Manuscript, on parchment, in a single hand, of a version of Peter of Ickham's chronicle of English history. The narrative in this copy ends with 1301; this is followed by several brief entries in the same hand for events dated between 1287 and 1305
Description:
In Latin., Scribal explicit: "hic pennam fixi penitet me si male dixi.", Ownership inscription on front paper flyleaf: "Brudenell de Deen d[omi]nusque de Stonton.", Some marginal annotations, particularly in lower margins. Some of these have been trimmed; three leaves containing lower margin annotations have been left untrimmed and folded back, apparently in an effort to preserve the annotations (13r; 22r; 59r)., Two leaves bound in at the end of the volume contain passages from the Doctrinale of Alexander de Villa Dei. Ownership inscription on 1r in a later, (early seventeenth-century?) hand: "Mistresse Leucey Brudenell.", Layout: single columns of 34 lines., Script: rounded gothic script., Decoration: Rubricated., and Binding: seventeenth-century full calf, with the arms of the Brudenell family in gilt on the covers.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Peter, of Ickham, active 1290.
Subject (Topic):
Manuscripts, Medieval, Latin prose literature, Medieval and modern, Great Britain, History, and Kings and rulers
Depicts Burke wearing spectacles and wig, but in monastic habit as an Irish Jesuit. He is seated on a stool peeling a potato, at a table on which is a chamber pot full of steaming potatoes, and at the other end a keg of whisky supporting a broken crucifix. Beneath the table dance 3 demons. A reference to Burke's resignation after the death of Rockingham, and to his support of the Catholic Relief Act
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 23d, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797 and Catholic Church
Subject (Topic):
Politics and government, Monks, Demons, Chamber pots, Potatoes, Tableware, Fireplaces, Interiors, and Anti-Catholicism
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
Postcard depicting a cat as judge and Legally themed postcard depicting cat as judge
Description:
Date from postmark., Card addressed: Master J. Lodie ... Cathays, Cardiff., In upper left corner: 10 645., Also available in original print http://morris.law.yale.edu/record=b1281843, Digital reproduction. New Haven, Connecticut : Yale Law Library, 2019 LM Z Postcards v.1 no.1 tall., and Online resource; description based on print version record.
"North and Fox as supporters of the Coalition Arms (cf. BMSat 6369 (5)), which rest on the prostrate body of the king, on whom North rests his left foot and Fox his right. North stands (left) dexter, holding in his right hand a flag on which are two demons and the word 'Coalition'; the staff is surmounted with a skull; in his left is a small flag with thirteen oblique stripes, an allusion to the loss of the Colonies, which forms part of the first quarter of the arms. Fox holds a ragged cap of Liberty on its staff; his right hand, resting on the escutcheon, holds a small axe which forms part of the second quarter of the arms. The crest is formed of the heads of North and Fox back to back, in profile, right; from their mouths comes a ribbon with the word 'Faction'. The motto which supports the figures of Fox, North, and I the king, is 'Neck or Nothing'. Beneath the plate is a printed explanation of the Coalition Arms: 'Lately granted by a new College of Arms to two Illustrious Persons for their numerous and distinguished Virtus "Go and do thou likewise". They are thus emblazoned: First Quarter. A Standard with the Thirteen Stripes of the American States; Base, Edmund St Omer's [Burke], like a skilful Dentist, drawing the Teeth of a Lion. Second. Quarterly, First and Fourth, Implements of Gambling; Sinister Chief, a declining Axe; Dexter base, the head of Charles, Martyr; Fesse Point Arms of H--ll--d [Holland, the arms of Fox, cf. BMSat 6423]. Third. A Gallows, Two Halters charged Proper. Fourth. Britannia Renversed. Crest. Janus, with the motto Faction. Supporters. Dexter, the Promoter of Independence with the Flag of Coalition. Sinister; the Man of the People, with a Liberty Cap worn Threadbare; both Supporters trampling on an injured------[King] who is extricating Himself from their Oppression.' The arms are as described: Burke (half length) applies a pair of forceps to the teeth of a lion, seated passively. Above them is a paper inscribed 'Reform Bill' (cf. BMSat 5645, &c). The implements of gambling are dice-box, dice, and cards. From the gallows hang a fox (left) and North (right). Britannia, seated head downwards, holds out an olive-branch, emblematical of the peace and the loss of America."--British Museum online catalogue
Description:
Title from item., Original issue of no. 6441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; with the printmaker's initials and date intact., The printed explanation of the arms below the plate begins: "Key to the coalition arms," and ends with: "These arms were given from the Herald's Office to the two men, for their many and distinguished virtues. 'Go and do thou likewise.'", and Mounted to 38 x 27 cm.
Publisher:
Published by M. Smith, March 8, 1784, and sold at No. 46 in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Britannia (Symbolic character), Politics and government, Coats of arms, Liberty cap, Foxes, Lions, Gambling, Gallows, and Clothing & dress
The shield of the Coalition Arms rests on the prostrate figure of the King who tries to free himself from his burden. His efforts are resisted by two supporters of the shield, Lord North (dexter) and Charles Fox (sinister) who each press him down with a foot. North holds a flag with two dancing devils and sign "Coalition," and a small flag with thirteen stripes. Fox holds a stick with a tattered liberty cap on its top. The shield is divided into four quarters. In the first one, Burke, standing under the sign, "Reform bill," pulls a lion's teeth. In the second, the "implements of gambling" are combined with an axe and the head of "Charles Martyr" [i.e., Charles I]. In the third, Fox, shown as a fox, and North, hang from a gallows. In the fourth, a seated figure of Britannia with an olive branch is drawn upside down. The whole is supported by a motto, "Neck or nothing."
Description:
The printed explanation of the arms below the plate begins: "Lately granted by a new College of Arms to two illustrious persons for their numerous and distinguished virtues. 'Go and do thou likewise.'" and "Price one shilling."
Publisher:
Published by M. Smith, March 8, 1784, and sold at No. 46 in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Britannia (Symbolic character), Politics and government, Coats of arms, Liberty cap, Foxes, Lions, Gambling, Gallows, and Clothing & dress