Lord Thurlow depicted as a schoolmaster is seated on the left. He wears an enormous wig, and holds in his left hand the book "A new guide to India" and in his right a birch rod. Facing him stands Pitt dressed as a young girl, with a key (to the Treasury) hanging from her belt. On the wall behind them hangs a portait of the King labelled "a great Whig", a bust of Fox labelled "a true Whig" on top of a bookcase containing Newbery's Works, and a map with the face of Shelburne titled "a false Whig." The "h" in the first word of the title is inserted above the "i".
Alternative Title:
Master Billy learning his task and Wiggism, or, Master Billy learning his task
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd for S.W. as the act directs, by J. Cattermoul, No. 376 Oxford Street
Subject (Geographic):
Great Britain and England.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806., Pitt, William, 1759-1806., George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and Lansdowne, William Petty, Marquis of, 1737-1805.
"The interior of the House of Commons showing part of the Speaker's chair on the extreme left, and the adjacent Opposition bench on the right with a corner of the gallery. On the floor between the table and the front Opposition bench a large cask, resting on trestles, is exploding violently from the bung-hole. The inscription on the cask forms the only title to the print. In the explosion are the words: 'Reform', 'Peace', 'Liberty', 'Equality', 'no Slave Trade', 'Peace'. Part only of the Speaker's hat and wig are visible; his left hand is extended and the words 'Order Order' issue from his (invisible) mouth. Three occupants of the front Opposition bench cover their faces, two others flee from the explosion."--British Museum online catalogue
Description:
Title from text in image., Signed with the monogram of James Sayers., Third of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "3" in upper left corner., Temporary local subject terms: Opposition -- Motion for peace with France, 27 May 1795 -- Containers: Casks., and Mounted on leaf 68 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Whitbread, Samuel, 1764-1815. and Great Britain. Parliament. House of Commons,
The figure of Time, with his scythe, hovers in the air between the kneeling figures of Pitt on the left and Fox on the right. Through two pipes inscribed, "Court favor" and "popularity," he blows bubbles that Pitt catches in his mouth. Fox, his hands raised in supplication, begs Time for the same favor. His plea is supported by the Duchess of Devonshire who stands behind him. In the background, a radiating temple on a rock behind Pitt is inscribed, "St. Jameses." Behind Fox, a lighthouse with a flare hanging from its top is signed, "House of Commons." Between the two, on the other side of a river, is a ruined ancient city, a reference to Rome
Description:
Title from item. and Printmaker from British Museum catalogue.
Publisher:
Pub'd by [...]
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Political elections, Scythes, Temples, Ruins, Lighthouses, Tobacco pipes, Scissors & shears, and Clothing & dress
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", and Mounted.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., and One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so."
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", Plate numbered "68" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 7937 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Printed on verso, left half only, an uncolored impression of James Gillray's: The Pacific entrance of Earl-Wolf into Blackhaven.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
Manuscript on paper of a collection of material copied primarily by William Camden, antiquary and historian (1551-1623), from documents, 14th-16th centuries, that were in the Tower of London and in the College of Arms. Some selections are from official records, others are from private papers that were deposited in the Office of Arms. The manuscript is composed of four parts, the first two of which are laid in.
Description:
In English and Latin., Watermarks: unidentified design, Part I; Briquet Lion 10555 and similar to Briquet Pot 12736, Part II; unidentified grapes and Briquet Lion 10555, Parts III, IV., Script: Written primarily by William Camden in several styles of cursive., Edges of some leaves crumbled and torn, with loss of text., and Binding: Date? Broken limp vellum case.
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[24 January 1810]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of William Eden, 1st Baron Auckland, half-length, seated to left, looking towards the viewer, wearing coat, waistcoat with standing collar, and frill."--British Museum online catalogue and Bust portrait of Lord Auckland, turned slightly left, facing front, one eyebrow raised, wearing dark jacket and light ruffled shirt
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in before page 279 (leaf numbered '99' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jan. 24, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Auckland, William Eden, Baron, 1744-1814, and Auckland, William Eden, Baron, 1744-1814.
"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: Strasburg bend with date 1798?, and Mounted to 42 x 29 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments
