1741-1820.
Subject (Topic):
Architecture, Domestic, Gentry, Homes and haunts, Nobility, Social life and customs, Travelers' writings, English, and Description and travel
"A cow representing the commerce of Great Britain stands passively on the sea-shore while an American with a feathered cap saws off her horns; one horn lies on the ground. A Dutchman milks the cow ... France, a foppishly-dressed Frenchman, and Spain, a don in slashed doublet and cloak, hold bowls of milk. In the foreground lies the British lion asleep, unconscious of a pug-dog which stands on his back befouling him. Behind the lion stands a plainly-dressed Englishman clasping his hands in despair. In the background across the sea is a town inscribed Philadelphia; in front of it on the shore, two men on a minute scale (General and Admiral Howe) are seated at a table. Both are asleep, a punch-bowl is on the table... Beside them, laid up on dry land is a man-of-war inscribed Eagle (Howe's flag-ship.)" -- George
Description:
Title and date from British Museum catalogue no. 5472. and Print similar to illustration for Westminster Magazine, vi. 66, of February 1778, described as no. 5472, in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
United States, Great Britain., Great Britain, and America.
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799. and Howe, William Howe, Viscount, 1729-1814.
Subject (Topic):
History, Foreign public opinion, Commerce, Colonies, National characteristics, French, National characteristics, Spanish, National characteristics, Dutch, Milking, Cows, Lions, and Sleeping
A presumably incomplete set of ten transformation cards, drawn by Thomas Dyer, with caricatured figures of his family as stated in a 1852 note by William Hylton Dyer Longstaffe mounted to the side of the 3 of hearts. Each figure is drawn to incorporate the shape of a heart, diamond, or spade and then tipped onto brown card. Some of the cards were copied or adapted from the Nixon-Fuller set which was published circa 1811; one, for example, shows two men seated across a table with a candle jug and pipe resting upon it, which according to Longstaffe's note features a self-portrait by Thomas Dyer (smoking) and a portrait of his father William Charles Dyer (either snoozing or contemplating). Other cards represent a range of subjects: a courtroom drama, guardsmen, two seated women (one of whom is reading to the other), a man with a goatee beard, a clergyman holding a baby and a couple standing on either side of him, and a scene with two people playing cards. Other Longstaffe's notes provide the provenance and custodial history of the cards; "I beg your acceptance of the enclosed. The drawings on the cards are by the late Thomas Dyer caricaturing his family. Charles Dyer to me, 27 Dec. 1852." Another note reads: "'I beg your acceptance of the enclosed cards, which I only found this morning. They belong to the former ones I sent. Thomas Dyer gave them to his Aunt Elizabeth, from thence they descended to my aunt Emma.' Charles H. Dyer to me, 5 Mr. 1853." and The set also includes a full-length portrait of a Georgian gentleman, drawn on an oval piece of paper that has been mounted to a rectangular card mount with gold paper
Description:
In English., Title devised by cataloger., and For further information, consult library staff.
Subject (Geographic):
Great Britain
Subject (Name):
Dyer, Thomas, approximately 1783-1852, and Dyer, William Charles, 1761-1828,
Drawing in red chalk on hand-ruled paper by an unidentified artist, of the decorative cartouche for John Mitchell's Map of the British and French dominions in North America. Represented in the drawing are two Native American figures in the lower right corner, a colonial port scene in the lower left corner, and cherubs holding a British crest and flag at the top. Corn and palm trees form the side borders
Description:
John Mitchell (1711-1768), was a British botanist, physician, and cartographer. He created A Map of the British and French dominions in North America (London: Andrew Millar, 1755), also known as the Mitchell Map, later used in negotiating the 1783 Treaty of Paris., No linguistic content., Title devised by cataloger., and Place and date of creation supplied by cataloger.
