Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image. and Printmaker identified as James Sayers in the British Museum catalogue.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image., Printmaker identified as James Sayers in the British Museum catalogue., 1 print : etching with drypoint and stipple on wove paper ; plate mark 27.5 x 19.7 cm, on sheet 29.9 x 22.1 cm., and Mounted on leaf 14 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image., Printmaker identified as James Sayers in the British Museum catalogue., and Mounted on page 23 with one other print.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
Manuscripts, in numerous hands, of a collection of notes on art. The collection includes numerous lists of works Reynolds saw while visiting Italian museums, houses, and private collections; a pencil drawing of a country house; and an undated letter regarding "the beautiful Episode of Abradatas and Panthea": of this episode, he writes, "it occurred to me that this Story might furnish to the pencil a Suite of Subjects." Other items include a note on Raphael's "School of Athens"; an "Ode, Inscribed to Sir Abraham Hume, on his painting two beautiful Pictures of Views near his seat at Wormley Herts"; and an anonymous criticism of Reynolds' last Discourse on painting and poetry which he had "delivered to the students of the Royal Academy."
Description:
In English. and Collection includes a two-page note, dated 1968, regarding some of the items in the collection.
Subject (Geographic):
Great Britain., Italy., and Great Britain
Subject (Name):
Hume, Abraham, Sir, bart., 1749-1838., Reynolds, Joshua, Sir, 1723-1792., and Royal Academy of Arts (Great Britain)
Subject (Topic):
Art, English poetry, Memorandums, Odes, Painting, and Social life and customs
Autograph (in part) manuscript, consisting of papers in Italian, English and other languages concerning the contemporary political history and the intellectual and social life of England (f. 1-262), Holland (f. 265-422), Denmark (f. 424-476) and Poland (f. 477-503). The collection includes autograph rough notes and drafts of memoranda, often with extensive revisions, copies and translations of political papers, a few original letters and a few printed papers. The English section includes "Memorie del'ingresso del Duca d'Oranges in Inghilterra e dell'uscita de Giacomo;" sketches of the careers and characters of politicians, courtiers, etc.; memoranda concerning English domestic and foreign politics; a list of "le donne piu belle di Londra;" lists of publications concerning the Popish plot (1679-83) and other books published in England; translations of parliamentary speeches and 11 letters from a Tuscan diplomat in London to Magalotti's secretary, May to July, 1678
Description:
Title on spine: "Inghilterra Oland Danimarca Pollonia."
Manuscript on paper, in a single italic hand, of about 63 poems and songs primarily on love, but also a containing a few satirical entries on religious and political subjects, as well as some occasional verse, including one On the Death of my Lord Francis Villiers and another Upon The Funerall of Mrs Pawleys Daughter. Other entries include a poem about "the purified sect" which encourages them "to goe to new England, To build new babels, strong and sure... So shall our church cleansd and made pure, Keep both it self and state secure"; and a song called The Roundheads Race. The volume also includes Robert Ayton's Upon A Diamond Cut In Form Of A Heart; John Donne's Thou Art Not Faire, For All Thy Redd And White; and John Grange's Since All Men That I Come Among
Description:
In English., Some verses may be by Herbert Aston himself; cf. poems by Herbert Aston in Huntington MS HM 904 and letters in British Museum MS 36542 (Tixall Papers)., On last page: "Her. Aston Anno Domini 1634 May the 6th." Aston also signs his name on first and second pages., The volume has been rat-gnawed, affecting the text of first 40 pages, especially pages 1-10., and Binding: stitched; no covers.
Subject (Geographic):
Great Britain
Subject (Name):
Aston, Herbert., Ayton, Robert, Sir, 1570-1638., and Donne, John, 1572-1631.
Subject (Topic):
Elegiac poetry, English, English poetry, Metaphysics, Occasional verse, English, Verse satire, English, and Religious life and customs
Manuscript on paper, in a single hand, of a collection of political material, the bulk of which consists of petitions and Parliamentary speeches made in 1640 and 1641. The grievances cited in a petition by "the Citizens of London" at York include "imposicions upon Merchandise imported and exported. The urging and levying of ship money...the great concourse of Papists and their adherents in London...The seldome calling and sodaine dissolving of Parlmt. without redressing your subjects grevances;" and a petition of "the Lay-Catholiques Recusants of England" begs for relief from persecution. Issues discussed in Parliament during this time include the trial of Thomas Wentworth, Earl of Strafford, the Oath of allegiance to the Church of England, and the question of episcopal government. The manuscript also contains a satirical piece titled "Observations of Holland" which declares, "It is excellent for desparring Lovers, for each corner affoords a Willow; But if Justice should condemne one to bee hang'd on any other Tree, he may live long, and confident," followed by a similarly satirical piece on Scotland. A sermon "preacht at St. Gyles in Edinburgh...1638...by James Rowe" declares "The Kirk a Scotland cau'd a smeld as weele, as any Kirk ith the Warld. Than the Kyrk a Rounie smelt sa strang that at furst she cau'd a tauld yee, she taisted o the cheare o Babylon. But now bring in the stinkenest Papery under her Neese, and it wull savour as sweat as an Aple." The manuscript concludes with "The Oath all are to take, or to suffer as Papists" and a petition from "severall grammer schooles in and about the Cyty of London."
Description:
In English., Partial table of contents at beginning., Initials stamped on front and back covers: "T. D.", and Binding: full sheep.
Subject (Geographic):
Great Britain., Great Britain, Netherlands, and Scotland
Subject (Name):
Arundel and Surrey, Thomas Howard, second earl of, 1585-1646., Charles I, King of England, 1600-1649., Strafford, Thomas Wentworth, Earl of, 1593-1641., and Great Britain. Parliament, 1640-1641.
Subject (Topic):
Catholics, Episcopacy, Satire, Sermons, Ship money, History, Politics and government, Religious life and customs, and Description and travel
Manuscript, in a multiple hands, of a collection of newspaper articles, prints, drawings, letters, and autobiographical text, primarily relating to Grimstone's published writing. The volume includes "my first prose [which] was the following letter inserted in the Polemical Inquirer. The Editors letter to me is on the oppposite side," numerous pieces of prose and verse which appeared in "The Ladies Monthly Museum" and "The Theatrical Inquisitor," and printed musical scores, of which she notes, "Part of my engagement with the proprietors of the Ladies Monthly museum, was to supply new words to the Irish melodies and other airs," as well as numerous business correspondence with editors and personal letters. The volume is prefaced by an introduction in which Grimstone gives an account of her recent "nervous disorder" during which she destroyed much of her writing. She declares, "My Own Scrap Book in which i mean to be as egotistical as I can and talk of nothing but myself, or what relates to myself. If I live to see the hundred and odd years, I am promised; I & this book shall like to converse together when perhaps few others will care to give me companionship. If I die early, then this book will be still a part of me remaining and speaking to those that loved me."
Description:
In English., Laid in at end: letters and scraps of paper with printed poems., Laid in at beginning: typed list of works attributed to Grimstone in the British Museum Catalogue., and Binding: half calf.
Subject (Geographic):
England and Great Britain
Subject (Name):
Grimstone, Mary Leman (Rede)
Subject (Topic):
English literature, English poetry, Letters, Music, Women authors, Women, Conduct of life, Periodicals, and Social life and customs
Engraved depiction of a medal on the destruction of the Spanish Armada, the obverse depicted at the top of the design and the reverse depicted below it. Inscribed on obverse: "O COECAS HOMINVM MENTES O PECTOEA COECA" (Oh! the blind minds, the blind hearts of men); "DVRVM EST CONTRA STIMVLOS CALCITRARE" (It is hard to kick against the pricks--Acts ix. 5). Inscribed on reverse: "VENI VIDE VIVE 1588" (Come, see, live); "TV DEVS MAGNVS ET MAGNA FACIS TV SOLVS DEVS" (Thou, God, art great and doest wondrous things; thou art God alone--Psalms. lxxxvi. 10). Translations from the British Museum online catalogue and "Silver medal: (obverse) Pope, kings, bishops and others, seated in consultation, with bandaged eyes; the floor filled with spikes. (reverse) The Spanish fleet driven against rocks ... The obverse sarcastically satirizes the vain efforts of the Pope, the Emperor, Philip II, the Duke de Guise and other Princes, who had confederated against Elizabeth. The reverse records the destruction of the Spanish Armada, and ascribes the event to the immediate interference of Heaven."--British Museum online catalogue, description of an example of the medal after which this plate was engraved
Description:
Title devised by curator., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Horace Walpole kept an example of this medal in the rose-wood case in the Library at Strawberry Hill., For a description of an example of the medal, see British Museum online catalogue, registration no.: 1950,0805.3., and Mounted on page 89 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Date range for publication based on publisher's street address. John Bowles gave his address as 13 Cornhill between 1768 and 1779; see British Museum online catalogue., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., Price erased in state 5 and new publication line added in state 7., Sheet trimmed within plate mark., and On page 8 in volume 1.
Publisher:
Printed for John Bowles at No. 13 in Cornhill
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
